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Now with Ebullient Intersections Variation 7, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the seventh of which I initially saved among my Abstract Images as Abstract Image 1271. I later renamed this one specifically "Ebullient Intersections Variation 7". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 7, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 6, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1270. I later renamed this one specifically "Ebullient Intersections Variation 6". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I decided to bring some of my older works forward and publish them for my audience here at Bubblews. We will begin with this small 2 piece series, I call, "Ultra Bursts". This one is Variation 1 of this postmodern contemporary abstract fractal art series. Using the fractal generator software, Vchira, with post work in Photoshop, I created this first in the themes and variations on the Ultra Bursts base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Right click, holding the click draw the cursor across the screen, and the software creates a little rounded wedge shape. Release the click, and the wedge shape, formed, is instantly reflected along a few different lines to create the beginning of a snowflake like figure. Insert a few more strokes, and you can quickly and easily create a nice looking stylized snowflake that you can set to rotate in two or three simulated dimensions, in a mannermanner that is surprisingly attractive , given how little work you just did. One flaw is that if you'd like to save that moving image you just created, there's no way to do so; right clicking on the image, you don't save the snowflake, you save the .swf file you used to create the moving snowflake.

In 1990 we started as Galerie Malraux in Los Angeles, California: at that time the gallery focused mainly on Caribbean art. In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.

In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.

"Art begins where words stop to express," says upcoming artist AjayKumar Meshram, who debuts with his first solo exhibition at Gallery Pradarshak from 14th Oct to 26th Oct'13.

When literally translated from Sanskrit, Navratri means nine nights. Navratri in India is one of the most auspicious festival, celebrated with vim and brio. This festival begins on the first day of the Hindu month of Ashwin, and culminates in the ninth day, preceding Dussera.

Two big stars this deserves to be discussed. Why not, they are a harmonious couple in the music industry. Return harmony between love them both into the warmest news in the music industry. It begins with katy perry is always sincere encouragement john mayer after mayer have experiencing health problems, namely the problems that made ​​his vocal chords john mayer had a vacuum and idle for 20 months to live or not singing, he thanked Perry to help him take vocal cord problems. He dedicates the song to Perry, who reportedly looked from the mixing board, on its opening night Born and Raised World Tour, reports Rolling Stone. "He was so patient," he told the audience on-again boyfriend, who ordered food for him when he could not talk. He said he took the time "to continue to get to know and love me," while his health issues. Song to honor him? "A Face to Call Home," a tender love song from the 2012 album Born and Raised.