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Do you remember that poster on Mulder's office wall on the X-Files television show? It showed a flying saucer photograph, and the caption that read, "I Want To Believe"? Actually more than one of these posters was used over the course of that show. The images used in these posters appear to have been derived from, or at least based on, one or more of the photographs of Billy Meier, which is fairly ironic in relation to the issue of believing. For there is considerable controversy regarding the question of the authenticity of Billy Meier's photographs. Among the professional researchers on this topic, some believe his photographs are the real thing, while others do not believe in the genuineness of his photographic work. Regardless of that issue, whether I believe in the work of Billy Meier, or not, I find that personally, just believing is simply not enough for me. No, I want more than just to believe. I want to know! So I created this poster with my own original work of art that is my answer to that "I Want To Believe" poster. As it says, "Belief Is Not Enough I Want To Know".

In 1990 we started as Galerie Malraux in Los Angeles, California: at that time the gallery focused mainly on Caribbean art. In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.

This is a list of Top 10 Reality TV Shows of all time on television, horror vision, human dedication, thrilling competition, daring stunts, romance, etc.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1223, I later renamed it "Particularized Dreamtime Variation 4". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 4, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1225, I later renamed it "Particularized Dreamtime Variation 6". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 6, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1224, I later renamed it "Particularized Dreamtime Variation 5". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 5, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1222 , I later renamed it "Particularized Dreamtime Variation 3". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 3, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1221 , I later renamed it "Particularized Dreamtime Variation 2". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 2, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this work of postmodern contemporary fractal abstract art in my Abstract Image series. First named Abstract Image 1220 , I later renamed it "Particularized Dreamtime Variation 1". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 1, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1226, I later renamed it "Particularized Dreamtime Variation 7". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 7, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1227, I later renamed it "Particularized Dreamtime Variation 8". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 8, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

The numbers of top fashion brands participated in the Spring / Summer 2012 New York Jewelry show, it showcased numerous of fashion jewelry and accessories to the world, the rings, watches, earings, necklaces, bracelets, pendants, as many as there are. The Betsey Johnson lunched series of elegant women's black watches that worn the models particular eye-catching.

Is swimwear about silhouettes or skin show? Does self-confidence in a woman equate with skin show? Read about India's answer to trendy resort wear for the woman of today, and leave us your views...

Simplicity is the true essence of spirituality in every sense of the word. View oil on canvas paintings by self taught Sadhu Amrutvadandas of the Swami Narayan Sect.. His debut solo exhibition of semi-abstract and realistic figurative drawings and paintings is being showcased by Pradarshak from 11th Mar. to 23rd Mar'13 The show can be viewed online at the link

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Otherwise known as Darth Hooter, Chester the Cybernetic Owl started life as a normal owl, but due to an unforeseen series of mishaps too numerous to recount, as well as some filtering, layering, and color enhancement in Photoshop, he ended up as we see him now, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.