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Ed Webb

Belfast is welcoming refugees with a radical new approach: speaking to them | openDemoc... - 0 views

  • Belfast Friendship Club meets every Thursday evening, and over the months and years meaningful connections and friendships have been forged, irrespective of our backgrounds or identities. The club’s strength arises from an ethos of solidarity, equity, respect and the huge, loyal and expanding membership draws newcomers into its warm and welcoming space.
  • In a country still wrestling with its history of intolerance and suspicion of the ‘other’, introducing the table hosts as my friends immediately sets the scene and makes way for connection on a basic, human level. As table hosts share their purely personal perspectives about how they’ve coped with their lives as migrant workers, asylum seekers or refugees, participants are prompted to wonder how they, too, might fare if placed in similar situations.
Ed Webb

Sci-Fi Author J.G. Ballard Predicts the Rise of Social Media (1977) | Open Culture - 0 views

  • Ballard was a brilliant futurist and his dystopian novels and short stories anticipated the 80s cyberpunk of William Gibson, exploring with a twisted sense of humor what Jean Lyotard famously dubbed in 1979 The Postmodern Condition: a state of ideological, scientific, personal, and social disintegration under the reign of a technocratic, hypercapitalist, “computerized society.” Ballard had his own term for it: “media landscape,” and his dark visions of the future often correspond to the virtual world we inhabit today.
  • Ballard made several disturbingly accurate predictions in interviews he gave over the decades (collected in a book titled Extreme Metaphors)
  • he gave an interview to I-D magazine in which he predicted the internet as “invisible streams of data pulsing down lines to produce an invisible loom of world commerce and information.” This may not seem especially prescient (see, for example, E.M. Forster’s 1909 “The Machine Stops” for a chilling futuristic scenario much further ahead of its time). But Ballard went on to describe in detail the rise of the Youtube celebrity: Every home will be transformed into its own TV studio. We'll all be simultaneously actor, director and screenwriter in our own soap opera. People will start screening themselves. They will become their own TV programmes.
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  • ten years earlier, in an essay for Vogue, he described in detail the spread of social media and its totalizing effects on our lives. In the technological future, he wrote, “each of us will be both star and supporting player.” Every one of our actions during the day, across the entire spectrum of domestic life, will be instantly recorded on video-tape. In the evening we will sit back to scan the rushes, selected by a computer trained to pick out only our best profiles, our wittiest dialogue, our most affecting expressions filmed through the kindest filters, and then stitch these together into a heightened re-enactment of the day. Regardless of our place in the family pecking order, each of us within the privacy of our own rooms will be the star in a continually unfolding domestic saga, with parents, husbands, wives and children demoted to an appropriate supporting role.
  • this description almost perfectly captures the behavior of the average user of Facebook, Instagram, etc.
  • Ballard wrote a 1977 short story called “The Intensive Care Unit,” in which—writes the site Ballardian---“ordinances are in place to prevent people from meeting in person. All interaction is mediated through personal cameras and TV screens.”
  • “Now everybody can document themselves in a way that was inconceivable 30, 40, 50 years ago,” Ballard notes, “I think this reflects a tremendous hunger among people for ‘reality’—for ordinary reality. It’s very difficult to find the ‘real,’ because the environment is totally manufactured.” Like Jean Baudrillard, another prescient theorist of postmodernity, Ballard saw this loss of the "real" coming many decades ago. As he told I-D in 1987, “in the media landscape it’s almost impossible to separate fact from fiction.”
Ed Webb

How white male victimhood got monetised | The Independent - 0 views

  • I also learned a metric crap-tonne about how online communities of angry young nerd dudes function. Which is, to put it simply, around principles of pure toxicity. And now that toxicity has bled into wider society.
  • In a twist on the "1,000 true fans" principle worthy of Black Mirror, any alt-right demagogue who can gather 1,000 whining, bitter, angry men with zero self-awareness now has a self-sustaining full time job as an online sh*tposter.
  • Social media has been assailed by one toxic "movement" after another, from Gamergate to Incel terrorism. But the "leaders" of these movements, a ragtag band of demagogues, profiteers and charlatans, seem less interested in political change than in racking up Patreon backers.
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  • Making a buck from the alt-right is quite simple. Get a blog or a YouTube channel. Then under the guise of political dialogue or pseudo-science, start spouting hate speech. You'll soon find followers flocking to your banner.
  • Publish a crappy ebook explaining why SJWs Always Lie. Or teach your followers how to “think like a silverback gorilla” (surely an arena where the far right already triumph?) via a pricey seminar. Launch a Kickstarter for a badly drawn comic packed with anti-diversity propaganda. They'll sell by the bucketload to followers eager to virtue-signal their membership in the rank and file of the alt-right
  • the seemingly bottomless reservoirs of white male victimhood
  • nowhere is there a better supply of the credulous than among the angry white men who flock to the far right. Embittered by their own life failures, the alt-right follower is eager to believe they have a genetically superior IQ and are simply the victim of a libtard conspiracy to keep them down
  • We're barely in the foothills of the mountains of madness that the internet and social media are unleashing into our political process. If you think petty demagogues like Jordan Peterson are good at milking cash from the crowd, you ain’t seen nothing yet. Because he was just the beginning – and his ideology of the white male victim is rapidly spiralling into something that even he can no longer control
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