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Chalmers reviews

"To say one has an experience that is conscious (in the phenomenal sense) is to say that one is in a state of its seeming to one some way. In another formulation, to say experience is conscious is to say that there is something it's like for one to have it. Feeling pain and sensing colors are common illustrations of phenomenally conscious states. Consciousness has also been taken to consist in the monitoring of one's own states of mind (e.g., by forming thoughts about them, or by somehow "sensing" them), or else in the accessability of information to one's capacities for rational control or self-report. Intentionality has to do with the directedness or aboutness of mental states -- the fact that, for example, one's thinking is of or about something. Intentionality includes, and is sometimes taken to be equivalent to, what is called 'mental representation.'"

Two models of consciousness are contrasted with regard to their treatment of subjective timing. The standard Cartesian Theater model postulates a place in the brain where "it all comes together": where the discriminations in all modalities are somehow put into registration and "presented" for subjective judgment. In particular, the Cartesian Theater model implies that the temporal properties of the content-bearing events occurring within this privileged representational medium determine subjective order. The alternative, Multiple Drafts model holds that whereas the brain events that discriminate various perceptual contents are distributed in both space and time in the brain, and whereas the temporal properties of these various events are determinate, none of these temporal properties determine subjective order, since there is no single, constitutive "stream of consciousness" but rather a parallel stream of conflicting and continuously revised contents. Four puzzling phenomena that resist explanation by the standard model are analyzed: two results claimed by Libet, an apparent motion phenomenon involving color change (Kolers and von Grunau), and the "cutaneous rabbit" (Geldard and Sherrick) an illusion of evenly spaced series of "hops" produced by two or more widely spaced series of taps delivered to the skin. The unexamined assumptions that have always made the Cartesian Theater model so attractive are exposed and dismantled. The Multiple Drafts model provides a better account of the puzzling phenomena, avoiding the scientific and metaphysical extravagances of the Cartesian Theater.

The following interview with Dr. Terrence Deacon was conducted at the studios of KCSM (PBS) Television in San Mateo, California on September 5, 2003.

"Language requires the coordination of perceptually grounded categories with a socially-negotiated set of shared linguistic conventions to express them; i.e. language is based on shared groups of meanings that arise from our perceptual interaction with the external world and the way in which we convey that relationship to other human beings. Deacon's opinion is that neurological predispositions and socio-ecological constraints sponsored the development and evolution of language, and that the subsequent feedback system gave rise to a complex coevolution of the two. Founded neurological determinism within evolutionary and socio-ecological boundaries drives the core of his argument." « Neuroanthropology

"Philosophers often use the term 'qualia' (singular 'quale') to refer to the introspectively accessible, phenomenal aspects of our mental lives. In this standard, broad sense of the term, it is difficult to deny that there are qualia. Disagreement typically centers on which mental states have qualia, whether qualia are intrinsic qualities of their bearers, and how qualia relate to the physical world both inside and outside the head. The status of qualia is hotly debated in philosophy largely because it is central to a proper understanding of the nature of consciousness. Qualia are at the very heart of the mind-body problem."