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Scheiro Deligne

Lux Art Institute - 1 views

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    See art differently. See art happen. Lux Art Institute is redefining the museum experience to make art more accessible and personally meaningful. At Lux, you don't just see finished works of art; you see the artistic process firsthand, engaging with internationally recognized artists in a working studio environment.
Ian Yang

Austin Museum of Digital Art - 0 views

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    The Austin Museum of Digital Art (AMODA) is a non-profit institution that promotes access to and appreciation of digital art. Currently AMODA is a nomadic institution, holding exhibitions, showcases, lectures, youth programs and other events at various locations around Austin, often in collaboration with other arts and educational organizations. Ultimately, AMODA is envisioned as a permanent venue for digital art -- a world class art museum in downtown Austin, open to the public. Our goal is to make AMODA a leading center in the community for art presentation, education and outreach. Our mission is to engage the public, educate the community and support artists in the creation, understanding and appreciation of digital art.
Scheiro Deligne

ArtsConnectEd - 0 views

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    Explore the combined collections of the Minneapolis Institute of Arts and the Walker Art Center through hundreds of new features in ArtsConnectEd. Search over 100,000 resources in the Art Finder, including works of art, texts, audio, video, and interactive resources. Save and customize items in the redesigned Art Collector. Comment, tag and rate everything!
Scheiro Deligne

The Aldrich Contemporary Art Museum - 0 views

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    The Aldrich is one of the few non-collecting contemporary art museums in the United States. Founded on Ridgefield's historic Main Street in 1964, the Museum enjoys the curatorial independence of an alternative space while maintaining the registrarial and art-handling standards of a national institution. Exhibitions feature work by emerging and mid-career artists, and education programs help adults and children to connect to today's world through contemporary art. The Museum is located at 258 Main Street, Ridgefield, CT 06877.
Scheiro Deligne

The Robert Mapplethorpe Foundation - 2 views

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    Robert Mapplethorpe was born in 1946 in Floral Park, Queens. Of his childhood he said, "I come from suburban America. It was a very safe environment and it was a good place to come from in that it was a good place to leave." In 1963, Mapplethorpe enrolled at Pratt Institute in nearby Brooklyn, where he studied drawing, painting, and sculpture. Influenced by artists such as Joseph Cornell and Marcel Duchamp, he also experimented with various materials in mixed-media collages, including photographs cut from books and magazines. He acquired a Polaroid camera in 1970 and began producing his own images to incorporate into the collages, saying he felt "it was more honest." That same year he and Patti Smith, whom he had met three years earlier, moved into the Chelsea Hotel.
anonymous

Gustavo Acosta | Panamerican Art Projects - 1 views

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    Gustavo Acosta is a Cuban artist who was born in 1958, in Havana, Cuba. He attended the Superior Institute of Art (ISA), and the School of Visual Arts San Alejandro, both in Havana, Cuba. He currently lives and works in Miami, Florida, United States.
Ian Yang

Forum : Art Face Off :: View topic - Pricing Your Art - 0 views

  • In general, I recommend artists price their work as low as they can possibly bear to start out. Remember, it is more important to cultivate on-going relationships with dealers and consultants than to sell one piece.
  • Ultimately, it is better for the work to be out there than sitting in your studio. I believe art is a process, a verb, not a noun. And, part of the process necessitates that the work be exhibited, purchased and appreciated by others.
  • Remember, this is just a starting point. If you are fortunate enough to have a gallery representative, they should work with you in helping to determine a realistic price for you work. Ultimately, your prices will establish themselves as you start showing your work and getting a reaction.
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  • Medium, size, complexity, cost of production and previous sales history, also play important roles in determining the final sales price. But the bottom line could just as easily be determined by how much an artist is attached to a particular piece.
  • an increase in price is only justified when this balance shifts…either the demand increases, or the supply decreases.
  • the work you present publicly should all be of the highest caliber and of equal value. If you are particularly attached to a particular piece and want to price it twice as much as the other work in the show, it is better to just mark the piece sold and keep it for yourself until your work increases in value to a point where the price you want is justified.
  • * What is the number and quality of the venue of group and solo exhibitions? * Are the shows all local or spread out nationally or even internationally? * Are there any museum shows? * Does the artist have any critical published reviews? * What kinds of publications and who are the writers? * Have any catalogs been done in conjunction with any of the shows? * What is the artists sales history? * Is there a long list of collectors? * Are the collectors mainly private collectors, or are there public institutions listed? * Any permanent museum collections?
Scheiro Deligne

The Art Institute of Chicago - 1 views

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    It is true that art museums are about the stubborn, matter-of-factness of things: the works of art. But access to the Art Institute's collection has always been enhanced by words and reproduced images. With the launch of our redesigned Web site, we acknowledge the importance of digitized access to the works of art. Here you will learn about the character and structure of our collection and our educational programs and exhibitions. You will also learn how to visit and contact us easily. I very much look forward to seeing you at the museum. James Cuno President and Eloise W. Martin Director
Taylor Wilson

Bowers Museum - WARRIORS, TOMBS AND TEMPLES: CHINA`S ENDURING LEGACY - 1 views

  • Enter the great tombs and temples of the powerful, and the cunning men and women who ruled imperial China. ``Warriors, Tombs and Temples: China’s Enduring Legacy`` is a landmark exhibition drawn from China’s most important archaeological excavations assembled in cooperation with seven leading Chinese institutions.
kdztattoo

Best Tattoo Artist in Delhi | Training Institute | KDZ - 0 views

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    So, all set to get tattooed? Whether it is your first one or the 10th one, finding the right tattoo artist in Delhi helps ensure that you walk out of the studio with something you love in your life. Delhi, in fact, is a city full of some amazing tattoo artists who differentiate in every style - from sleek minimalism to jaw-dropping realism. So, how do you find the right one? Read on for the ultimate guide! Finding the right tattoo studio in Delhi for your next ink Just as finding the right tattoo artist is important, so is finding the right tattoo studio in Delhi. The best studios have a welcoming, clean professional environment where you may feel comfortable and assured throughout the process. A good tattoo studio in Delhi, to my mind, has to be very clean. It has to use differentiated and disposable needles. However, that is also the ambiance. To savor the process and not worry about it, you have to feel relaxed. Not to forget, taking time to read reviews and recommendations will ensure that you get a studio with good artists, and the atmosphere of the studio might match what one expects. Once you find your place, you feel relaxed and ready to get that dream tattoo.
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