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I decided to bring some of my older works forward and publish them for my audience here at Bubblews. This is the second piece of this small 2 piece series, I call, "Ultra Bursts". Here we have Variation 2 of this postmodern contemporary abstract fractal art series. Using the fractal generator software, Vchira, with post work in Photoshop, I created this first in the themes and variations on the Ultra Bursts base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I decided to bring some of my older works forward and publish them for my audience here at Bubblews. We will begin with this small 2 piece series, I call, "Ultra Bursts". This one is Variation 1 of this postmodern contemporary abstract fractal art series. Using the fractal generator software, Vchira, with post work in Photoshop, I created this first in the themes and variations on the Ultra Bursts base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the result, which I later put through some more filtering and came up with the first in a 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 1". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the third in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 3". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And finally with the last of this series, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the forth in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 4". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and came up with the second in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 2". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 4 piece fractal abstract art series, the first of which I initially saved among my Abstract Images as Abstract Image 1312. I later added to it this specific name, "Boundless Descending Variation 4". This piece of postmodern contemporary fractal abstract art, Boundless Descending Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

'Denim' is the modern replica of French serge de Nîmes, a 17th century twill-weave fabric made in Nîmes. Fustian Another European fabric. It is made from a cotton, linen and/or wool blend. Before blue jeans was considered blue jeans, it was known as 'jean' after Genoans, sailors from Italy, wore it. It was in 18th century when jeans was made entirely from cotton, through the slave labour, trade and and massive develpoment of cotton plantations and Frech tailors. It was valued for its durability. Indigo blue, extracted from plants in the Americas and India, became a familiar colour for workwear.\n\n1872: "It started in a letter". It started in 1872 when Jacob Davis gave send an letter Levi Strauss, Jacob Davis was then making riveted clothing for miners in the Reno area. Mr. Jacob Davis had no money to file for a patent and offered Levi Strauss a deal if he would pay for the patent. Levi Strauss, overwhelmed enough, began to make copper-riveted 'waist overalls', and so jeans virus spread widely in Reno and from there, to the whole world.\n\n1886: "Levi's Generation". In 1886, Levi's 'Two Horse Brand' leather patch, showing the garment pulled between two horses to prove its strength, was first used. By 1890 lot-numbers were being used for Levi products: 501 was assigned to copper-riveted overalls.

In our Pan American Art Projects space in Little Haiti, we will exhibit works by both artist from a historic context in the trajectory of their work entitled Kcho and Diago: Early Works, where we will show works in different sizes and mediums  from earlier periods of the artists' careers furthering their discourse about a more precise reading of reality, despite the divergence

Can fashion play a role in challenging the perceptions of art and culture? If Tarun Tahiliani's Spring Summer 15 collection is anything to go by, we couldn't agree more. Read here and leave us your views…

Lakme Fashion Week Winter/Festive 2016 announced the Grazia Young Fashion Awards 2016 winners; check out the promise of tomorrow right here…

Adduba Events is proud to say that we are one of the topmost event management teams producing the best entertainment shows with UAE Festivals, Arts and Music for your events in Dubai.