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Jackie Le

Literary Reference Center - powered by EBSCOhost: The anatomy of a flashback: Use it sp... - 0 views

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    Argument: Flashbacks, if utilized efficiently, can be a revealing part of a story. Claim: Flashbacks have to have a proper transition in and out of the story. They connect with the story and give more exposure however cannot deter from the main story itself so much that events are overshadowed. Make sure flashbacks are motivated Evidence: "By all means use flashbacks, but for good reason: not because you want to use them, but because your story demands them. Ask: Does the flashback deepen our understanding of a character or a relationship? Does it provide needed background? In the end, it comes down to what a story needs."
Sudhanshu Ambadipudi

Focusing on the Margins: Light in August and Social Change - 1 views

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    Argument: The theme of the story is derived from the characters' setting and other factors, not the characters themselves. Claim: "Christmas's response to Freedman Town is not the only time heresponds to African Americans in this way. It actually echoes several otheroccasions on which he responds to African Americans, not as a mass, butas individuals whose individuality and language he fails to understand." Evidence: "Focusing on the unstable margins of Jefferson,and presenting the role of African Americans as an unbridgeable gap atthe heart of the text." "Faulkner provides in Light in August an even moreeloquent expression of the southern need for social change."
Kirsten R

EBSCOhost: Literary Relations: Anne Shirley and Her American Cousins. - 0 views

    • Kirsten R
       
      varriations of an ideal of female childhood that... trancends boundries
    • Kirsten R
       
      moral superioity moral purity -> nature
    • Kirsten R
       
      through p.9
    • Kirsten R
       
      The First Life: Exposure The Story of an Orphan. Poverty and Neglect. Dispossessed Royalty and the Vanished Happy Time. Parent's Violation of a Marriage Prohibition. The Journey. The Second Life: Social Problems Destination: The Big House and the Great Outdoors. Adoption by a Second Family. Surrogate Parents of a Different Social Rank. The Same-sex Antagonist. Opposite-sex Helpers or Outsiders. Triumph over the Antagonist. The Child Emerges as Savior. The Third Life: Return Issues of Identity Are Resolved. Recognition Ceremonies. Accommodation of Two Lives. (pp. 5-9)
liza sejkora

Sound and The Fury - 4 views

Sudhanshu, for evidence, I want you to list quotes that you may use in your paper.

sound fury william faulkner

Tiyler Hart

Literature and Medicine - 1 views

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    Argument: R S Downie argues that medicine and literate interact in many ways, and how literature has affected medicine and how medicine has affected. Downie addresses the 4 main types of connection between literature and medicine: (1) insights into medicine, from doctors who have become writers, (2) plays, films, novels that have medical settings, (3) the treatment on doctors and nurses by non-medical writers, and (4) the illumination of the patient doctor relationships. Claims: Picoult reveals the two of the 4 main medical and literature connections in both of her novels that I read. She incorporates medicine into both novel settings and reveals some doctor patient relationships. Evidence: "many plays, films, novels or TV serials have a medical setting. The appeal of this from the dramatic point of view is obvious: emotion" (Downie). "'whole person' approach to the doctor-patient relationship, and the 'whole person' approach is regarded by many doctors as distinctive of enlightened patient care" (Downie).
Caitlin Katz

Literary Reference Center - powered by EBSCOhost: Shameful Signification: Narrative and... - 0 views

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    Argument: While often describes as an angry, and early feministic character, Jane Eyre is actually quite shameful in her narration. Claims: Jane Eyre's character is introduced into the story with the exclamation "For shame! For shame!" directed at her. Later, throughout the story, she narrates with the angry and feminist attitude that many critics quote her for, but also with a sense of shame that Charlotte Bronte could probably relate to. Evidence: "This cry 'for shame' suggests that shame constitutes both an introduction of 'Miss Eyre' to the reader and an interpellation of Jane into the contours of gendered interiority and social relations," (Bennett 1).
Ashley Prosser

Literary Reference Center - powered by EBSCOhost: Far from Xanadu - 0 views

  • Horn Book Magazine; May/Jun2005, Vol. 81 Issue 3, p332-333, 2p
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    The criticism starts on pg. 332 about half way through starting with "Julie Anne Peters.." Argument- "A decade after M. E. Kerr's straight-up look at lesbian gender roles in Deliver Us from Evie...Peters's book may score lower on social realism than Kerr's... but it packs more heat." Claim-Peters sets another strong-willed butch lesbian in a small town in the Midwest, while maintaining constant dramatic appeal, "The parade of human drama is a bit excessive here..." Evidence-  "Peters translates this [Mike's acceptance] nicely by allowing Mike to introduce herself in the first chapter without mentioning gender at all."  " Her [Mike's] hunger for Xanadu is achingly apparent, and Peters plays this well; Xanadu knows what Mike wants and her responses are unpredictable, to both Mike and the reader."
Jesse Kreutz

How do conflict situations affect our faith communities and our interreligious relation... - 0 views

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    The main argument of this article is that ultimately, our faith affects our perceptions of other religions, and increases conflicts. He argues that religions have trouble accepting the validity of other religions due to the exclusivity of their belief system, and that exclusivity makes peaceful negotiation much harder. -"All inter-religious relationships and dialogue, particularly among members of the monotheistic faiths, are ultimately based on conflict because of their mutual and seemingly exclusive truth claims" Hames goes on to claim that the conviction that they are right makes fundamentalists very difficult to argue and compromise with. -"It is very difficult to speak to religious fundamentalists of any persuasion because they are not prepared to question, or to admit uncertainty"
Tiyler Hart

Ethics and Family Relationships in My Sisters Keeper - 2 views

shared by Tiyler Hart on 12 Dec 11 - No Cached
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    Argument: Helena Silva, in her literary criticism of "My Sisters Keeper" argues that the advancements in biotechnology and genetic research are raising ethical questions of scope and the limits of genetic intervention. Claim: Silva argues that the advances in biotechnology and genetic research presented in Picoult's "My Sisters Keeper" are allowing doctors to intervene in the human genome preventing diseases. This intervention is raising concerns in the scientific community that might soon be able to take biological evolution into its own hands. Almost "playing God" in a sense. Evidence: "Playing God" is an expression commonly used to refer to this self-transformation of the species which, from the evidence, might soon be a reality" (Silva). "Jodi Picoult, an American novelist has been devoting her writings to several present-day events and controversial issues such as genetic engineering and the prospect of "savior siblings" with all its ethical implications" (Silva). "Anna wasconceived for a specific purpose and can't be forgotten because she is expected always to be ready for the welfare of her sister" (Silva).
Beth Anne Brock

Seperation of Mormonism and writing - 0 views

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    Arguement: Dragging out religious beliefs, Stephanie Meyers subtly implies own morals into her novels to avoid typical media that encourages sensuality. Claim: "'It doesn't matter where you're stuck in life or what you think you have to do; you can always choose something else. There's always a different path.'" Meyers choices the theme of choosing a different path through abstinence to portray the protagonists' relationship, and abstinence is a similar belief in Meyer's religion Mormonism. Evidence: "'Just because I'm resisting the wine doesn't mean I can't appreciate the bouquet'".
paulo dasilva

J.D. Salingers use of irony and his stories divergent criticisms - 1 views

Argument: Pointing out the several times that J.D. Salinger uses extreme irony the article attempts to explain one of the reasons why stories like The Catcher in the rye are so widely critisized in...

J.D Salinger Catcher in the Rye Irony

started by paulo dasilva on 20 Jan 12 no follow-up yet
chelsea codd

Just Beast - 0 views

  • made an interesting discovery: what failed as poetry succeeded marvelously as prose. The capricious line breaks were annoying as hell, but Hopkins’ attempt to write something poem-shaped had the salutary effect of producing incredibly tight and evocative sentences, not a word wasted.
  • So much so that when her sister writes, telling Pattyn that their father has started beating his younger children, you fully expect that Pattyn is going to kick ass and take names.
  • I do demand that the plot twists, especially the drastic ones, be explicable upon careful re-examination of the story, and that tragic endings be justifiable, thematically, philosophically, geographically, whatever. Just so long as there’s a reason.
  • ...1 more annotation...
  • ending was so wrong, so incredibly unjustified by the story preceding it, that it made the verse-format look like the greatest structural innovation in novels since the first person narrator.
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    Review of Burned
Megan Brown

Rob Merritt Interview with Jodi Picoult - 1 views

  • hey were great. Those two really gave me the teacher's point of view. A lot of the details that you see in that first chapter, on the shooting, came from either the Jefferson County Sheriff's Office (Columbine) or from those teachers. I also spoke to a young man named Kevin Braun, who was a survivor at Rocori. His best friend was killed that day, and he was in gym class with the other student who was killed. He had never talked about this with anyone. He says—as I imagine you have heard also—that kids who were there know that there are no words for what happened, and if you weren't there, you'd never understand anyway, so why bother?
  • In terms of the twist at the end, I often do that in my books. I'll have a twist, and I'll know it before I even write it. Because I need to be able to lay a paper trail for you throughout the book, so you can go back at the end and say, "What did I miss?" And of course, thematically, this twist is something you should be able to figure out.
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    Argument: Claim: Evidence:
eureka lim

Madness-- Twelfth Night - 2 views

shared by eureka lim on 18 Dec 11 - No Cached
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    Criticism
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    Through out the whole play, shakespeare argues the different perspectives of madness. He is vsery intrested with the idea of mad and madness within the play. He doesnt give us a vivid definition as he wants us to define it ourselves through our own view. Madness such as being insane or just very creative. He claims that he uses "madness" to simply point out the characters. " Fetch him off, I pray you; he speaks nothing but madman" (1.5.87). "Sir Toby is -- Half Drunk" (1.6.96). "Like a drowned man, a fool, and a madman" (1.5.107.10).
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    Eureka, for the next entry, separate the argument for the claims.
Ivan Munoz

Ayn Rand: The Fountainhead Literary Criticism - 0 views

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    Argument: Rand's creation of her characters and plot elements in such away that she illustrates her ideal world, make the Fountainhead a good novel. Claims: Roark and Dominique are ideal characters. Roark foils Toohey in the sense that his[Roark's] motives are completely selfish, in hopes of him living his life its fullest capacity, while Toohey acts in an altruistic manner to control other. Dominique helps other characters "grow" by destroying them. This is how Roark, Keating, and Wynand grow stronger. Evidence: Analyzations of character's based on their actions and behaviors in the book.
Jackie Le

Literary Reference Center - powered by EBSCOhost: TOO MUCH information - 0 views

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    Argument: While flashbacks are helpful, often times incorporating important background information in present time storyline plays off better and keeps the reader engaged. Claim: There is no such thing as too much back story but only with certain ways of revealing the information. Flashbacks tend to slow down the story and drag out. "Less is more," find ways to cut down words to paragraphs instead of pages when explaining. Evidence: "keep background information on a need-to-know basis. Figure out what readers really, truly need to know to understand a character and her motivations--and let the rest stay underwater."
felicia Baron

A small blurb on Sparks - 0 views

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    Argument:  Ferguson writes to partially attack the diction and characteristics used in Spark's novel "At First Site" Evidence: Ferguson uses negative connotations to describe Spark's writing such as "corny" and "knuckle-bitingly bad" which are very negative. Justifies her criticisms by allowing some slack about the ending to surprise, but does not elaborate leaving an impression that she is not a fan of the story. Claim:   "Sparks's prose has the amiable, folksy rhythm of a rocking chair on a wraparound porch" Can be used to demonstrate Spark's use of slang and jargon when writing to give a southern characteristic among his characters in all his  literature.   "incurable weakness for corny characters" Can be backed up by actions or dialogue of characters from either book. This statement more personally attacks Sparks then his characters.
Cameron Black

Harper Lee's To Kill a Mockingbird.  - Slate Magazine - 0 views

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    Argument: That the problem with trying to write a literary criticism on TKAM is that there isn't anything to criticize. Claim: That TKAM is ranked as one of the most influential books in Americans' lives. Evidence: "To Kill a Mockingbird sells about a million copies per year, for a total of 30 million to date, and is consistently ranked in reader surveys as the most influential book in Americans' lives, after, of course, the Bible."
Megan Brown

Jodi Picoult Interview- Ninteen Minutes - 0 views

  • What appealed to you about bringing back two characters from previous novels:
  • It's always great fun to bring a character back, because you get to catch up on his/her life; and you don't have to reinvent the wheel -- you already know how he speaks, acts, thinks.
  • Two other facts that surprised me: for many of these shooters, there is the thinnest line between suicide and homicide. They go to the school planning to kill themselves and decide at the last minute to shoot others, too. And that, psychologically, a single act of childhood bullying is as scarring emotionally as a single act of sexual abuse.
  • ...3 more annotations...
  • You once remarked about your previous novel, My Sister's Keeper, that "there are so many shades of gray in real life." How might this statement also apply to Nineteen Minutes?
  • And like the moral and ethical complications of MSK, you have a kid in Nineteen Minutes who does something that, on the surface, is absolutely devastating and destructive and will end the lives of others. But -- given what these characters have endured -- can you blame them? Do I condone school shootings? Absolutely not. But I can understand why a child who's been victimized might feel like he's justified in fighting back.
  • I also think it's fascinating to look at how two good parents might find themselves with a child they do not recognize -- a child who does something they can't swallow. Do you stop loving your son just because he's done something horrible? And if you don't, do you start hating yourself?
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