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Raskolnikov is a young ex-student of law living in extreme poverty in Saint Petersburg. He lives in a tiny garret which he rents, although due to a lack of funds has been avoiding payment for quite some time (he claims the room aggravates his depression).

Raskolnikov murders a pawnbroker, Alyona Ivanovna, with an axe he stole from a janitor's woodshed, with the intention of using her money for good causes, based on a theory he had developed of the "great man". Raskolnikov believed that people were divided into the "ordinary" and the "extraordinary": the ordinary are the common rabble, the extraordinary (notably Napoleon or Muhammad) must not follow the moral codes that apply to ordinary people since they are meant to be great men.

Stream of consciousness, the continuous flow of sense‐perceptions, thoughts, feelings, and memories in the human mind; or a literary method of representing such a blending of mental processes in fictional characters, usually in an unpunctuated or disjointed form of interior monologue. The term is often used as a synonym for interior monologue

 Indeed, if it is a similarity of inner experience rather than a common origin, a common place of residence, and a similarity of character that binds people together and makes them kindred, then Nietzsche and Dostoevsky can without exaggeration be called brothers, even twins.

  Indeed, if it is a similarity of inner experience rather than a common origin, a common place of residence, and a similarity of ch

Porfiry is the attorney investigating the murders of Alyona and Lizaveta, and is a bit of a mystery. We don't really know him outside of his professional capacity. He's related to Razumihin, but that doesn't give us much to go on as far as his character is concerned.

In Crime and Punishment, Dostoevsky uses the character of Sonia Marmeladov, whose first name means wisdom, not solely to illustrate God's mercy toward a fallen woman but to have her redeem both herself and Raskolnikov through God's mercy.

He shows us that even the lowliest of the lowly lost are loved by the Father, and by their sufferings gain merit.

The best example of this is that its lead character, Rodion Romanovitch Raskolnikov, is not a realistic villain, but an archetype- and really a symbol. The sound of his name connotes his being a rascal or rapscallion, and in Russian raskolnik even means to be divided, or schismatic. His swings between guilt and mendacious evil are better seen as devices serving the drama of the narrative than as any true portrait of a sociopath- be it a modern serial killer, a gangster, or any other form.