This article describes the position and demands of the Socialist Popular Alliance Party of Egypt. The relationship of the youth protesters with the Egyptian Left was solidified when the Left provided the youth with the political power to make their revolution successful. The Socialist Popular Alliance demands a new constitution and a new government structure that is based on democracy, human rights, and freedoms. Their political position and ideal social structure are very similar to typical American ideals, especially those of the American left political parties. However, the Public Alliance seems very angered over Mubarak's previous friendly relations with Israel. This population feels as though they were forced to abandon the Arab people and support Israel instead of Palestine. This is interesting because Egypt's relations with Israel has garnered tremendous political and economic support from the United States. Having an Arab ally has been an advantageous point of negotiation for Israel and the US. With the Popular Alliance in severe opposition to this position of Israeli sympathy, it is a surprise that they seem to embrace "Americanized" ideas. In addition, it is worth noting that the youth finds a great identity with the Arab culture, although not so much with a specific religion.
In this article Andy Young discusses the multiple ways poetry has shaped and formed itself in Egypt because of revolutions. Young brings up multiple poems that became the voice of the people in the 1952 revolutions and again in the 2011 revolutions.
This is a video of one of the most well known martyrs of the Egyptian revolution. This man lost both of his eyes in two different protests. The video doesn't provide any information of who is doing the painting, but it is still an interesting mural.
This is a fantastic website that was made for the book "Walls of Freedom", which explains and documents graffiti art from the Egyptian revolution. It reveals a preview of the book as well as testimonials from people who have read it.
This is a short article by the New Yorker but it explains that the culture has started to change in Egypt. This culture has changed by this new generation expressing themselves through music, theater, art, political cartoons and especially graffiti.
This particular website goes into great detail about one mural. It depicts a man breaking away from chains, doves' flying to represent peace, blood dripping to represent the people lost in the revolution and the facebook sign to show that social media has been a huge factor in getting together.
His face is on posters, shirts, cupcakes and now campaign banners and billboards across the country. The image of Egypt's next likely president, ex-army chief Abdel Fattah al-Sisi, was iconized well before he declared his candidacy by propagandists, opportunists and supporters soon after he led the military ouster of President Mohammed Morsi last summer amid the nationalist fervor sweeping the country.