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beth gourley

Best Buy and Verizon Jump Into E-Reader Fray, With iRex - NYTimes.com - 0 views

  • iRex Technologies, a spinoff of Royal Philips Electronics that already makes one of Europe’s best-known e-readers, plans to announce that it is entering the United States market with a $399 touch-screen e-reader.
  • The iRex has an 8.1-inch touch screen and links to buy digital books in Barnes & Noble’s e-bookstore and periodicals from NewspaperDirect, a service that offers more than 1,100 papers and presents them onscreen largely as they appear in print form.
  • The iRex can also handle the ePub file format, a widely accepted industry standard, which means that owners can buy books from other online bookstores that use ePub and transfer texts onto the iRex.
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    Source for Tennant's article in LJ
Katie Day

On the ropes? Robert Darnton's Case for Books - 9/14/2009 - Publishers Weekly - 0 views

  • The Future Whatever the future may be, it will be digital. The present is a time of transition, when printed and digital modes of communication coexist and new technology soon becomes obsolete. Already we are witnessing the disappearance of familiar objects: the typewriter, now consigned to antique shops; the postcard, a curiosity; the handwritten letter, beyond the capacity of most young people, who cannot write in cursive script; the daily newspaper, extinct in many cities; the local bookshop, replaced by chains, which themselves are threatened by Internet distributors like Amazon. And the library? It can look like the most archaic institution of all. Yet its past bodes well for its future, because libraries were never warehouses of books. They have always been and always will be centers of learning. Their central position in the world of learning makes them ideally suited to mediate between the printed and the digital modes of communication. Books, too, can accommodate both modes. Whether printed on paper or stored in servers, they embody knowledge, and their authority derives from a great deal more than the technology that went into them.
  • E-Books I want to write an electronic book. Here is how my fantasy takes shape. An “e-book,” unlike a printed codex, can contain many layers arranged in the shape of a pyramid. Readers can download the text and skim the topmost layer, which will be written like an ordinary monograph. If it satisfies them, they can print it out, bind it (binding machines can now be attached to computers and printers), and study it at their convenience in the form of a custom-made paperback. If they come upon something that especially interests them, they can click down a layer to a supplementary essay or appendix. They can continue deeper through the book, through bodies of documents, bibliography, historiography, iconography, background music, everything I can provide to give the fullest possible understanding of my subject. In the end, they will make the subject theirs, because they will find their own paths through it, reading horizontally, vertically, or diagonally, wherever the electronic links may lead. Authorship
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    Darnton is the library directory of Harvard University and his new book is called "The Case for Books: Past, Present, and Future
Katie Day

The 21st Century Writer - The Future Writer -- from The Futurist - 0 views

  • Beyond blogging, this means that the writers of the future (both fiction and nonfiction) will work with Web designers, software writers, and other professionals to create product.
  • To Lapham, the crudeness, silliness, and uncultured quality of today’s Web culture is a symptom of the immaturity of the new medium and the youthfulness of its users. The change will be gradual. “We’re still playing with it like it’s a toy,” he said of the Web. “We don’t yet know how to make art with it. McLuhan points out that the printing press was 1468, it’s a hundred years before you get to Cervantes, to Shakespeare.” 
  • “Look at Notre-Dame de Paris,” he said. “The novel is not about the hunchback so much as it is about the church, and the idea of sculpture as a way of communicating stories. In the preliterate era they told the stories through these churches.… Victor Hugo was lamenting the loss of that stone literacy, where people would look up at the church and know what it was about. Yes, something was lost. But we gained a lot. I remember a conversation I had at our open source convention with Freeman Dyson, the physicist. He said something wonderful; someone asked him what do you think about the fact that we were losing something or other, and he said, ‘We have to forget, otherwise there would be no room for new things.’ That’s an important thing to take.… Be accepting of the losses and the gains.”  “Reading isn’t going to go away,” agreed Abram, “but it’s only one aspect. Probably, it will be some combination of reading, visual conversations, and lessons. What you’re authoring is contributing to a corpus that is significantly larger than it is now, electronically. Most of the important stuff will have been converted 20 years from now. We can convert the entire Library of Congress for $9 billion right now, which, in terms of national priorities, is only five weeks of Iraqi conflict. It’s doable. It used to be undoable. The corpus, the ability to create cultural context, is going to change the nature of how culture is expressed.”
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  • “The written word will survive because there are things you can do with the written word that you simply cannot do with film or with radio. I don’t know if it will be a mass medium,” said Lapham. “The large majority of mankind is passive. The change comes from the active minority. Those people will continue to read. Books will continue to be read. Maybe the more popular forms of writing will be taken over by video games. But it’s up to members of your generation to teach young people how to read and what the difference is between reading literature and sifting data.”
  • Rushkoff sees new kinds of information systems springing to life next to writing, and sees this as part of a grand evolution in human communication. “Just because things became written down, we didn’t lose oral culture,” said Rushkoff. “Read Walter Ong [author of Orality and Literacy: The Technologizing of the Word]. We changed, but we still talk to each other, dance for each other. We do them in different situations. The written word is cool. It’s for a certain kind of thing. The more media we have to exchange, the better we understand what the biases are. The written word is abstract, contractual. It launched monotheism, ethics; it launched evolution. It was really important for a lot of things, and that will remain. But visual media will lead to other kinds of insights.”
Librareanne @diigo

How E-Readers Change the Way We Read | Head Case by Jonah Lehrer - WSJ.com - 1 views

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    new reading technologies may change the nature of reading and, ultimately, the content of our books.
Katie Day

Bidding Adieu to Textbooks -- ties - TIES10_55 - 0 views

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    In 2010, the Byron High School Math Department decided to discontinue using expensive textbooks and develop their own curriculum with a blend of open education resources and teacher-created content. This session will describe the successes and challenges of their journey as well as share a wealth of technology resources.
Katie Day

Official Google Blog: Our commitment to the digital humanities - 0 views

  • We've given awards to 12 projects led by 23 researchers at 15 universities:Steven Abney and Terry Szymanski, University of Michigan. Automatic Identification and Extraction of Structured Linguistic Passages in Texts.Elton Barker, The Open University, Eric C. Kansa, University of California-Berkeley, Leif Isaksen, University of Southampton, United Kingdom. Google Ancient Places (GAP): Discovering historic geographical entities in the Google Books corpus.Dan Cohen and Fred Gibbs, George Mason University. Reframing the Victorians.Gregory R. Crane, Tufts University. Classics in Google Books.Miles Efron, Graduate School of Library and Information Science, University of Illinois. Meeting the Challenge of Language Change in Text Retrieval with Machine Translation Techniques.Brian Geiger, University of California-Riverside, Benjamin Pauley, Eastern Connecticut State University. Early Modern Books Metadata in Google Books.David Mimno and David Blei, Princeton University. The Open Encyclopedia of Classical Sites.Alfonso Moreno, Magdalen College, University of Oxford. Bibliotheca Academica Translationum: link to Google Books.Todd Presner, David Shepard, Chris Johanson, James Lee, University of California-Los Angeles. Hypercities Geo-Scribe.Amelia del Rosario Sanz-Cabrerizo and José Luis Sierra-Rodríguez, Universidad Complutense de Madrid. Collaborative Annotation of Digitalized Literary Texts.Andrew Stauffer, University of Virginia. JUXTA Collation Tool for the Web.Timothy R. Tangherlini, University of California-Los Angeles, Peter Leonard, University of Washington. Northern Insights: Tools & Techniques for Automated Literary Analysis, Based on the Scandinavian Corpus in Google Books.
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     "Google's Digital Humanities Research Awards will support 12 university research groups with unrestricted grants for one year, with the possibility of renewal for an additional year. The recipients will receive some access to Google tools, technologies and expertise."
Katie Day

Book Review - The Book in the Renaissance - By Andrew Pettegree - NYTimes.com - 0 views

  • ephemeral material supplied the main business of the early publishing industry. Classical authors, we are told, accounted for “around 5 percent of all printed books published in the 15th century.”
  • Pettegree writes well and amasses information superbly. He refrains from explicitly comparing the technology of print, and its historical impact, with the technology of the Internet. Implicit similarities include issues of intellectual property and privacy, of power, of libel, as well as a general challenge to old modes — the proliferation of personal expression, the contentiousness, the question of how to capitalize, and capitalize upon, a new medium. This scholarly restraint, leaving his readers to compare and contrast, seems wise. And there are certainly contrasts with the modern age.
  • In an appended “Note on Sources,” Pettegree allows himself to acknowledge that, “Ironically, it has been the next great information revolution — the Internet — that has allowed this work on the first age of print to be pursued to a successful conclusion.” Digital information newly available from all over the world enhanced his research on early print culture — in all its frequently vulgar, ephemeral, zany and menacing variety.
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  • in the Renaissance these works were not read in the prolonged, silent trance experienced by readers of Dickens or Flaubert
  • In contrast to this industrial-age solitude of print narrative, the 16th-century verse romances and other episodic books like “The Decameron” were suited for reading aloud — enjoyed in a communal, social setting.
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    ""  "The humanist mythology of print." With this phrase the British scholar Andrew Pettegree indicates the cultural story his book amends, and to some extent transforms. In an understated, judicious manner, he offers a radically new understanding of printing in the years of its birth and youth. Print, in Pettegree's account, was never as dignified or lofty a medium as that "humanist mythology" of disseminated classics would suggest.
Librareanne @diigo

iMinds - General Knowledge for our Lifestyle and Devices - 1 views

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    iMinds offers 8-minute AudioBooks and eBook articles that deliver bursts of knowledge on an array of topics through iPods, eReaders and other technology.
Petra Pollum

Free Technology for Teachers: GooReader - Read Google Books On Your Desktop - 0 views

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    Google Books is a great resource for locating books and periodical articles that you can read online for free
Katie Day

FT.com / Comment / Opinion - Accessing the e-book revolution - Stephen Johnson - 0 views

  • The difference between our time and Gutenberg’s is, of course, the rate of change. It took almost half a century for the alphabetical index to become a standard; Arabic page numbers were not adopted until the 1500s. There were feature wars in the new platform of the book, but salvos were fired only every 20 years. It may have taken a long time, but when all those features coalesced into the system of citation, indices, page numbers, footnotes, bibliographies and cross-references that we now take for granted, they helped usher in the scientific revolutions of the modern age. Entire ways of interacting with information became possible because we had agreed on how to describe where the information lived and how to point people towards it.
  • This is a story with a direct connection to our current situation. This year is the 20th anniversary of Tim Berners-Lee’s world wide web specification. The defining property of that standard was this: it established a way to describe where information lives and how to point people to it. The extraordinary run of innovation seen on the web starts with the breakthrough of web addresses and links. For two decades, this new universe of linkable data expanded faster than any other form of information. But this year, for the first time in my adult life, unlinkable information began growing at a meaningful clip.
  • Where links abound, a rich ecosystem of commentary, archiving, social sharing and scholarship usually develops because links make it far easier to build on and connect ideas from around the web. But right now, books exist outside this universe. There is no standardised way to link to a page of a digital book.
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  • Fortunately, a solution to this problem exists, one that merely involves a commitment to use technology that already exists. Call it the mirror web. If you create digital information in any form, make a parallel version of that information that lives on the web. A magazine publisher creating an iPad app should ensure that each article has clear links to a mirror version of each article on the web. Then, if anyone wants to cite, tweet, blog or e-mail a reference to that article, it is always one tap away. The web version can be behind a pay wall or some other kind of barrier if the publisher chooses; what matters is that there is an address you can point to.
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    discusses the danger of information on the web (e.g., inside/via apps and pages inside e-books) that cannot be directly linked to - proposes the solution is the mirror web, whereby you have parallel information online
beth gourley

Where will the e-reader revolution take publishing? - The Globe and Mail - 0 views

  • The Internet is burning up with speculation about Apple Inc.'s plans for an “iPad,” a potential new entrant in the e-reader market of low-power digital devices whose displays approach paper quality.
  • E-readers' adoption is still tiny – just 1.5 per cent of American consumers own one, and fewer in Canada – but Ms. Rotman Epps believes these gadgets will change our reading habits while throwing several industries into turmoil.
  • According to her research, book publishers are where music publishers were in 2001 when the iPod launched:
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  • “Book publishers need to understand that e-books are their future,” says Ms. Rotman Epps. “Then they need to think very critically about how to build a profitable business” around them, perhaps selling subscriptions to their catalogues or partnering with retailers.
  • It's the textbook market, however, that Ms. Rotman Epps believes will be the e-reader “killer app.” There are issues around colour (still not widely available), highlighting and note-making capabilities and various standards, but she thinks these will be solved over the next 12 months.
  • Ms. Rotman Epps thinks print media should consider subsidizing the devices for their subscribers to drive their adoption, and through them, the sale of digital subscriptions.
  • “Getting the bulk of consumers to change that behaviour will require an experience superior to that of the printed page.”
  • “You want e-readers to be lighter, flexible, more like a piece of paper.”
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    " Book publishers are truly facing a revolution. They're looking at a future where more of their revenue will come from e-books than from print, and the overall [revenue] pie will be smaller. "- Forrester analyst Sarah Rotman Epps
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