Peter Doig (born 1959) is a Scottish painter whose paintings are among Europe's most expensive.

Many of Doig's pictures are landscapes, with a number harking back to the snowy scenes of his childhood in Canada. His works are frequently based on found photographs (and sometimes on his own), but are not painted in a photorealist style, Doig instead using the photographs simply for reference. Peter Doig’s work captures moments of tranquillity, which contrast with uneasy oneiric elements. He uses unusual colour combinations and depicts scenes from unexpected angles, all contributing to give his work a magic realist feel.

In this tutorial we are going to design up a simple business card in Photoshop and get it ready for print with crop marks and bleed. Normally you'd do some of this with a tool like InDesign but it is in fact possible to get by with just our trusty old Photoshop.

The history of Chinese art is more consistent, and even more persistent, than the art of Egypt. It is, however, something more than national. It begins about the thirtieth century B.C. and continues, with periods of darkness and uncertainty, right down to the present century. No other country in the world can display such a wealth of artistic activity, and no other country, all things considered, has anything to equal the highest attainments of this art.

Chinese technique is amazingly simple: it involves the knowledge of the use of one brush and one color—but that brush used with such delicacy and that color exploited with such subtlety, that only years of arduous training can produce anything approaching mastery. As is well known, the Chinese normally write with a brush, and a brush is as familiar to them as a pen or pencil is to us. The first fact to realize about Chinese painting is that it is an extension of Chinese handwriting. The whole quality of beauty, for the Chinese, can inhere in a beautifully written character. And if a man can write well, it follows that he can paint well. All Chinese painting of the classical periods is linear, and the lines which constitute its essential form are judged, appreciated and enjoyed, as written lines.

Throughout its history, then, Chinese art conceives nature as animated by an immanent force, and the object of the artists is to put themselves in communion with this force, and then to convey its quality to the spectator.

D&AD AWARDS QUICK FACTS D&AD has been rewarding creative excellence since 1962 Advertising, Design, Digital - D&AD spans the full creative spectrum Only the world's most respected creatives judge at D&AD Entries help fund our global education programmes If your work is successful it will become part of creative history, promoted globally at the Awards Ceremony, online and at D&AD exhibitions and events