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Within the program Bryce, the metaballs feature can be used to create some pretty cool stuff. From a series of experiments, I created this 3D abstraction combining the metaballs feature along with a multi-replicate formulation.

Within the program Bryce, the metaballs feature can be used to create some pretty cool stuff. From a series of experiments, I created this 3D abstraction combining the metaballs feature along with a multi-replicate formulation.

This image is one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

This image is another one of my 2008 outer space science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop.

This image is another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

This image is one of my 2008 science fiction image creations. It is a composite of four Bryce renders. Two of them were with different versions of the sky, along with the same landscape. The planet was a separate render, and lastly I rendered up a black and white alpha channel of the landscape. Using these 4 images in Photoshop as layers I brought them all together to create this final image. I then added a few post render effects with Photoshop, including the digital frame.

This image is yet another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

I originally created this image using the 3D computer graphic program Bryce, with post work in Photoshop, which is when I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. I made this work of postmodern contemporary art for Sam's Dot publishing to be the wrap around cover for their April 2012 issue of the Science Fiction and Fantasy magazine, "Beyond Centauri". It really made a nice cover. They purchased a non-exclusive license, so as the original artist; I still own the copyright on it, and can continue to market it for posters and other products, as well.