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Purdue University researchers have developed a set of propagation and production protocols that will help Indiana greenhouse growers bring a tropical plant into flower for spring sales.

Labeling products with information on the size of the carbon footprint they leave behind could help both consumers and manufacturers make better, environmentally friendly choices.

Your next new car hopefully won't be a lemon. But it could be a pineapple or a banana. That's because scientists in Brazil have developed a more effective way to use fibers from these and other plants in a new generation of automotive plastics that are stronger, lighter, and more eco-friendly than plastics now in use. They described the work, which could lead to stronger, lighter, and more sustainable materials for cars and other products, here today at the 241st National Meeting & Exposition of the American Chemical Society (ACS).

Scientists in the UK and US, including researchers at Arizona State University, have been awarded funding to improve the photosynthetic process as a means of producing renewable fuel.

Ranchers in the central Great Plains may be using some of their winter downtime in the future to rehearse the upcoming production season, all from the warmth of their homes, according to U.S. Department of Agriculture (USDA) soil scientists.

One of the most important decisions facing designers of plug-in electric or hybrid vehicles is related to battery choice. Now, researchers at the Norwegian University of Science and Technology (NTNU) have used a life cycle analysis to examine three vehicle battery types to determine which does the best job of powering the vehicle while causing the least amount of environmental impact during its production.

In a paper published in Proceedings of the National Academy of Sciences, a group of researchers and scientists show that the gains that have been made in stabilizing CO2 emissions in developed or "rich" countries since the signing of the Kyoto agreement, have been neutralized by the increase in CO2 emissions from developing nations as they produce goods for trade, primarily to developed countries. Because of this disparity, many groups are calling for a change to the Kyoto agreement practice of only counting CO2 emissions that are produced in-country, rather than the CO2 footprint of those products that are consumed.

As manufacturers and other businesses step up efforts to cut waste, reduce energy use and improve the overall sustainability of their products and processes, the number of planet-friendly standards and regulations also is increasing at a rapid clip, creating a sometimes-confusing array of options for "going green." National Institute of Standards and Technology (NIST) researchers have prototyped a framework to help organizations of all types sort through the welter of choices and evaluate and implement sustainability standards most appropriate for their operations and interests.

A new source of biomass grown on unused land could help the UK meet renewable energy targets without affecting food production or the environment, according to the results of a new study.

From the 1st through the 6th of February 2011, we were shooting, editing and screening an immediated autodocumentary video at the Transmediale digital art and culture festival in the House of World Cultures in Berlin. Along with events like Ars Electronica and Future Everything, Transmediale is one of the most significant media art events in Europe. We were honored to be included in the Open Zone, a space which will be open to the public, described in the festival programme as "a social experiment with different social territories that are occupied by artists and media activists". We are calling this project The Future of Art. Our goal was a short video which explores questions about the future of art, both in regard to its aesthetics, production, finance, curation, distribution and collection. In addition to conducting interviews at the festival, we were reaching out to several artists in advance of the festival over Skype. Our intention with the Skype interviewees is to extend the discourse beyond the geophysical limits of the festival by including artists who we wish could be here with us in Berlin in February.