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Alexa Mason

Photographs from the FSA and OWI - 0 views

  • Census records, real estate guides, and fire insurance maps draw a profile of the neighborhood in the 1930s. Situated at the southern end of the city's Yorkville District, the block was predominantly Italian, although many Irish and Poles lived on nearby East Side streets. The population grew during the decade, with most families living in rented three- or four-room apartments or in "rooming and lodging" houses built before 1900. Most buildings provided shared toilets and tubs, and nearly all residents had electricity or gas for cooking and lighting. Rents ranged from ten to fifty dollars per month. Residents either rode public transportation (a tramway ran parallel to East Sixty-first Street and the EL traveled along Second Avenue) or walked; few owned automobiles. A Roman Catholic church--identified as Our Lady of Perpetual Help on a 1934 map--adjoined a parochial school facing East Sixty-second Street. Many small businesses served the neighborhood, and a few larger concerns like warehouses and a laundry that served a citywide clientele.11
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    This webpage is from the Library of Congress. It includes twenty photographs taken by Walker Evans for the Farm Security Administration. The photographs portray a New York City block in the 1930s. According to the Library of Congress, the census and real estate guides to place the block within a historical context. The webpage describes not only Evans' career and photography style but the analysis of the subject, this particular New York City block, provides the reader with background such as the types of households, tenants and businesses that occupied this neighborhood during this time.
Jacqueline Alley

Dorothea Lange - 0 views

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    Dorothea Lange was another photographer during the Great Depression. Her images were focused on sharecroppers, migrant workers, and displaced farmers. She shows the plight of the lower class. Dorothea Lange's most famous for her portrait of Florence Owens Thompson, Migrant Mother, Nipomo, California. She was a 32yr old mother who sold everything she owned to take care of her children, eating birds and frozen vegetables. Her collection is viewable on the right side gallery. She was able to document the hardships the lower class endured through her photographs.
Drew Yost

Walker Evans and photography - World Socialist Web Site - 0 views

    • Drew Yost
       
      This article contains quite a bit of history regarding the history of photography, its categorization as art, and the life and work of Walker Evans.  The article calls Evans' a "great witnessing master of medium."  It discusses the reality captured in photography during the time period in which Allie Mae Burrough was photographed.
David McLellan

Smithsonian Center for Folklife and Cultural Heritage - Diana Davies Photograph Collection - 0 views

  • Diana Davies is a well-known photographer of folk performers and festivals, who photographed the Smithsonian Folklife Festival in its earlier years. The Davies photographs already held by the Rinzler Archives have been supplemented by a recent donation of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
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    This site gives a little background on the photographer, Diana Davies who documented the 1970 Christopher Street Gay Pride march. She was known for documenting many causes and festivals during her career as a photographer. Her photographs provide a historical documentation of the early days of the Gay Rights movement.
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