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Argument: John Stinson suggests that through allusion Anthony Burgess displays different facets of himself throughout his novels. Stinson focuses on three of Burgess' works centering on how his identification with other artists allows him to confront his own contradictions as an artist. Stinson also argues that Burgess' use of an alter-ego gives him an outlet of manageability in his own life. Evidence:"...alike in their evident feeling that the novel of a consistent tone, moving through a recognized and restricted cycle of emotional keys was outdated . . . their attempt has been to combine the violent and the absurd, the grotesque and the romantic, the farcical and the horrific within a single novel" (Amis).  "What hurts me . . . is the allegation . . . that there is a gratuitous indulgence in violence which turns an intended homiletic work into a pornographic one" (Burgess). "The artist's desire to reconcile the apparent opposites is, somewhat paradoxically, often what provides the motive force for his art, but it also makes his personal life very difficult" (Stinson). Thoughts: Stinson offers a unique view on Burgess' writing style and use of allusion. By focusing on Burgess' lesser known works (known being A Clockwork Orange) he gives a greater sense of the writer's analogy between his own life and his artist persona. Stinson achieves his assertions in a clear and logical manner, first denoting Burgess' relationship with the artist, then by providing examples from three of Burgess' works.

Arguement: Fitzgerald is most interested in the way he uses dialogue to create his character. Throughout his books characters are allowed to be differentiated by the way they speak. It is also proven that "language" functions as an "index to sensibility." Claim: If we are able to understand a fiction conversation we should take into considerations how it plays into the dynamics of the plot and the characters. Evidence: "From a perspective that focuses on the dramatic--rather than the poetic--qualities of Gatsby, Daisy Buchanan appears as an actor whose whole existence is theatrical, a character whose identity is almost entirely limited to the role she performs in conversation."

"The Philosophy of Beauty" is an essay that delves into Aestheticism, Wilde's life, and his works. He criticizes Wilde for his outlook on Aestheticism and how his philosophy of beauty was "never quite sincere," and that he did not write with "his heart in his mouth, but merely with his tongue in his cheek." He also criticizes where the writing, in the end, had gotten him, implying that the movement was in vain: after all, it did not help him towards the end of his life. It wasn't something that would become quite a revolution. This is perfect for a Literary Criticism because it looks at the other side of the argument, that Aestheticism really isn't as grand as Wilde or others had believed or still believe

The author's purpose of the article is to show how Long Day's Journey into Night is more so of an tragedy than a melodrama. Some perceive the play as a melodrama of an addicts life which includes both good and evil outcomes, while Michael Manheim believes the play does not show both good and evil but is a mere tragedy. The author of the article demonstrates a logical organization of his argument. Both consistency and focus are evident, but due to his terminology the coherence can be a bit difficult at times. The author provides enough if not more typical evidence like how Mary had tendencies toward an addictive personality before she became hooked on morphine after childbirth. Even thought the author says the play us very repetitious of the many problems of the Tyrone family he finds that the ending is in his opinion very open ended and imaginative. If the author had biases and beliefs they were not very apparent to me which is not to say he didn't have any just I could not find them. Although he does state a little I believe the author thinks that most critics do not go into enough detail like himself. The author vividly states info gathered from his conclusions about the addict Mary. This is how he specifically states his mind about the article.

Cody Villanueva E. Jensen AP Literature 27 January 2011 Literary Analysis #4 It can be concluded from several sources that Yann Martel's novel Beatrice and Virgil does not meet the standards set by his previous novel Life of Pi. An article written by Cathal Kelly not only goes into the detail of her own criticism but displays several criticisms through the use of different resources that have the same view; Beatrice and Virgil's downfalls. Hitting on points of Martel's overall idea of the book, they criticize it as being offensive and misconceived. Using the Holocaust has caused such a demeaning affect to the overall idea of the book, that ot takes away from the theme and the underlying message Martel is trying to persuade the reader to understand. Cathal not only has lots of evidence and quotation to reinstate her idea of Yann Martel's faults but she also gives insight from her personal views. Bringing forth the idea that this novel was merely pieced together after the rejection of the publication of a previous novel, Kelly points out that this book cannot really in the running on the best books list as Martel's previous novel. The novel contain too many loose ends and has and ending that does not satisfy the bulk of the readers. From these criticism it is perceived that Life of Pi contained much more attention to its detail, making it a novel of praise and prosperity. Her use of significant proof helps back up not only her opinion but allow the reader to consider such element from varied resources, crucial in attaining something believable and real. The overall article shows the downfalls of Beatrice and Virgil and its insignificance compared to Yann Martel's previous works of literature.

J.D. Salingers History directly relates to his historical background. from the age 18 or so he was drafted into WWII and witnessed many a bloody battles including the Battle Of Normandy. connecting to history reveals Seymour Glass, a character of Salinger's who commits suicide, something the war has most likely made him question himself. Throughout he makes connections with his characters on loseing their innocence, growing up toofast etc. All components he himself lived through therefor useing his characters to relay his ideas of society. each character from many of his novels shares like characteristics, the only component that differs from each is their ideas given their setting.

Argument: Cultural customs influence the characterization of the women in Bram Stoker's Dracula and The Mystery of the Sea; there are two types of women he writes about - the New Woman and 'classical' woman - and makes clear distinctions between the two. Claim: Stoker bases his characters off of two different types of women to emphasize the differences between characters, and to introduce suspense into the plot. Because Stoker writes about 'classical' women like Mina Harker and Gormala (to a certian extent), these women clash with the New Woman characters because of the different lifestyles. Evidence: The New woman wanted to "acheieve self-determination through life, growth, and experience." The New woman developed through an uprising feminist movement, a rebellion that involved woman's "refusal to heed the abstraction of womanhood." "Feminism sought to change human consciousness about male dominance". Because the qualities in the 'classical woman' and New Woman were opposites, it creates suspense and conflict between characters that helps to set the mood and move the plot forward.

Joyce Carol Oats is the author of this critical analysis of Wuthering Heights. Oats explains how Emily Bronte's writing is unique and anticipated, but still brings in the basics of a romantic novel. She feels that it evolves well through loss and love. The novel also uses the time period it was written in very well through many examples. The purpose of this critical analysis is to prove Bronte's writing and show how well she can fit everything together. Wuthering Heights has a storyline to it, where it could seem like there are two tales in one. One tale would be of the romance and the second would be of maturing through life's challenges. Oats determines that Bronte includes nature into society, which makes up the theme of the novel. Passion is also incorporated into this romantic, gothic novel through various generations of people falling in love. The purpose of this was to prove the theme, in Oats' eyes. Joyce Oats feels that Wuthering Heights has to be understood on two levels to obtain the entire meaning. Emily Bronte has a writing style that gets her point across, but most of the time has an underlying meaning pertaining to the historical aspect and also the romantic aspect.

In Elaine Ware's criticism of One Flew Over the Cuckoo's Nest, Ware focuses analytical attention to Bromden's character and the idea that he might be experiencing identity crisis. After all, Bromden is torn between the desire to maintain his Indian heritage and the pressure to develop behavior acceptable to the dominant white culture. The insane asylum therefore could be a symbol of this identity crisis and the overwhelming pressure to fit into a specific culture. Kesey sets Bromden's childhood in the 1920s and 30s, a time when the U.S. government was struggling to decide whether Indians should maintain tribal customs or should adopt white culture. As the narrator from the novel, Bromden never reveals his first name which should have been precious to him, as it is in his native culture. His identity crisis is further complicated because he is the son of a white woman. Ware uses sufficient evidence not only from the novel, but outside sources as well. There is historical data connected to many of Ware's claims in addition to textual evidence. This critical analysis provides thorough character analysis that state Bromden's personality traits and the reasons for his actions, such as silence as a technique for survival. Ware's suggestion that Kesey is criticizing white establishment in the American society might very well be true. After all, Kesey was famous for delving into the 1960s hippie culture. This novel presents the downside to the "mixing pot" of the U.S. society because cultures end up swallowed and gone forever.

Coupland throws these teens into his own life growing up, it was his home town and his mood. This talks of Karen's coma starting through a misunderstanding, thinking she is just passed out from starvation and over indulging in alcohol. Coupland wrote "beyond the edge of the known world" in this novel about post apocalyptic world in Canada. http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1100033666&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Dumas delighted in the idea of creating a character possessed of a fabulous fortune who was an avenger in some great cause. This impulse was natural, for Dumas, in spite of his exuberant exterior, harbored many grievances against society at large and against individual enemies in particular. His father had been persecuted; he himself was harassed by creditors and slandered. He shared with other unjustly treated writers that longing for vengeance that has engendered so many masterpieces. (Patricia Ann King). Argument: The personal experiences dealing with emotions of grievance, bitterness, and resentment, transpire into Duma's works. Claim: Within the counte of Monte Cristo just as in Duma's life, both he and Edmond seek vengance for those who have wronged them. Evidence:"His father had been persecuted; he himself was harassed by creditors and slandered. He shared with other unjustly treated writers that longing for vengeance..." I can utilize this within my work if I decide to relate past experiences within Duma's life to that of those of the main characters within his novel. The correlation between the lives and emotions between Dumas and Edmond is quite remarkable.

What character development there is in the novel comes from its hero. Dantes is first seen as an uncomplicated youth to whom life's mundane pleasures and basic values are adequate. He wants only to perform his job well, respect his father, and grow old with the woman whom he loves. He has no desire to play any great role in life. He is content to cultivate his own garden until forces he cannot control change him into a man with a mission. Dantes is so consumed with a passion for revenge that he does not realize that he is in danger of losing his soul. This awareness comes to him only after the humiliation of Villefort. "Tell the angel who is going to watch over you, Morrel," he writes to the son of his old patron, "to pray for a man who believed like Satan that for a moment he was the equal of God, but who in all Christian humility now acknowledges that supreme power and infinite wisdom are present in God alone." ( Kleine-Ahlbrandt 1). Argument:One who is so entranced upon the thought or idea of revenge is unaware of the physically and mental transformation that occurs within ones self. Claim: Within the Counte of Monte Cristo, Dante looses sight of himself in the midst of vengeful and a revengeful state of thought. Evidence: "Dantes is so consumed with a passion for revenge that he does not realize that he is in danger of losing his soul. This awareness comes to him only after the humiliation of Villefort." I can use this within

Coupland is a unique writer who makes no point within his novel, "Girlfriend In A Coma". Teenagers would mostly be attracted to his books because his characters are carefree and he is not out to teach his readers a lesson. "Girlfriend In A Coma juxtaposes the slick confidence of youth culture with a clumsy, easy-to-ridicule search for a right-minded way of living. It provides no solutions, but sustains a plea for intellectual individuality and a rigorous reassessment of workaday assumptions."

Argument: Dexter Filkins, of the New York Times Book Review, delivers a tough critique of Where Men Win Glory by Jon Krakauer. Filkins believes that "This would have been a better book had it been a hundred pages shorter." Claim: Much of the background about Pat Tillman's life is unnecessary. Also, the tiny details that Krakauer recounts are "banal and inconsequential." Evidence: "Tillman doesn't arrive in Afghanistan until Page 230." The book is supposed to be about the death of Pat Tillman, and the ensuing cover-up, but Krakauer talks too much about Tillman's early life and the NFL. However, once Tillman reaches Afghanistan and Krakauer starts telling the story he promised, the book takes a turn for the better. Filkins writes "The death of Tillman is handled deftly" and that "Krakauer performs a valuable service by bringing them [facts] all together". http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?id=GALE|A207732676&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Claim:"where his Zen interests coalesced with his emerging themes, where he gave new life to the American short story." Argument: J.D.Salinger reveals what the new American life with the characters and families who chooses to make in his novels. Evidence: "Thornton Wilder published a magazine piece on the declining moral standards of America's youth, and John Cheever, as if to chronicle these uncertain times, published The Enormous Radio and Other Stories--featuring such emblematic titles as "The Season of Divorce," "O City of Broken Dreams," and "Christmas is a Sad Season for the Poor." Nine Stories tapped into this ambivalent milieu [(being in a area where there is a positive and negitive feeling towards one person)]: the stories dealt with genius, spiritual integrity, moral corruption, and the occasional ability of innocence to transform our lives."