The author of this paper gives the readers insight to the way the revolution on January 25th has affected the literary scene for bookstores, for authors, and the things people are allowed to read or sell (due to censorship).

This article explores both the street and the formal art scene after the events of January 25. It discusses how these scenes have had both positive and negative signs (positive: the concept of social art "seems to be winning grounds in the fabric of social enterprises"/negative: the art scene is still "underdeveloped, fragmented and alien to the majority of its own people.").