Skip to main content

Home/ Dostoevsky's Crime and Punishment/ Group items tagged raskolnikov

Rss Feed Group items tagged

Susan Bistrican

Comparison paper example - 1 views

Use my comparison paper as an example for comparing Crime and Punishment to a philosophical work of your choice. S. Bistrican, 2006 Redemption through Suffering: Reading Crime and Punishmen...

comparison philosophy Dostoevsky Unamuno

started by Susan Bistrican on 27 Jul 11 no follow-up yet
Susan Bistrican

Reader response example - 1 views

Use my reader response journal entry as an example for your own. Reading Response Journal: Crime and Punishment Though dense, depressing, and exploding with detail and description, Crime and...

Dostoevsky c&p reader response

started by Susan Bistrican on 27 Jul 11 no follow-up yet
Susan Bistrican

Rodion Romanovich Raskolnikov - Wikipedia, the free encyclopedia - 0 views

  • Raskolnikov is a young ex-student of law living in extreme poverty in Saint Petersburg. He lives in a tiny garret which he rents, although due to a lack of funds has been avoiding payment for quite some time (he claims the room aggravates his depression).
  • Raskolnikov murders a pawnbroker, Alyona Ivanovna, with an axe he stole from a janitor's woodshed, with the intention of using her money for good causes, based on a theory he had developed of the "great man". Raskolnikov believed that people were divided into the "ordinary" and the "extraordinary": the ordinary are the common rabble, the extraordinary (notably Napoleon or Muhammad) must not follow the moral codes that apply to ordinary people since they are meant to be great men.
  •  
    A decent character description of the pro/antagonist, Raskolnikov
Susan Bistrican

Crime and Punishment Suffering Quotes - 0 views

  • [Raskolnikov] had to tell her [Sonia] who had killed Lizaveta. He knew the terrible suffering it would be to him and, as it were, brushed away the thought of it. (5.4.1) Raskolnikov knows that confessing, the act of speaking his crimes, causes him to suffer – yet, he can't stop doing it. He needs to tell. The suffering of telling is less than the suffering of not telling.
  • [Raskolnikov:] "They say it is necessary for me to suffer! What's the object of these senseless sufferings? Shall I know any better what they are for, when I am crushed by hardships and idiocy, and weak as an old man after twenty years' penal servitude?" (6.8.75) Here Raskolnikov is questioning the high premium everybody places on suffering as he debates whether or not to turn himself in, and submit to prison. Also notice that he thinks he'll get at least twenty years in prison, but he only gets eight.
  •  
    Quotes and explications on Raskolnikov and the implications of his suffering, prior and post-murdering Lizeveta and her sister.
Susan Bistrican

Who Framed Raskolnikov? Game Download - 0 views

  •  
    Play for a free hour! Who framed Raskolnikov? We know he did it, but can he pin it on someone else?
Susan Bistrican

‪ "RASKOLNIKOV!" | YouTube - 0 views

  •  
    Philosophy of the extraordinary man and why Raskolnikov is divided.
Susan Bistrican

Raskolnikov by John Gagne (2007) - 0 views

  •  
    An interesting painting by John Gagne. His interpretation of Raskolnikov is also intermingled with several portraits including his own self-portrait to create a single composite.
Susan Bistrican

SparkNotes: Crime and Punishment: Plot Overview - 0 views

  • The following morning, Raskolnikov visits Porfiry Petrovich at the police department, supposedly in order to turn in a formal request for his pawned watch. As they converse, Raskolnikov starts to feel again that Porfiry is trying to lead him into a trap. Eventually, he breaks under the pressure and accuses Porfiry of playing psychological games with him. At the height of tension between them, Nikolai, a workman who is being held under suspicion for the murders, bursts into the room and confesses to the murders. On the way to Katerina Ivanovna’s memorial dinner for Marmeladov, Raskolnikov meets the mysterious man who called him a murderer and learns that the man actually knows very little about the case.
  •  
    Use this as a REFERENCE ONLY for studying and writing your papers. NOTE: YOU WILL BE GIVEN INTERMITTENT READING QUIZZES, SO SPARK NOTES ALONE WILL NOT SAVE YOU FROM FAILING.
Susan Bistrican

The Raskolnikov Project | a novel - 0 views

  • The Raskolnikov Project is an idea that has been bouncing around in my mind for a long time – a contemporary YA novel heavily influenced by Dostoevsky’s masterpiece, Crime & Punishment.
  •  
    New installments every week! This YAL author puts her work online as a draft with little-to-no editing. Any parallels with stream-of-consciousness writing since she hastily posts her work?
Susan Bistrican

Quotations on Dostoevsky as a writer - 0 views

  • “Russia’s evil genius,” -- Maxim Gorky (1905)
  • Henry James described Dostoevsky’s works as “baggy monsters” and “fluid puddings”, with a profound “lack of composition” and a “defiance of economy and architecture.
  • And to "CRIME & PUNISHMENT"... "Raskolnikov lived his true life when he was lying on the sofa in his room, deliberating not at all about the old woman, nor even as to whether it is or is not permissible at the will of one man to wipe from the face of the earth another, unnecessary and harmful, man, but whether he ought to live in Petersburg or not, whether he ought to accept money from his mother or not, and on other questions not at all relating to the old woman. And then -- in that region quite independent of animal activities -- the question of whether he would or would not kill the old woman was decided. The question was decided... when he was doing nothing and was only thinking, when only his consciousness was active: and in that consciousness tiny, tiny alterations were taking place. It is at such times that one needs the greatest clearness to decide correctly the questions that have arisen, and it is just then that one glass of beer, or one cigarette, may prevent the solution of the question, may postpone the decision, stifle the voice of conscience and prompt a decision of the question in favor of the lower, animal nature -- as was the case with Raskolnikov. Tiny, tiny alterations -- but on them depend the most immense and terrible consequences." -- Leo Tolstoy on Dostoevsky's Raskolnikov
  •  
    Dostoevsky's work is received differently among his critics who don't always enjoy his work. Though some critics believe that his work is of aesthetic value, the prevailing critique that it is very "Russian" connotes that his work is sometimes macabre and always depressing.
Susan Bistrican

"Raskolnikov" - 0 views

shared by Susan Bistrican on 27 Jul 11 - No Cached
  •  
    by Amy Coyle
  •  
    Raskolnikov after he murders pawnbroker Alyona Ivanovna and her sister, Lizaveta, with an ax.
Susan Bistrican

Raskolnikov and Alyona Ivanovna - 0 views

  •  
    A piece from DeviantArt.com (artist unknown)
Susan Bistrican

Stream of Consciousness - 1 views

Journal Prompt: We are steeped in the consciousness of Raskolnikov from the first page of the book as he describes his fears. As thought unfolds, it does so in a fluid fashion, not stopping t...

raskolnikov stream-of-consciousness journal

started by Susan Bistrican on 27 Jul 11 no follow-up yet
Susan Bistrican

IN RASKOLNIKOV'S ST. PETERSBURG - 1 views

  • Sonya the innocent From Grazhdanskaya 19 I continue on to Kaznacheyskaya, to Sonya Marmeladovna's house and the corner where Raskolnikov exchanged a few words with some whores. A madwoman eats bird seed on Kaznacheyskaya and a half-blind woman is selling used shoestrings. Dostoyevsky knew his Sonya well, and the whores are here again in Ploschad Mira, rubbing shoulders with the other freaks. The official records reveal that in 1868 there were two-thousand-and-forty-eight prostitutes in St. Petersburg. I say my farewells to Sonya's virtues and Dostoyevsky's unrealistic psychology.
  •  
    Short story by Rosa Liksom 1994, inspired by C&P's pro/antagonist.
Susan Bistrican

"Crime and Punishment" - 0 views

shared by Susan Bistrican on 27 Jul 11 - No Cached
  •  
    "Galavin's works are powerful statements of expression and emotion, such as the picture above, an illustration from Dostoyevsky's novel _Crime and Punishment_. The lithograph shown depicts Marmeladov coming home to the squalor that his wife and children must live in because of his excesses. Accompany him is Raskolnikov who at same time is appalled but fascinated at what he sees. 'When I read Crime and Punishment and came to this scene I immediately took out pen and paper to translate my emotions into picture. As in Shakespeare words 'Has much to do with hate, but more with love' the scene shows every man's tug of war with the story we call life.' This picture, among others, was on exhibit in Europe and now exists as a Fine Art Lithograph in limited edition. This detailed lithograph is available for a price of $125.00 - the measurements are 17x22." -- http://www.angelfire.com/ga/lithograph/
Susan Bistrican

Pre-Crime and Punishment | Endless Innovation | Big Think - 0 views

  • One of the most striking facts about the recent Oslo massacre and bombing by an extremist 32-year-old Norwegian was the sheer amount of pre-meditation that went into the grisly act.
  • There is somehow an unsettling notion that all of these senseless deaths could have been prevented had all the facts been considered ahead of time.
  • If Dostoevsky were to have written his masterpiece Crime and Punishment in the 21st century, Fyodor Mikhailovich - himself accused of a crime and sent to a firing squad in Siberia - would surely have reversed the plot line of the story. The inspector Porfiry would surely have detected Raskolnikov hours - if not days - before his murder of the old pawnbroker in her St. Petersburg apartment. Instead of Raskolnikov slowly but surely submitting to the guilt and terror of having commited the crime after the fact, he would have surely posted his Nietzschean superman manifesto online -- and maybe even tweeted about it -- a few hours beforehand. Without a single violent act being committed, the police authorities would have initiated his arrest and put his eventual Siberian exile into motion. But at what cost to the moral fabric of society?
  •  
    An article discussion the notion of "pre-crime" as referenced in Philip K. Dick's _The Minority Report_. The writer argues that if C&P were written in the 21st century, it could be possible to have stopped the crime before it was committed. This is also in relation to the recent terrorist attacks in Oslo, Norway and Anders Behring Breivik's premeditation of the crime.
Susan Bistrican

Miguel de Unamuno - Wikiquote - 1 views

  • But the capacity to enjoy is impossible without the capacity to suffer; and the faculty of enjoyment is one with that of pain. Whosoever does not suffer does not enjoy, just as whosoever is insensible to cold is insensible to heat.
    • Susan Bistrican
       
      As I discussed in the example paper I posed to Diigo, Miguel de Unamuno was an existential philosopher unlike those in the same school of thought because he included God within his philosophy (as opposed to the traditional atheism of thinkers such as Nietzsche: "God is dead.") This aligns with the suffering Raskolnikov experiences in C&P and the redemption that accompanies Ras after he serves time in Siberia and "finds" God. This is autobiographical, as Dostoevsky himself served time in a Siberian prison and became religious after the experience. The existentially-wrought text that also includes God is perfect to read through Unamuno's lens.
  • Not by way of reason, but only by way of love and suffering, do we come to the living God, the human God.
  •  
    Migel de Unamuno and thoughts on suffering
Susan Bistrican

Dan Schneider on Dostoevsky's Crime And Punishment - 0 views

  • The best example of this is that its lead character, Rodion Romanovitch Raskolnikov, is not a realistic villain, but an archetype- and really a symbol. The sound of his name connotes his being a rascal or rapscallion, and in Russian raskolnik even means to be divided, or schismatic. His swings between guilt and mendacious evil are better seen as devices serving the drama of the narrative than as any true portrait of a sociopath- be it a modern serial killer, a gangster, or any other form.
  •  
    A GREAT characterization of Ras, as well as a thorough reading of C&P and its larger themes.
Susan Bistrican

C&P study guide - 0 views

  • Russian word for “crime” is “prestuplenie” which in direct translation means “stepping over”. “Stepping over the line” is also one of the phrases used by Raskolnikov in his “Louse or Napoleon” theory.
Susan Bistrican

C&P Full text - 1 views

  • t's her eyes I am afraid of... yes, her eyes... the red on her cheeks, too, frightens me... and her breathing too.... Have you noticed how people in that disease breathe... when they are excited? I am frightened of the children's crying, too....
    • Susan Bistrican
       
      Raskolnikov describes his fears that are other than physical pain.
  •  
    Use this page to navigate through C&P on your computer if you need to find specific words or passages. Hit ctrl+F and type key words in order to find specifics in the text.
1 - 20 of 23 Next ›
Showing 20 items per page