The telecomm company used design thinking to come up with a different approach: Rather than inject “training” into employees, it studied the job of a retail sales agent over the first nine months and developed a “journey map” showing what people need to know the first day, the first week, the first month, and then over the first few quarters.
What this process revealed is that there are some urgent learning needs that must be addressed immediately, and then there are people to meet, systems to learn, products to understand, and many other processes to master over the first year. And of course, much of this involves getting to know customers, product experts, and fundamentals of sales and customer service.
Polls, chat tools, and interactive quizzes provide good ways to hear from all of the students in a classroom. These kind of tools allow shy students to ask questions and share comments. For your more outspoken students who want to comment on everything, a feedback mechanism provides a good outlet for them too. Here's a run-down of some of the best tools for gathering feedback from students in real-time.
"Polls, chat tools, and interactive quizzes provide good ways to hear from all of the students in a classroom. These kind of tools allow shy students to ask questions and share comments. For your more outspoken students who want to comment on everything, a feedback mechanism provides a good outlet for them too. Here's a run-down of some of the best tools for gathering feedback from students in real-time.
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The overall theme of this teacher-tested unit is using maps to understand borders and their impacts in Europe. The materials will help your middle school students to use maps to think about how borders intersect physical and human geographical features, and how those intersections can lead to cooperation and/or conflict.
There are many dimensions of student achievement that we need to evaluate in PBL. The end product is certainly important, but if we focus only on that, the meaningful learning that happens throughout the process can be lost as students feel pressure to do whatever it takes to "make the grade."
In other words, we want to acknowledge not only what they learned, but how they came to learn it so that they can use these processes in the future.
Establish target goals early to provide purpose for the project, while also establishing expectations of the result:
What is the problem to solve or the product to create?
What kinds of subject area content need to be included or addressed in the project?
What expectations do you have for the final product's presentation, publishing, or performance?
What kinds of collaborative behaviors must be demonstrated by students throughout the process?
Feedback and corrections should happen frequently to keep students on track, improve their work, and set them up for success in the final product. Waiting too long to give feedback may result in work that is too far gone to be fixed or improved.
evaluations should have four dimensions:
Self
Peer
Teacher
Audience
oral and written feedback is more personal and specific.
Self-evaluation is an especially important piece of the summative evaluation because it taps into higher-level thinking and awareness of the material, process, and final product.
Peer evaluations are unique to collaborative projects, and I find that they facilitate a better collaborative process because the teacher considers the student experience. We can use this information to modify the workflow for the next project and hold students accountable for their work (effort, constructive contributions to the team, etc.).
allow for audience feedback to evaluate that project's levels of success. Public critiques (such as comments on blog posts) and class discussion help provide wider perspective and may even carry more meaning for the student than teacher feedback.
Find a combination of both public and private evaluations that you feel is right for your students or the project.
Critique Sandwich
A negative comment about a problem or flaw is presented between positive comments about something done well.
"I Like That. . ."
Require feedback that includes answers to all of these statements:
I like that. . .
I wonder if. . .
Best next steps might be. . .
Rose/Thorn/Bud
This critique also addresses the good (rose) and the bad (thorn), but also the potential (bud) for what may be a good idea but needs work.
What were the bright spots of the project? Have you asked students for feedback? What will they remember most about their learning experience? What seemed hardest for them? Were they engaged all the way through? If not, can you pinpoint when and why their interest waned? Were you able to scaffold the experience so that all learners could be successful? What would you change if you were to do this project again?
Reflection questions for teachers to ask about their PBL units
What's the right line between teacher direction and student freedom? Is it OK for students to swerve toward new questions -- unanticipated by the teacher -- that grab their curiosity? How open is too open?
This formula -- the introduction of a thinking routine to stimulate observations and questions at the beginning of each new topic, the formulation of an inquiry-based investigation from those observations and questions, and the subsequent rounds of writing, critique, and rewriting -- essentially became the working formula for the rest of the school year.
consider Werberger's questions for thinking about final products: Will students love what they have created? Where will this go when it's done? Will it make the world a better or more beautiful place?
As a resource to help with your own project remodeling, think about the teaching and learning strategies you notice in the film, such as Socratic seminars, authentic deadlines, and an emphasis on public exhibitions. Do you see ideas you might want to borrow to improve your next project?
How will your next project help students learn to think more analytically and creatively to design solutions to complex problems? How might you remodel a project to help students get better at monitoring and directing their own learning?
Our goal is to
help guide and inspire you in crafting spaces that are reflections
of everyone in your community, especially the youth who will
be benefiting from them (throughout this book, "youth" refers to
children of all ages). We hope these pages will be a catalyst for
your explorations, internet searches, and further reading.
"Moderator Jessica Parker and Bay Area maker educators discuss the role of making in their K-12 settings and how to maintain a culture of making within a formal, school-based environment. Learn how they started making with students and how they developed robust programs that foster hands-on, interdisciplinary maker projects and events which successfully support student learning. (Part one of a two-part series)"
"Moderator Jessica Parker and Bay Area maker educators discuss the role of making in their K-12 settings and how they developed their own maker educator mindset. Panelists also share how they support their colleagues in developing a maker educator mindset and highlight opportunities for maker educator professional development, including the Maker Certificate Program at Sonoma State University. (Part two of a two-part series)"