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This article breaks down the issue with classism and the research that has been constructed to battle the issue. This particular article is especially important because the author touches on the issue of society deeming poverty as an "only black or brown" issue, further empowering racism and neglecting the issue with economics and American society as a mixture of races and ethnicity. White poverty seems to go ignored or shut behind doors when it comes to scholarly work. he website states: "This fragmentation dilutes the possibility for class solidarity that is needed to push for health, housing, education, and employment reforms."

History.com's interpretation of the New deal. While it did little to end the great depression, it offered hope to society by offering projects and employment opportunities to society. The website includes a picture gallery of a struggling society in the 1930's and the projects that aimed to end it. The images are strong, including one that hits home; a photo of the Times Square Bread line. The North was the first to experience the effects of the great depression.

A very insightful website providing details in the issues associated with sharecropping and tenancy farming in the late 1800s and early 1900s. Poor whites suffered ridicule from both wealthy whites and fellow southern blacks, labeled as "white trash" and categorized in terms of labels such as "hillbilly". The signing of the "New Deal" isolated the south. A description of how the world war II began to put an end to such poverty among blacks and whites in the south is offered.

The famous Depression Era photographs and portraits of Walker Evans were originally rejected by Fortune but later published in a short book titled 'Let Us Now Praise Famous Men'.  In Evans' photographs, especially his portraits, he attempted to portray a sense of dignity regardless of social or economic class.  His images were so strong that he refused to provide captions for his images, rather he preferred the images to speak for themselves.

This portrait was made by Walker Evans during the summer of 1936 when he and writer James Agee were on assignment for Fortune magazine. Their story on tenant farmers in the South was finally released as a book in 1941, "Let Us Now Praise Famous Men". Critics of the time hailed the "naked realism" of Evans' stark portrayals, which would become iconic representations of American farming communities stricken by poverty during the Great Depression. This site is useful because it takes you in on the individual in the photo itself, allowing you to see the reverse effects of an unstable economy, in America where opportunity is to be boundless, especially for people that were considered the minority in this era.