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Millions of people have a queasy feeling that something is not right in the global economy - but they struggle to put their fingers on what exactly the problem is. Treasure Islands at last tells the real story of where it all went wrong. This is the great untold story of globalisation. Tax havens are not exotic, murky sideshows at the fringes of the world economy: they lie at its centre. Half of world trade flows, at least on paper, through tax havens. Every multinational corporation uses them routinely. The biggest users of tax havens by far are not terrorists, spivs, celebrities or Mafiosi - but banks. Tax havens are the ultimate source of strength for our global elites. Just as European nobles once consolidated their unaccountable powers in fortified castles, to better subjugate and extract tribute from the surrounding peasantry, so financial capital has coalesced in their modern equivalent today: the tax havens. In these fortified nodes of secret, unaccountable political and economic power, financial and criminal interests have come together to capture local political systems and turn the havens into their own private law-making factories, protected against outside interference by the world's most powerful countries - most especially Britain. Treasure Islands will, for the first time, show the blood and guts of just how they do it. Tax havens aren't just about tax. They are about escape - escape from criminal laws, escape from creditors, escape from tax, escape from prudent financial regulation - above all, escape from democratic scrutiny and accountability. Tax havens get rich by taking fees for providing these escape routes. This is their core line of business. It is what they do. These escape routes transform the merely powerful into the untouchable. "Don't tax or regulate us or we will flee offshore!" the financiers cry, and elected politicians around the world crawl on their bellies and capitulate. And so tax havens lead a global race to

Saving Christ is a love story between Jesus and a modern-day woman sent back in time. Time travel sends the woman back to the last seven days of Jesus' life from a modern viewpoint.

Jessica Bell's second collection of poems takes a look at life from a peculiarly Greek perspective. Broken into four sections-me, you, us and them (each section containing seven poems prefixed by seven haiku)-she unravels the fabric of modern life. There are hermits, crazies, murderers, abusers, failed parents, needy people, Nazis, sick people, the suicidal, the depressed-as well as the odd, sweet grandchild. On her blog Jessica writes "if you read Fabric, you're not reading poetry, you're reading about people"

Evoking adventure made possible by the railroad, steamship, and automobile, and before adventure was accelerated beyond recognition by the jet airliner, these 50 National Geographic articles hail from the 1890s to the 1950s. Simon Winchester's introduction rues the haste travel has acquired, while the commentary of editor Jenkins ( Off the Map: Bicycling across Siberia, 1992) introduces the author and the genesis of his or her odyssey. Theodore Roosevelt's postpresidency safari kicks off the geographical organization--Africa, South America, and so forth--and also typifies Jenkins' editorial preferences for the lost worlds of imperialism, still-unexplored regions of earth and sea, and peoples untouched by modernity. Some of Jenkins' selections may be oft-anthologized classics by Roy Chapman Andrews, Richard Byrd, and Edmund Hillary, but most are not frequently reprinted. Collectively, Jenkins' grouping captures imagination-firing details in non-Western settings, such as capture by Mongolian bandits. Suiting the armchair as well as they did as long as a century ago, these articles will be popular indeed. Gilbert Taylor Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

The anti-globalisation movement suffered a dizzying setback on 9/11. Symbolic gatecrashing into the well-guarded meeting places of the super-rich suddenly seemed a much more sinister activity than before. Busting up branches of Starbucks and other Seattle-style antics became anathema in an atmosphere of injured and vindictive patriotism. But Naomi Klein, the combative theorist and publicist of anti-globalisation, was not about to accept such guilt by association. Her reply, The Shock Doctrine, deals with the corporate acquisitiveness that she sees as ravaging the planet and reformulates the ideas of the anti-globalisation and anti-corporate movements for a post-9/11 world. Klein believes she has found the answer to a question that has perplexed many on the left: if every modern American government has been a tool of powerful business interests, what, if anything, makes the Bush administration uniquely odious? Her answer is that the Bush administration draws its political support not from America's corporate class generally, but rather from a particular part of it: 'the sprawling disaster capitalism complex'. She has in mind the companies that reap huge profits from catastrophes, both man-made and natural. They include defence contractors, arms dealers, high-tech security firms, the oil and gas sectors, construction companies, private healthcare firms and so on. Not exactly ambulance-chasers, they are driving the ambulances themselves - for a profit. For the most part, they capitalise on emergencies rather than deliberately bringing them about. But the distinction is not always so clear: the stock price of Lockheed Martin, the world's largest defence contractor, almost tripled between 2003 and 2007 after a former vice president at the firm chaired a committee agitating for war with Iraq. The Iraq war was also 'the single most profitable event' in the history of Halliburton, whose former CEO, who still retains stock options, is Dick Cheney.

Scott Crow is an Austin-based anarchist community organizer, political activist, and writer. His grassroots organizing projects include the post-Katrina Common Ground Collective in New Orleans, which has been called the largest anarchist-influenced organization in modern U.S. history. Scott has worked with groups like Greenpeace, ACORN, and the Rainforest Action Network, and currently works at an anarchist recycling center cooperative in Austin. Scott's political activities have led the FBI to label him a "domestic terrorist," and earlier this year he was featured in a front page article in The New York Times about FBI surveillance of political activists. Scott's book, Black Flags and Windmills: Hope, Anarchy and the Common Ground Collective, will be published by PM Press in September, 2011. Rag Radio is produced in the studios of KOOP 91.7-FM in Austin, Texas, in association with The Rag Blog (http://theragblog.blogspot.com) and the New Journalism Project. Host and producer: Thorne Dreyer; Engineer and Co-Producer: Tracey Schulz. Video produced for Austin Indymedia by Jeff Zavala. A ZGraphix video production. http://zgraphix.org http://austin.indymedia.org

Time isn't what it used to be  TIME is not what it used to be. Once a flowing river whose current we passively monitored, time is now more properly understood as something constructed by the brain and personalised by culture. We have relationships with time; we fight it and manipulate it. Into this arena steps Eva Hoffman with her poetically scientific and austerely titled Time. Hoffman is on an exploration to become intimate with time, motivated by her sense that our interaction with time has changed. Our societies have become obsessed with time and timekeeping, both in the workplace and at home. Jet travel manipulates our experience of day-night cycles and seasons, while biomedical science races to increase our lifespan yet further. At the other end of the spectrum, new technologies adapt our minds to the ever-briefer scales of micro and nano. Hoffman covers a lot of ground, from physics (why time flows in only one direction) to biology (the circadian rhythm and sleep) to neuroscience (how temporality is constructed by the brain). She addresses questions of time and consciousness, including the uniquely human ability to envision large vistas of past or future. Perceived time is illuminated by disease states such as Alzheimer's disease or Korsakoff's syndrome, in which one's time narrative becomes disorganised, and by fantasies and dreams, in which the unconscious brain does not necessarily commit to a temporal narrative at all. Hoffman also investigates individual differences in how people treat time (those who leave parties early versus those who have to be shooed out at the end) as well as cultural differences (communities in which haste amounts to a breach of ethics, for instance). A recurring theme is that the human capacity to manipulate our environment ushers in new complexities to the basic biology of time. For example, while other animals age and die on a strict schedule, humans do everything in their power to control that timing. And the book is full of

One of our most innovative, popular thinkers takes on-in exhilarating style-one of our key questions: Where do good ideas come from? With Where Good Ideas Come From, Steven Johnson pairs the insight of his bestselling Everything Bad Is Good for You and the dazzling erudition of The Ghost Map and The Invention of Air to address an urgent and universal question: What sparks the flash of brilliance? How does groundbreaking innovation happen? Answering in his infectious, culturally omnivorous style, using his fluency in fields from neurobiology to popular culture, Johnson provides the complete, exciting, and encouraging story of how we generate the ideas that push our careers, our lives, our society, and our culture forward. Beginning with Charles Darwin's first encounter with the teeming ecosystem of the coral reef and drawing connections to the intellectual hyperproductivity of modern megacities and to the instant success of YouTube, Johnson shows us that the question we need to ask is, What kind of environment fosters the development of good ideas? His answers are never less than revelatory, convincing, and inspiring as Johnson identifies the seven key principles to the genesis of such ideas, and traces them across time and disciplines. Most exhilarating is Johnson's conclusion that with today's tools and environment, radical innovation is extraordinarily accessible to those who know how to cultivate it. Where Good Ideas Come From is essential reading for anyone who wants to know how to come up with tomorrow's great ideas.

"Writing is a creative, inexact science. It's a process, but it's also intuitive. For many people, that makes it intimidating. If you are sitting at your computer desperately trying to compose the perfect business plan, investor pitch or company newsletter -- typing and deleting, typing and deleting, typing and deleting -- try standing up, pushing away from the computer and grabbing a pen. Yes, a pen. And some paper."