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Scheiro Deligne

Welcome to The Athenaeum - 1 views

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    The Athenaeum is building a set of online tools for studying the humanities. Whether you are an armchair historian, a teacher, or just someone with an interest in history, archaeology, philosophy, or the arts, we hope to provide new ways to explore and interact with all sorts of material. It is a never-ending quest, and we welcome your involvement. Take a moment, browse the site, and let us know what you think!
Scheiro Deligne

Faces - Accueil - 3 views

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    Faces est un site dédié à l'affichage de portraits, disponibles à la publication, mis en ligne par un regroupement de photographes professionnels indépendants, et régulièrement mis à jour par eux-mêmes.
ruben vh

Romanticism - 3 views

  • second half of the 18th century in Western Europe
  • revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature
  • confronting the sublimity of untamed nature and its picturesque qualities, both new aesthetic categories
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  • escape the confines of population growth, urban sprawl and industrialism, and it also attempted to embrace the exotic, unfamiliar and distant
  • ideologies and events of the French Revolution laid the background
  • in the second half of the nineteenth century, "Realism"
  • Romanticism elevated the achievements of what it perceived as misunderstood heroic individuals and artists that altered society. It also legitimized the individual imagination as a critical authority which permitted freedom from classical notions of form in art
  • Despite this general usage of the term, a precise characterization and specific definition of Romanticism has been the subject of debate in the fields of intellectual history and literary history throughout the twentieth century, without any great measure of consensus emerging
  • t is the period of 1815 to 1848 which must be regarded as the true age of Romanticism in music - the age of the last compositions of Beethoven (d. 1827) and Schubert (d. 1828), of the works of Schumann (d. 1856) and Chopin (d.1849), of the early struggles of Berlioz and Richard Wagner, of the great virtuosi such as Paganini (d. 1840), and the young Liszt and Thalberg
  • At that time Germany was a multitude of small separate states, and Goethe's works would have a seminal influence in developing a unifying sense of nationalism
  • The poet and painter William Blake is the most extreme example of the Romantic sensibility in Britain, epitomised by his claim “I must create a system or be enslaved by another man's.”
  • In predominantly Roman Catholic countries Romanticism was less pronounced than in Germany and Britain, and tended to develop later, after the rise of Napoleon. François-René de Chateaubriand is often called the "Father of French Romanticism". In France, the movement is associated with the nineteenth century, particularly in the paintings of Théodore Géricault and Eugène Delacroix, the plays, poems and novels of Victor Hugo (such as "Les Misérables" and "Ninety-Three"), and the novels of Stendhal.
  • But by the 1880s, psychological and social realism was competing with romanticism in the novel.
  • One of Romanticism's key ideas and most enduring legacies is the assertion of nationalism, which became a central theme of Romantic art and political philosophy
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    very well developed description + analysis of the Romantic tradition
c newsom

Taoism and the Arts of China - 0 views

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    A nice article connecting ideas within Taoism to Chinese Aesthetics.
Ian Yang

Ways of seeing - Google Books - 1 views

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    Borrowed this book from a local library a couple of weeks ago. To be honest, it's a bit shocking to me 'cause this book offers a new and quite thought-provoking perspective that helps me to interpret art in a way I have never imagined. Here is another website that gathers few paragraphs from the last chapter about how publicity disguises itself in the form of art and influences our daily life physically and mentally.
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    This is a great book and it's stood the test of time quite well. Another book I read recently called Do Good Design by David Berman reminded me of Berger's book. In many ways they are very similar but Berman's book focuses entirely on graphic design and directly challenges designers to take responsibility for the culture they create. http://www.davidberman.com/social/dogood.php
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