Dostoevsky's Crime and Punishment

Stream of consciousness, the continuous flow of sense‐perceptions, thoughts, feelings, and memories in the human mind; or a literary method of representing such a blending of mental processes in fictional characters, usually in an unpunctuated or disjointed form of interior monologue. The term is often used as a synonym for interior monologue

Crime and Punishment (Russian: Преступление и наказание Prestuplenie i nakazanie) is a novel by Russian author Fyodor Dostoevsky that was first published in the literary journal The Russian Messenger in twelve monthly installments in 1866.[1] It was later published in a single volume.

 Indeed, if it is a similarity of inner experience rather than a common origin, a common place of residence, and a similarity of character that binds people together and makes them kindred, then Nietzsche and Dostoevsky can without exaggeration be called brothers, even twins.

  Indeed, if it is a similarity of inner experience rather than a common origin, a common place of residence, and a similarity of ch

The following morning, Raskolnikov visits Porfiry Petrovich at the police department, supposedly in order to turn in a formal request for his pawned watch. As they converse, Raskolnikov starts to feel again that Porfiry is trying to lead him into a trap. Eventually, he breaks under the pressure and accuses Porfiry of playing psychological games with him. At the height of tension between them, Nikolai, a workman who is being held under suspicion for the murders, bursts into the room and confesses to the murders. On the way to Katerina Ivanovna’s memorial dinner for Marmeladov, Raskolnikov meets the mysterious man who called him a murderer and learns that the man actually knows very little about the case.

Dostoevsky depicts social issues, especially the problem of murder, through an image of people who go through pain. He presents a graphical experience of ones who do not know how to deal with humanity and its problems. Dostoevsky himself does not give a clear solution nor does he leave one with the certainty of faith for an example.

The Raskolnikov Project is an idea that has been bouncing around in my mind for a long time – a contemporary YA novel heavily influenced by Dostoevsky’s masterpiece, Crime & Punishment.

Raskolnikov is a young ex-student of law living in extreme poverty in Saint Petersburg. He lives in a tiny garret which he rents, although due to a lack of funds has been avoiding payment for quite some time (he claims the room aggravates his depression).

Raskolnikov murders a pawnbroker, Alyona Ivanovna, with an axe he stole from a janitor's woodshed, with the intention of using her money for good causes, based on a theory he had developed of the "great man". Raskolnikov believed that people were divided into the "ordinary" and the "extraordinary": the ordinary are the common rabble, the extraordinary (notably Napoleon or Muhammad) must not follow the moral codes that apply to ordinary people since they are meant to be great men.