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Todd Suomela

Open Content Alliance (OCA) - Home - 0 views

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    The Open Content Alliance (OCA) represents the collaborative efforts of a group of cultural, technology, nonprofit, and governmental organizations from around the world that will help build a permanent archive of multilingual digitized text and multimedia content. The OCA was conceived by the Internet Archive and Yahoo! in early 2005 as a way to offer broad, public access to a rich panorama of world culture.
Xavier Moya

Sold a puppy. | Playable - 0 views

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    "What if higher education is using MOOCs as a trope, to disorientate popular culture from the long established 'open-education' movement's agenda."
Todd Suomela

On the Erosion of the Public Domain - john wilbanks' blog - john wilbanks' blog on Natu... - 0 views

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    The public domain is not contractually constructed. It just is. It cannot be made more free, only less free. And if we start a culture of licensing and enclosing the public domain (stuff that is actually already free, like the human genome) in the name of "freedom" we're playing a dangerous game.
Todd Suomela

Open Humanities Press - 0 views

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    An example of open publishing for the humanities.
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    Open Humanities Press is an international open access publishing collective in critical and cultural theory. Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory. OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.
Fredric Markus

Protected classes: sexuality - 9 views

Fredric Markus wrote: > Now we are blessed - and cursed - with great change in these matters. The academic world has come around to an understanding that situational understandings of "normal" are...

Todd Suomela

On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides | e-flux - 0 views

  • The identification of “new enclosures” in contemporary capitalist dynamics urged us to reconsider traditional Marxist discourse on this point. What the Marxist literature failed to understand is that primitive accumulation is a continuous process of capitalist development that is also necessary for the preservation of advanced forms of capitalism for two reasons. Firstly, because capital seeks boundless expansion, and therefore always needs new spheres and dimensions of life to turn into commodities. Secondly, because social conflict is at the heart of capitalist processes—this means that people do reconstitute commons anew, and they do it all the time. These commons help to re-weave the social fabric threatened by previous phases of deep commodification and at the same time provide potential new ground for the next phase of enclosures.
  • Commons are not simply resources we share—conceptualizing the commons involves three things at the same time. First, all commons involve some sort of common pool of resources, understood as non-commodified means of fulfilling peoples needs. Second, the commons are necessarily created and sustained by communities—this of course is a very problematic term and topic, but nonetheless we have to think about it. Communities are sets of commoners who share these resources and who define for themselves the rules according to which they are accessed and used. Communities, however, do not necessarily have to be bound to a locality, they could also operate through translocal spaces. They also need not be understood as “homogeneous” in their cultural and material features. In addition to these two elements—the pool of resources and the set of communities—the third and most important element in terms of conceptualizing the commons is the verb “to common”—the social process that creates and reproduces the commons.
  • Stavros Stavrides: First, I would like to bring to the discussion a comparison between the concept of the commons based on the idea of a community and the concept of the public. The community refers to an entity, mainly to a homogeneous group of people, whereas the idea of the public puts an emphasis on the relation between different communities. The public realm can be considered as the actual or virtual space where strangers and different people or groups with diverging forms of life can meet. The notion of the public urges our thinking about the commons to become more complex. The possibility of encounter in the realm of the public has an effect on how we conceptualize commoning and sharing. We have to acknowledge the difficulties of sharing as well as the contests and negotiations that are necessarily connected with the prospect of sharing.
Todd Suomela

Doc Searls Weblog · Edging toward the fully licensed world - 0 views

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    "By losing the free and open Internet, and free and open devices to interact with it - and even such ordinary things as physical books and music media - we reduce the full scope of both markets and civilization. But that's hard to see when the walled gardens are so rich with short-term benefits."
Todd Suomela

OnTheCommons.org - The commons as a new sector of value-creation - 0 views

  • So my first point is the importance of recognizing the commons as a distinct sector for creating value. It can be difficult to recognize this reality because we don’t have an agreed-upon language or taxonomy for talking about the value-proposition of the commons. The phenomenon is still too novel. For many people, it is difficult to accept that value can exist without the sanction of money or private property rights—that value that is intangible and unquantifiable can actually matter. Cold, hard cash is nearly always seen as more valuable than something as amorphous and non-physical as an online community
  • I call these epochal changes in economic and cultural production The Great Value Shift. In the networked environment that is becoming pervasive, we are being forced to recognize that markets—or at least, traditional hierarchical institutions such as the corporation—do not have a monopoly on the ability to generate value.
  • If you can acknowledge this fact, then it follows that we should take affirmative steps to preserve the commons and the special types of value that it produces. Let me conclude by suggesting four general strategies.
    • Todd Suomela
       
      1. protect integrity of commons 2. new models for understanding value 3. invent new hybrids 4. active government support of commns
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    Keynote by David Bollier at Economies of the Commons Conference, April 12, 2008, Amsterdam.
Todd Suomela

OnTheCommons.org - The economics of online commons - 0 views

  • The focus of many presentations was how to organize the production and distribution of new creative works in a world where free/cheap digital transmission is the norm. It turns out that many established institutions—if they are going to come to terms with the Internet—are going to have to seriously transform themselves in order to survive.
    • Todd Suomela
       
      Key summary of the conference in Amsterdam.
  • If you want to see the future, one of the best places to look is the freeboot innovators of the underground. They are always the ones who tried out the new ideas that later ripen into market opportunities. Think how hip-hop emerged from record-scratchers in Brooklyn basements and how the hobbyists of the Homebrew Computer Club pioneered many of the early innovations in computing.
  • The idea of “culture without property” seems just too radical and counter-intuitive for some folks to get (or they get it only too well, because it jeopardizes their established business model). But this is not actually such a radical vision. There are already all sorts of profit-making enterprises that are building business models around open, non-proprietary platforms. IBM’s embrace of GNU Linux, the open-source operating system, is one of many prominent examples. So is Flickr, the photo-sharing website.
Fredric Markus

The beauty of locality is in the eye of the beholder. - 11 views

Plunging right in to the relative merits of local production: When the City of Minneapolis was keen to clearcut everything on Nicollet Island at the end of the 1960s, we Islanders were an inventi...

started by Fredric Markus on 24 Jun 08 no follow-up yet
Todd Suomela

OnTheCommons.org » Art, God and Copyright - 1 views

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    Two examples of copyright and religion in conflict: Indonesian batik designers, and sermon sharing sites.
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