Humanities: About Humanities - Pauline Joseph - 0 views
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Teaching - Undergraduate Recordkeeping Concepts and Practice 103 - [301046] Management of Recordkeeping and Archive Services 202 - [306431] Archives Concepts and Practice 205 - [301049] Enterprise Content Management 304 - [306428] Professional Issues 301 - [311954] Teaching - Postgraduate Recordkeeping Concepts and Practice 521 - [12158] Management of Recordkeeping and Archive Services 522 - [12162] Archives Concepts & Practice 523 - [12157] Enterprise Content Management 524 - [12163] Conservation and Preservation 525 - [12161]
The Cluetrain Manifesto - Entire Text Index Page - 0 views
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Levine, R., Locke, C., Searles, D., Weinberger, D., & McKee, J. (1999). The Cluetrain Manifesto. Retrieved April 29, 2011, from http://www.cluetrain.com/ CORPORATIONS, THE INTERNET AND THE "HUMAN VOICE"
"Everyday Life" and "Conclusion" sections (pp. 163 to 165) of Berger, A. A. (1995). Soc... - 0 views
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"Everyday Life" and "Conclusion" sections (pp. 163 to 165) of Berger, A. A. (1995). Sociological Theory and Cultural Criticism. In Cultural Criticism: A Primer of Key Concepts. Sage Publications. In e-Reserve. While this comes from a sociology rather than a humanities source, this is relevant and useful as a short summary of the study of everyday life. Especially pay attention to the different ways that 'everyday life' is defined. NOTE: You don't have to read it all, just pages 163 to 165).
Recordkeeping Publications | SRO - 0 views
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General Disposal Authorities (GDAs) by SRO WA Familiarise yourself with the following 5 GDAs for State government agencies. Online MSWord versions are possible. 1. General Disposal Authority for Administrative Records (2003, amended 2006); 2. General Disposal Authority for Human Resource Management Records (revised 1999, amended 2001, 2006); 3. General Disposal Authority for Financial and Accounting Records (1996, revised 2006); 4. General Disposal Authority for Local Government Records (revised 2010); 5. General Disposal Authority for Source Records (2009). Note: That similar publications are available from the other SROs in Australia, please find your State's GDAs and review them.
ART Image Gallery - 0 views
Learning together: using social media to foster collaboration in higher education - 0 views
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The personal benefits of social bookmarking are obvious to anyone who works on more than one computer. By storing bookmarks on the Internet (or in “the cloud”), social bookmarking services like Diigo,
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How Can Social Bookmarking Enable Collaborative Working?
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have been judged by a human to have some value.
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ScienceDirect.com - The Journal of Academic Librarianship - Social Bookmarking in Acade... - 0 views
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Social bookmarking can allow academic libraries to network and share appropriate scholarly web sites and work to develop cost-effective electronic resources for reference and curriculum support
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Using social bookmarking within academic libraries has great potential to not only share helpful web sites but can enhance reference both inside and outside the library.
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By utilizing social bookmarking, academic librarians can identify a variety of relevant information in numerous formats that will support students' individual learning styles. Social tagging provides an advantage over spiders and search engines that do not have the human capability to conceptually ascertain a web page's subject.
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Log in, tune out: is technology driving us crazy? - 0 views
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But some experts are starting to worry that the digital revolution transforming the way we live is also making us ill.
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may be causing structural changes in the brain.
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non-verbal cues such as body language and eye contact, which may be responsible for up to 70 per cent of our understanding of human messages, are not available to social media users, and therefore innate traits such as empathy are being diminished.
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Amanda Palmer: The art of asking | Video on TED.com - Topic 1.1: Music: I Want My MP3 - 0 views
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Topic 1.1: Music: I Want My MP3 (Breathes in, breathes out) So I didn't always make my living from music. For about the five years after graduating from an upstanding liberal arts university, this was my day job. I was a self-employed living statue called the 8-Foot Bride, and I love telling people l did this for a job, because everybody always wants to know, who are these freaks in real life? Hello. I painted myself white one day, stood on a box, put a hat or a can at my feet, and when someone came by and dropped in money, I handed them a flower and some intense eye contact. And if they didn't take the flower, I threw in a gesture of sadness and longing as they walked away. (Laughter) So I had the most profound encounters with people, especially lonely people who looked like they hadn't talked to anyone in weeks, and we would get this beautiful moment of prolonged eye contact being allowed in a city street, and we would sort of fall in love a little bit. And my eyes would say, "Thank you. I see you." And their eyes would say, "Nobody ever sees me. Thank you." And I would get harassed sometimes. People would yell at me from their passing cars. "Get a job!" And I'd be, like, "This is my job." But it hurt, because it made me fear that I was somehow doing something un-joblike and unfair, shameful. I had no idea how perfect a real education I was getting for the music business on this box. And for the economists out there, you may be interested to know I actually made a pretty predictable income, which was shocking to me given I had no regular customers, but pretty much 60 bucks on a Tuesday, 90 bucks on a Friday. It was consistent. And meanwhile, I was touring locally and playing in nightclubs with my band, the Dresden Dolls. This was me on piano, a genius drummer. I wrote the songs, and eventually we started making enough money that I could quit being a statue, and as we started touring, I really didn't want to lose this sense of direct connection
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