African Arts is devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed high-quality visual depictions, cutting-edge explorations of theory and practice, and critical dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the world's second largest continent and its diasporas, and provides a host of resources - book and museum exhibition reviews, exhibition previews, features on collections, artist portfolios, dialogue and editorial columns. The journal promotes investigation of the connections between the arts and anthropology, history, language, literature, politics, religion, and sociology.

ACASA, the Arts Council of the African Studies Association, promotes greater understanding of African material and expressive culture in all its many forms, and encourages contact and collaboration with African and Diaspora artists and scholars.

ISPA is a not-for-profit international organization (founded 1949) of over 600 executives and directors of concert and performance halls, festivals, performing companies, and artist competitions; government cultural officials; artists' managers; and other interested parties with a professional involvement in the performing arts from more than 50 countries in every region of the world, and in every arts discipline.\n\nThe purpose of ISPA is to develop, nurture, energize and educate an international network of arts leaders and professionals who are dedicated to advancing the field of the performing arts.

A blog about arts administration, cultural policy, economics, and life at IU

At least since the early 1990s, the cultural field has lamented the fact that it is a disaggregated and distributed policy field. Policy agendas and new practices emerge in specific contexts, pushed along by actors and organizations that have particular interests. Leaders have increasingly become aware of the need for a consistent and powerful collective action agenda -or a common set of ideas recognized by most arts leaders, artists, arts activists and advocates as important issues for debate, dialogue, and action. \n\nThe 2008 National Performing Arts Convention was a self-conscious effort to answer this clarion call-to bring together arts leaders across disciplines to learn from each other, identify common goals, and advance a field-wide agenda. Was collective action possible? What were the constraints and opportunities for action?

The Arts & Business Council of Miami creates working partnerships between the corporate and cultural communities in South Florida through volunteer programs, workshops, leadership, board training, collaborations and networking events.