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This account of viticulture in Italy during the period from the Punic Wars to the crisis of the third century AD is written in the conviction that the 'economic' history of the ancient world will remain unacceptably impoverished if it is written in isolation from the social and cultural history of the same period. The orthodoxy which sees a revolution in Italian agriculture in the age of Cato the Censor and a crisis in the time of the emperor Trajan seems to me to be an example of this. It is based on a traditional and limited selection of evidence, and is unable to answer many questions which are increasingly being asked about production and exchange in the ancient world, questions about the social background and cultural preferences which underlie production strategies and the evolution of demand. I hope that this study may show some other possibilities, which have still been only partly explored by researchers, of illuminating the changing patterns of Roman agriculture and trade, through the use of comparative evidence and the re-examination of the relevant literary texts for data that are more than simply 'economic' in the most restricted sense.

Drawing on scholarship in cultural anthropology on gift economies, I interrogate in several Horatian poems the rhetoric that suggests the following related concepts. First, the public service (or munus) that the poet performs by writing his political poems constitutes a form of sacrificial expenditure, and ultimately a sacrifice of self, that the philosophically oriented first book of Epistles reclaims: as a priest of the Muses, or sacerdos Musarum, Horace's political poems provide the "gift" of purification for a people corrupted by the civil wars. Second, though many of the poems serve to reinforce a certain ideology of voluntarism in Augustan literary patronage, they also expose its contradictions. Just as gift-exchange societies conceal economic interests behind the concept of the disinterested gift, so the rhetorical language concerned with benefaction similarly occludes but may also reveal calculation in regard to the return gift of verse. Horace deploys different registers of imagery to expose the conflict between the "philosophy" of voluntary benefaction and the often-distorted reciprocity ethic by which the practice in fact operated in the upper echelons of Roman society. And third, Horatian poetic rhetoric often draws on larger cultural practices of expenditure in a way that produces an ideological effect sympathetic to his patrons even as it simultaneously provides the ground for the poet's gestures of autonomy. At the risk of simplification, my inquiry may be summed up by this question: if the gifts of patronage symbolically expropriate the poet's self, obligating him to make the return gift of poetry as the embodied or "reified" form of his labor, then ― 4 ― in what ways and to what degree does the figurative language concerned with this exchange permit resistance to that same patronal discourse? During the 20s B.C.E. the Augustan regime solidified its power by transforming political structures and by communicating a coherent-if ne

This dissertation applies the principles of fiscal dissertation to the study of the Roman Republic. I argue that the creation of a profitable empire allowed the ruling elite to end their reliance on domestic taxation to fund state activity, and that Rome's untaxed citizens were effectively disenfranchised as a result. They therefore lacked the bargaining power to prevent aristocrats from enriching themselves at the expense of the state. The result was a set of leading individuals whose resources could overwhelm those of communal, public institutions. This wealth allowed them to control the distribution of economic resources within Roman society, reinforcing hierarchies and forcing less fortunate citizens to tie themselves to patronage networks instead of state institutions. This state, unable to command the respect of its constituents, was eventually picked off in the competition between great individuals.

Spanning one-ninth of the earth's circumference across three continents, the Roman Empire ruled a quarter of humanity through complex networks of political power, military domination and economic exchange. These extensive connections were sustained by premodern transportation and communication technologies that relied on energy generated by human and animal bodies, winds, and currents. Conventional maps that represent this world as it appears from space signally fail to capture the severe environmental constraints that governed the flows of people, goods and information. Cost, rather than distance, is the principal determinant of connectivity. For the first time, ORBIS allows us to express Roman communication costs in terms of both time and expense. By simulating movement along the principal routes of the Roman road network, the main navigable rivers, and hundreds of sea routes in the Mediterranean, Black Sea and coastal Atlantic, this interactive model reconstructs the duration and financial cost of travel in antiquity. Taking account of seasonal variation and accommodating a wide range of modes and means of transport, ORBIS reveals the true shape of the Roman world and provides a unique resource for our understanding of premodern history.