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As I've said in the last few recent posts, I decided to bring some of my older works forward and publish them for my audience here at Bubblews. "A Tear in the Space Time Continuum" is another example of an image that I created using the fractal generator software, Vchira, with post work in Photoshop. Just after creating it, I sat back, gazed at it, and the first thing that came to my mind was that it looked like a tear in the space/time continuum, so without any further thought, I decided to simply give it that title, "A Tear in the Space Time Continuum". Sometimes the titles I give my abstract pieces are almost like Rorschach tests. The first thing that I see in it becomes the title. If any of them were to be interested, psychologists would probably have a field day deconstructing my titles.

This image is another one of my 2008 outer space science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop.

Imagine a #creative and #surreal track that was born out of the need to reactivate a sparsely used area in a #shoppingmall. Located in #Shanghai, #China, #100architects have converted a 1,200 sq. m. indoor space into a family-oriented entertaining space. Want to know how? Read on…

This image is one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

This image is another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

This image is yet another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

Blurring lines of typicality, Anagram Architects design a seminal space for artist Anita Dube, where the residence and studio intermingle at times; at others, stand apart; enunciating a new exhilarating vibe that is totally in sync with the right brain. Check it out and let us know your views on the project…

I created Extra-dimensional Undulations Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 937, I later renamed it Extra-dimensional Undulations Variation 3. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 938, I later renamed it Extra-dimensional Undulations Variation 4. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 935, I later renamed it Extra-dimensional Undulations Variation 1. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 936, I later renamed it Extra-dimensional Undulations Variation 2. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 7 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 941, I later renamed it Extra-dimensional Undulations Variation 7. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 6 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 940, I later renamed it Extra-dimensional Undulations Variation 6. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 5 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 939, I later renamed it Extra-dimensional Undulations Variation 5. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

As with many of my recent fractal image creations, this image started with the KPT filter, "FraxPlorer", after which I put it through my processes of filtering, layering, color enhancement, etc. in Photoshop. The Face of Lorvious emerged from these processes, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. As can be seen, Lorvious is of an extra-dimensional nature, having 4 physical dimensions rather than just our familiar 3. As a result, when he manifest in our 3 dimensional world, parts of him are visible, while other parts are not. When he moves through 3 dimensional space, loops of his body appear and disappear in what seems to us a random way, but in reality conforming to the natural patterns of 4 dimensional beings interacting on a 3 dimensional plane.

It has often been said that in Chinese painting, as in Japanese painting, perspective is ignored. Nothing is further from the truth. This error arises from the fact that we have confused one system of perspective with perspective as a whole. There are as many systems of perspective as there are conventional laws for the representation of space.

 am a fan of all things retro. I especially like sci fi, space images. check out this wallpaper I made

In 1990 we started as Galerie Malraux in Los Angeles, California: at that time the gallery focused mainly on Caribbean art. In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.

In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.