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Time isn't what it used to be  TIME is not what it used to be. Once a flowing river whose current we passively monitored, time is now more properly understood as something constructed by the brain and personalised by culture. We have relationships with time; we fight it and manipulate it. Into this arena steps Eva Hoffman with her poetically scientific and austerely titled Time. Hoffman is on an exploration to become intimate with time, motivated by her sense that our interaction with time has changed. Our societies have become obsessed with time and timekeeping, both in the workplace and at home. Jet travel manipulates our experience of day-night cycles and seasons, while biomedical science races to increase our lifespan yet further. At the other end of the spectrum, new technologies adapt our minds to the ever-briefer scales of micro and nano. Hoffman covers a lot of ground, from physics (why time flows in only one direction) to biology (the circadian rhythm and sleep) to neuroscience (how temporality is constructed by the brain). She addresses questions of time and consciousness, including the uniquely human ability to envision large vistas of past or future. Perceived time is illuminated by disease states such as Alzheimer's disease or Korsakoff's syndrome, in which one's time narrative becomes disorganised, and by fantasies and dreams, in which the unconscious brain does not necessarily commit to a temporal narrative at all. Hoffman also investigates individual differences in how people treat time (those who leave parties early versus those who have to be shooed out at the end) as well as cultural differences (communities in which haste amounts to a breach of ethics, for instance). A recurring theme is that the human capacity to manipulate our environment ushers in new complexities to the basic biology of time. For example, while other animals age and die on a strict schedule, humans do everything in their power to control that timing. And the book is full of

""Well that fucking hurt!", I shouted after awakening. Feeling myself being dragged by two people by my arms and seeing the surrounding area that once was covered in dust. No Walker to be found as my last seen memory had seen, but more importantly, where the hell is Maddie. Still groggy from being smacked in the back of my head with a gun and a bit nervous, though I won't admit that to these men dragging me along this beaten path. Weak, tired and so damn confused " She is going to kill you all.", I say with a delightful smile on my face. Was only then one of the men dragging me responded " You are right Nick, she is going to kill us all, but not just her as she is not the only one of her kind infected, which is why we are taking shelter underground." With him telling me some of what I already knew " So what is your intent with me?" I asked while trying to regain my balance on my weakend knees. Wanting so badly to strike at these men dragging me underground and also wanting to reach for my gun, but realized it had been taken away "Good luck on finding her dip shits and if you were even capable of, you can't harm her." Then the man on the right of me started to become a familiar face as my eye site started to clear up some "Nick, had we retained her while you both came back to the facility, we would have ended her life as her powers she has of destruction is neutral underground of here. Why did you of all people not think of that idiot?" Calling me an idiot just really pisses me off! "Is that you Agent Jarvis?" Son of a bitch! A once close friend of mine and he is the one calling me an idiot. He was fast to acknowledge that it was in fact him and that I was not going to like the questioning session that was going to be taking place. I myself know what that is like as I have witnessed many sessions before in my time working as an agent myself. 'Fuck!', I would say to myself while my heart started to race faster. Having to plan something quickly and trying to decipher

""Well that fucking hurt!", I shouted after awakening. Feeling myself being dragged by two people by my arms and seeing the surrounding area that once was covered in dust. No Walker to be found as my last seen memory had seen, but more importantly, where the hell is Maddie. Still groggy from being smacked in the back of my head with a gun and a bit nervous, though I won't admit that to these men dragging me along this beaten path. Weak, tired and so damn confused " She is going to kill you all.", I say with a delightful smile on my face. Was only then one of the men dragging me responded " You are right Nick, she is going to kill us all, but not just her as she is not the only one of her kind infected, which is why we are taking shelter underground." With him telling me some of what I already knew " So what is your intent with me?" I asked while trying to regain my balance on my weakend knees. Wanting so badly to strike at these men dragging me underground and also wanting to reach for my gun, but realized it had been taken away "Good luck on finding her dip shits and if you were even capable of, you can't harm her." Then the man on the right of me started to become a familiar face as my eye site started to clear up some "Nick, had we retained her while you both came back to the facility, we would have ended her life as her powers she has of destruction is neutral underground of here. Why did you of all people not think of that idiot?" Calling me an idiot just really pisses me off! "Is that you Agent Jarvis?" Son of a bitch! A once close friend of mine and he is the one calling me an idiot. He was fast to acknowledge that it was in fact him and that I was not going to like the questioning session that was going to be taking place. I myself know what that is like as I have witnessed many sessions before in my time working as an agent myself. 'Fuck!', I would say to myself while my heart started to race faster. Having to plan something quickly and trying to decipher

Millions of people have a queasy feeling that something is not right in the global economy - but they struggle to put their fingers on what exactly the problem is. Treasure Islands at last tells the real story of where it all went wrong. This is the great untold story of globalisation. Tax havens are not exotic, murky sideshows at the fringes of the world economy: they lie at its centre. Half of world trade flows, at least on paper, through tax havens. Every multinational corporation uses them routinely. The biggest users of tax havens by far are not terrorists, spivs, celebrities or Mafiosi - but banks. Tax havens are the ultimate source of strength for our global elites. Just as European nobles once consolidated their unaccountable powers in fortified castles, to better subjugate and extract tribute from the surrounding peasantry, so financial capital has coalesced in their modern equivalent today: the tax havens. In these fortified nodes of secret, unaccountable political and economic power, financial and criminal interests have come together to capture local political systems and turn the havens into their own private law-making factories, protected against outside interference by the world's most powerful countries - most especially Britain. Treasure Islands will, for the first time, show the blood and guts of just how they do it. Tax havens aren't just about tax. They are about escape - escape from criminal laws, escape from creditors, escape from tax, escape from prudent financial regulation - above all, escape from democratic scrutiny and accountability. Tax havens get rich by taking fees for providing these escape routes. This is their core line of business. It is what they do. These escape routes transform the merely powerful into the untouchable. "Don't tax or regulate us or we will flee offshore!" the financiers cry, and elected politicians around the world crawl on their bellies and capitulate. And so tax havens lead a global race to

"Stanley Swanson-Breed of a Werewolf" I've lived an extraordinary life to say the least. I started out in journalism and found myself located in Kansas City, KS working for the largest output of the newspaper known as the Kansas City Star. Born in 1974 and currently living in Stull, KS is where I have ended up and have retired at a young age of almost forty years old. I retired because I happen to be paralyzed from the waist down as a drunk person who ran a red light had t-boned me while on my motorcycle on my way home from work. That happened only a few years ago. I am not here to write about my life, but let me introduce myself. My name is Kain Edward. There were many things I wrote about in my time as a journalist, but found the most intriguing to me was that of paranormal existence, sightings, vampires and werewolves. Something I found I could exaggerate in my mind freely and always wanted to believe in them. During my life as a young boy, I loved anything to do with 'mythology' or those creatures that had certain powers. I grew up watching a lot of movies that involved Vampires and Werewolves and I believe that is why I had grown to be so time consumed in the research of such. One thing that always stood out to me was the fact that there never really ever seemed like there was a book or movie that gave great details of 'Werewolves', which would become more fascinating to me as I began to lose a slight interest in Vampires. "Surely there has to be more to Werewolves then just being some hideous beast that kills humans?" I would say to myself many times over. I had to do a lot of traveling and research as one might imagine. I had spoken to so many people from all parts of the world that claimed to have seen such subjects of interest or heard of someone who had. It only grew my interest that much more. Unfortunately, nothing ever turned out as a positive result as I often ran into dead ends. I soon became a laughing stock to co-workers and even

"Linda, dozing in the light of the campfire, jolted awake. She sat up, stretched, willed herself to wakefulness. It was her first duty on watch-she'd insisted on a stint-and she'd dozed. How reliable of her. She peered into the woods, listening, wondering why she'd awoken. The campfire crackled and whispered. A spark popped. She thumbed open the cylinder release of her revolver and counted bullets. The gun looked ancient, like a long-barreled cowboy weapon. As if she would know. She eased the cylinder shut with a click. She settled back again, grateful she hadn't shot anyone. Something rustled in the darkness of the nearby forest. She should be accustomed to this by now. Rainforest nights were deathly quiet in comparison to Boston nights, but that was just the problem. It would take a gunshot or a siren to jar her awake back home, but mere whispers did the trick here. They signaled movement. The jungle was alive, teeming. Jaguars would be about, prowling. The big cats had killed and eaten grown men on occasion. Man-eating jaguars. Nice. No chance of sleep now. Grant slumped in his chair opposite the fire, sound asleep, snoring softly, reassuringly. Not quite enough to set her at ease. The others had gone to bed. He preferred to stay with the watch, a visible, armed backup. What would be more comforting than Indiana Jones sound asleep would be Indiana Jones wide awake. She coughed, gently. Grant slept on. "Grant," she said. No response. "Hey, Grant!" He stirred and rubbed his eyes. "What?" "I didn't say anything." "Hm. Okay." Linda glanced about. "I'm hearing things in the woods. Maybe those sounds woke you." Grant sat up. "What kind of sounds?" He picked up his rifle. "Something moving." They sat in silence for long moments, listening. At last, Grant said, "The alarms haven't tripped. That's a good sign. Anything big would have set them off." He looked at his watch. "Why don't you get some sleep? You've only g

"Linda, dozing in the light of the campfire, jolted awake. She sat up, stretched, willed herself to wakefulness. It was her first duty on watch-she'd insisted on a stint-and she'd dozed. How reliable of her. She peered into the woods, listening, wondering why she'd awoken. The campfire crackled and whispered. A spark popped. She thumbed open the cylinder release of her revolver and counted bullets. The gun looked ancient, like a long-barreled cowboy weapon. As if she would know. She eased the cylinder shut with a click. She settled back again, grateful she hadn't shot anyone. Something rustled in the darkness of the nearby forest. She should be accustomed to this by now. Rainforest nights were deathly quiet in comparison to Boston nights, but that was just the problem. It would take a gunshot or a siren to jar her awake back home, but mere whispers did the trick here. They signaled movement. The jungle was alive, teeming. Jaguars would be about, prowling. The big cats had killed and eaten grown men on occasion. Man-eating jaguars. Nice. No chance of sleep now. Grant slumped in his chair opposite the fire, sound asleep, snoring softly, reassuringly. Not quite enough to set her at ease. The others had gone to bed. He preferred to stay with the watch, a visible, armed backup. What would be more comforting than Indiana Jones sound asleep would be Indiana Jones wide awake. She coughed, gently. Grant slept on. "Grant," she said. No response. "Hey, Grant!" He stirred and rubbed his eyes. "What?" "I didn't say anything." "Hm. Okay." Linda glanced about. "I'm hearing things in the woods. Maybe those sounds woke you." Grant sat up. "What kind of sounds?" He picked up his rifle. "Something moving." They sat in silence for long moments, listening. At last, Grant said, "The alarms haven't tripped. That's a good sign. Anything big would have set them off." He looked at his watch. "Why don't you get some sleep? You've only g

You can feel it. Or maybe you can't. It doesn't matter whether you feel it or not. It's happening. The story of the United States of America as we know it -- not merely as the world's dominant superpower, but as a discrete political, economic, and geographic entity -- is drawing to a close due to a convergence of emerging economic, environmental, and political crises. Nothing lasts forever, empires least of all. And this one, which only began to expand in earnest circa the year 1900, doesn't feel like it has the staying power of ancient Rome. Not at all.

"Boot & Milk Balls take us back in time to the mirth and madness of a bygone era. The antics of fun-loving, hometown characters, often turn bazaar. Two popular legends, grossly entwined, evolve to become one macabre tradition. Three additional short stories; Lost Books Found, Hidden Treasures and The MPA; bring this mischievous Des Peres, Missouri era to a close. Boot and Milk Balls The delights of being raised in the small home towns of yesteryear, cannot compare to the sprawling municipalities of today's generation. Long before we locked ourselves in our air-conditioned homes, a bygone era boasted a community blending heritage. Families often united to help one another, and barn-raising, a popular event, always drew much of the town together. With construction completed, the local big bands provided entertainment for its christening. Hay rides and dances became a part of these festivities. Some of the antics which occurred along with, and after these gala celebrations, would often be talked about for years, if not decades to come. A feature event; instigated by the Probst brothers, owners of the local blacksmith shop; always brought hundreds of laughs. While hiding behind the scenes, they painted a face on their large, bare, beer bellies, and donned grass hula skirts. After a few more beers, they reappeared wearing large straw hats, which completely covered their heads, the brim resting on their shoulders. The boisterous comedy dance they performed in this attire is indescribable. During this wonderful era of mirth and mischief, many traditions were born, and the characters who initiated them emerged. St. Louis County, Missouri; host of several diverse nationalities, had more than its share of these unique personalities. They emanated from every neighborhood and occupation. The prodigious German citizenry, living in the small municipality of Des Peres, project two distinct and opposite hereditary traits. Often only one generation apart, the attributes of

If, as Lessig conclusively demonstrates, Congress is indifferent to the will of the people and to democratic debate - because it has been captured by monied interests to whose interests it exclusively attends - then the people lose the ability to affect what government does in any realm. It doesn't make much difference which problem you believe is most pressing: this is the dynamic that lies at the heart of it. Inaction on climate issues is due to the power of polluters and energy companies; the power of the private health insurance industry blocks fundamental health-care reform; endless war and civil liberties abuses are sustained by the power of the surveillance and National Security State industries; and a failure to achieve real Wall Street reform is due to the fact that, as Sen. Dick Durbin amazingly acknowledged about the institution in which he serves, "the banks frankly own the place." Without finding an effective way to address that overarching problem, the only recourse for citizens becomes either passive acceptance of their powerlessness (i.e., apathy and withdrawal) or disruption and unrest fomented outside of the electoral system (the driving ethos of OccupyWallStreet).

Steven Pinker is a Professor of Psychology at Harvard University, the author of several magnificent books about the human mind, and one of the most influential scientists on earth. He is also my friend, an occasional mentor, and an advisor to my nonprofit foundation, Project Reason.Steve's new book is The Better Angels of Our Nature: Why Violence Has Declined. Reviewing it for the New York Times Book Review, the philosopher Peter Singer called it "a supremely important book." I have no doubt that it is, and I very much look forward to reading it. In the meantime, Steve was kind enough to help produce a written interview for this blog.

I'm genuinely excited today to announce the release of my new book, With Liberty and Justice for Some: How the Law is Used to Destroy Equality and Protect the Powerful. As of this morning, it is available in bookstores as well as for shipping online. The book focuses on what I began realizing several years ago is the crucial theme tying together most of the topics I write about: America's two-tiered justice system - specifically, the way political and financial elites are now vested with virtually absolute immunity from the rule of law even when they are caught committing egregious crimes, while ordinary Americans are subjected to the world's largest and one of its harshest and most merciless penal states even for trivial offenses. As a result, law has been completely perverted from what it was intended to be - the guarantor of an equal playing field which would legitimize outcome inequalities - into its precise antithesis: a weapon used by the most powerful to protect their ill-gotten gains, strengthen their unearned prerogatives, and ensure ever-expanding opportunity inequality. This is how I described that development in the book:

The first academic book on Thompson in twenty years, designed for both students and scholars. A critical study of the writing of Hunter S Thompson. It doesn't skirt over the controversies involving his life as these give his writing context but it does keep to its intended purpose of focusing on his work.

So the Wind Won't Blow it All Away is hugely underrated in the Brautigan canon. The narrative is laced with a sense of sadness for a lost way of life, the loss of childhood and the death of the American gothic, something Brautigan blames on television for the way it "crippled the imagination of America and turned people indoors and away from living out their fantasies with dignity". Whereas in earlier works, Brautigan's characters viewed the world with child-like fascination, in this last book he reverses the process by examining a child's world through an adult's sad and diminishing gaze. It's a summation of all that Brautigan had previously achieved but in the harsher, colder climate of the late 20th century.

In the summer of 2009, Miranda July was struggling to finish writing a screenplay. During her increasingly long lunch breaks, she began to obsessively read the PennySaver, the iconic classifieds booklet. Who was the person selling the "Large leather Jacket, $10"? It seemed important to find out - or at least it was a great distraction from the screenplay. Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of sellers, glimpsing 13 surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways.

"You're a writer, and you probably have your arsenal of tools which you can't live without. One thing is for sure: we all have our preferences when it comes to go-to writing tools. Our favorite authors are not exempt from this, and I found an infographic showcasing the writing tools of famous authors. It's an interesting graphic simply because it shows just quirky writers can be and how it doesn't matter how "weird" a habit may be. If you write well, who cares if you've got some habits that are not considered normal?"

Creative Confidence: Learn It, Develop It & Change Your Life [Megan Coulter] on Amazon.com. *FREE* shipping on qualifying offers. The book “Creative Confidence – Discover Your Unawake Potential & Self-Confidence” explains the most effective and powerful ways to build a spontaneous self-confidence that naturally lives within us. You will find the ways to bring out your unawake creative confidence that is lying deep inside you

Network Mapping And Network Scanning - Kindle edition by Renee B. Williams. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Network Mapping And Network Scanning.

It is absurdist comedy of the very blackest kind, informed by a love of James Joyce, Samuel Beckett, Peter Cook and The Goon Show. Featuring the Fibonacci sequence, floors that open up without warning, a powerful laxative, and a duvet that periodically changes colour, 'Verruca Music' charts the narrator's emergence from a state of fearful near-immobility assisted only by entertainments of his own devising. A most usual (and surprisingly accessible and funny) book if you're willing to stick with it.