Group items tagged

Women are dying in their millions. Some blame scientists, some see the hand of God, some see human arrogance reaping the punishment it deserves. Jessie Lamb is an ordinary girl living in extraordinary times: as her world collapses, her idealism and courage drive her towards the ultimate act of heroism. If the human race is to survive, it s up to her. But is Jessie heroic? Or is she, as her father fears, impressionable, innocent, incapable of understanding where her actions will lead? Set just a month or two in the future, in a world irreparably altered by an act of biological terrorism, The Testament of Jessie Lamb explores a young woman s determination to make her life count for something, as the certainties of her childhood are ripped apart.

Set primarily in the present day, or very near future, these stories give everyday existence a gentle nudge into the realms of the fantastic, the weird, the erotic, the supernatural, the horrific, the arcane and the surreal. These are stories where a casual sexual encounter can embroil a person in dangerous liaisons with ghosts, aliens or even vengeful gods. Yet also where the bizarre can be found lurking just around the corner, across a cup of cooling mocha in a suburban coffee shop, over a glass of chilled rose wine in beachside cafe on the Cote d'Azur or in the next message to arrive on your mobile phone. These stories tread the fine line between the normal and the fantastic, where the unknown lies behind every unopened door and every unread email.

WW2 is about to start but life for a young boy in a small town in Albania is still a game. Yet, as the town falls to the Italians, the Greeks, then the Nazis, the boy grows up. Falling in love with unattainable women, seduced by magic and literature and finally forced to flee, his existence changes from marvellous, terrifying and extraordinary into a primitive world where the severed arm of a British airman becomes a talisman and girls vanish-possibly killed by their own fathers. Forging the unexpected and terrible link between childish playfulness and a horrifying political future, Kadare has created a story with a depth and brilliance characteristic of the master story-teller.

Melody, an Australian living in Greece, decides she wants it all: to combine who she used to be with who she is now. She's ready to pick up her guitar again and play gigs as well as pursue a chance to further her editorial career while being a wife and mother. Yet nothing is life is ever so simple. Jessica says: I wrote String Bridge because I wanted to break into the women's fiction market and steer it away from the stereotypically glorified woman that is most commonly portrayed today. Not every woman is inspirational to others. Not every woman can leave their comfort zone to better their future. But, so what? Does that mean a less strong-minded woman doesn't have an interesting story to tell? Definitely not.

I consider Robert Heinlein's most fascinating novel to be his prescriptive utopia Beyond This Horizon. (A prescriptive utopia is where an author "prescribes" what he or she believes a better civilization would look like.) While Heinlein did opine, extensively, about society in many books, from Starship Troopers to Glory Road, it is in Beyond This Horizon (BTH) that you'll find him clearly stating This Is The Way Things Ought To Be. And it turns out to be a fascinating, surprisingly nuanced view of our potential future.

In the latest installment of Lethe in Spain, the Director calls the Senora's apartment with an unfavorable piece of news. Lethe returns to his room where he longingly looks over the edge of the balcony and tries to imagine his future in Spain.

Time isn't what it used to be  TIME is not what it used to be. Once a flowing river whose current we passively monitored, time is now more properly understood as something constructed by the brain and personalised by culture. We have relationships with time; we fight it and manipulate it. Into this arena steps Eva Hoffman with her poetically scientific and austerely titled Time. Hoffman is on an exploration to become intimate with time, motivated by her sense that our interaction with time has changed. Our societies have become obsessed with time and timekeeping, both in the workplace and at home. Jet travel manipulates our experience of day-night cycles and seasons, while biomedical science races to increase our lifespan yet further. At the other end of the spectrum, new technologies adapt our minds to the ever-briefer scales of micro and nano. Hoffman covers a lot of ground, from physics (why time flows in only one direction) to biology (the circadian rhythm and sleep) to neuroscience (how temporality is constructed by the brain). She addresses questions of time and consciousness, including the uniquely human ability to envision large vistas of past or future. Perceived time is illuminated by disease states such as Alzheimer's disease or Korsakoff's syndrome, in which one's time narrative becomes disorganised, and by fantasies and dreams, in which the unconscious brain does not necessarily commit to a temporal narrative at all. Hoffman also investigates individual differences in how people treat time (those who leave parties early versus those who have to be shooed out at the end) as well as cultural differences (communities in which haste amounts to a breach of ethics, for instance). A recurring theme is that the human capacity to manipulate our environment ushers in new complexities to the basic biology of time. For example, while other animals age and die on a strict schedule, humans do everything in their power to control that timing. And the book is full of

In the summer of 2009, Miranda July was struggling to finish writing a screenplay. During her increasingly long lunch breaks, she began to obsessively read the PennySaver, the iconic classifieds booklet. Who was the person selling the "Large leather Jacket, $10"? It seemed important to find out - or at least it was a great distraction from the screenplay. Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of sellers, glimpsing 13 surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways.