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This account of viticulture in Italy during the period from the Punic Wars to the crisis of the third century AD is written in the conviction that the 'economic' history of the ancient world will remain unacceptably impoverished if it is written in isolation from the social and cultural history of the same period. The orthodoxy which sees a revolution in Italian agriculture in the age of Cato the Censor and a crisis in the time of the emperor Trajan seems to me to be an example of this. It is based on a traditional and limited selection of evidence, and is unable to answer many questions which are increasingly being asked about production and exchange in the ancient world, questions about the social background and cultural preferences which underlie production strategies and the evolution of demand. I hope that this study may show some other possibilities, which have still been only partly explored by researchers, of illuminating the changing patterns of Roman agriculture and trade, through the use of comparative evidence and the re-examination of the relevant literary texts for data that are more than simply 'economic' in the most restricted sense.

Drawing on scholarship in cultural anthropology on gift economies, I interrogate in several Horatian poems the rhetoric that suggests the following related concepts. First, the public service (or munus) that the poet performs by writing his political poems constitutes a form of sacrificial expenditure, and ultimately a sacrifice of self, that the philosophically oriented first book of Epistles reclaims: as a priest of the Muses, or sacerdos Musarum, Horace's political poems provide the "gift" of purification for a people corrupted by the civil wars. Second, though many of the poems serve to reinforce a certain ideology of voluntarism in Augustan literary patronage, they also expose its contradictions. Just as gift-exchange societies conceal economic interests behind the concept of the disinterested gift, so the rhetorical language concerned with benefaction similarly occludes but may also reveal calculation in regard to the return gift of verse. Horace deploys different registers of imagery to expose the conflict between the "philosophy" of voluntary benefaction and the often-distorted reciprocity ethic by which the practice in fact operated in the upper echelons of Roman society. And third, Horatian poetic rhetoric often draws on larger cultural practices of expenditure in a way that produces an ideological effect sympathetic to his patrons even as it simultaneously provides the ground for the poet's gestures of autonomy. At the risk of simplification, my inquiry may be summed up by this question: if the gifts of patronage symbolically expropriate the poet's self, obligating him to make the return gift of poetry as the embodied or "reified" form of his labor, then ― 4 ― in what ways and to what degree does the figurative language concerned with this exchange permit resistance to that same patronal discourse? During the 20s B.C.E. the Augustan regime solidified its power by transforming political structures and by communicating a coherent-if ne

Aquae Urbis Romae is an interactive cartographic history of the relationships between hydrological and hydraulic systems and their impact on the urban development of Rome, Italy. Our study begins in 753 BC and will ultimately extend to the present day. Aquae Urbis Romae examines the intersections between natural hydrological elements including springs, rain, streams, marshes, and the Tiber River, and constructed hydraulic elements including aqueducts, fountains, sewers, bridges, conduits, etc., that together create the water infrastructure system of Rome. The long term goals of this project are to increase understanding of the profound relationships that exist between water systems, cultural practice, and urbanism in Rome, and by its example, in all cities, landscapes, and environments. It is hoped that this study will foster work by other scholars and designers who are interested in exploring the ways in which water infrastructure can be exploited toward the future development of humane, ecologically responsible, and engaging civic environments.

Introduction: The political 'fall' of the Roman Empire (from 410 C.E.) has long been regarded as one of the pivotal events in world history. Ever since Edward Gibbon completed his History of the Decline and Fall of the Roman Empire in 1788, there has been considerable debate on the causes for this 'event'. It must be stressed, first, that though there was a real decline of the political power and unity of the Western Roman Empire, the cultural heritage of the empire would persist in the West through the middle ages and in an altered form into the modern period. The eastern portion of the empire continued as the relatively Byzantine Empire, which was eventually conquered by the Ottoman Turks in 1453 C.E.. Second, it is wiser to speak of causes rather than any single cause; a series of interlocked conditions and their effects led to a radical change in the political condition of Europe during the 5th century. As noted by Michael Grant: