Gould, Elizabeth. "Music Education Desire(ing): Language, Literacy, and Lieder." Philosophy of Music Education Review, Volume 17, issue 1 (June 04, 2009), p. 41-55. OhioLINK. Web. 20 November 2010. Issues of desire in music education are integral and anathema to the profession. Constituted of and by desire, we bodily engage music emotionally and cognitively; yet references to the body are limited to how it may be better managed in order to produce more satisfactory (desired) sounds, thus disciplining desire as we focus on the content of teaching (music) to the virtual exclusion of its subjects (students)-and our selves.

Piro, Joseph M. "The effect of piano lessons on the vocabulary and verbal sequencing skills of primary grade students." Psychology of Music, Volume 37, issue 3 (July 2009), p. 325-347. OhioLINK. Web. 20 November 2010. A number of studies have reported positive associations between music experience and increased abilities in non-musical (e.g., linguistic, mathematical, and spatial) domains in children. These transfer effects continue to be probed using a variety of experimental designs. The major aim of this quasi-experimental study was to examine the effects of a scaffolded music instruction program on the vocabulary and verbal sequencing skills of two cohorts of second-grade students. One group (n = 46) studied piano formally for a period of three consecutive years as part of a comprehensive instructional intervention program.

Walsh, Maureen. "Worlds have collided and modes have merged: classroom evidence of changed literacy practices." Literacy, Volume 42, issue 2 (July 2008), p. 101-108. OhioLINK. Web. 20 November 2010 Debates continue in public and in educational policy forums about the 'basics' of literacy while many have not recognised that these basics may never be the same again. Rapid changes in digital communication provide facilities for reading and writing to be combined with various and often quite complex aspects of music, photography and film. At the same time, educational policy and national testing requirements are still principally focused on the reading and writing of print-based texts. This paper examines evidence from classroom research to analyse the nature of multimodal literacy, the literacy that is needed in contemporary times for reading, viewing, responding to and producing multimodal and digital texts. Examples of students' engagement in multimodal literacy are presented to demonstrate how classroom literacy practices can incorporate the practices of talking, listening, reading and writing together with processing the modes of written text, image, sound and movement in print and digital texts.

Knapp, Angela. "Music and the literacy hour at Key Stage 2: an investigation into curricular pressure." British Journal of Music Education, Volume 17, issue 3 (November 2000), p. 265-276. OhioLINK. Web. 20 November 2010. Primary school teachers have had to endure a great many changes in the profession over the last decade. Since the advent of the National Curriculum - the most significant change of all - there have been further alterations to the teaching programme. The first was a revision of the National Curriculum itself, followed by the election of a new Government, which rapidly introduced another major change: the prescriptive teaching of literacy and numeracy. To accommodate this, primary schools have had to juggle to maintain a broad and balanced curriculum of foundation subjects.

Barker Reinecke, Marguerite. "Teaching music literacy in the townships: building partnerships and a culture of accountability." OhioLINK. Web. 19 November 2010 The learning of music can transform the lives of young school children and youths in a Johannesburg township. This article describes the background to the pioneering work of the South African Music Education Trust (SAMET) in its attempts to kindle interest in musical literacy, to fund its projects, and to create a culture of trust and partnership between donors and recipients, some of whom are learning about fund management and accountability for the first time.

Abromeit, Kathleen A. "Info Lit and the Diva: Integrating Information Literacy into the Oberlin Conservatory of Music Opera Theater Department." OhioLINK. Web. 20 November 2010. This article reads like a play and discusses integrating literacy in opera.

Waller, David. "Literacy and Music Literacy: Language A Pedagogical Asymmetry." OhioLINK. Web. 19 November 2010 Music education discourse is marked by frequent comparisons of music to language, and of music notation to written language. However, the role played by writing, as opposed to reading, is often overlooked in that discourse, as well as in classroom practices and workbooks. Consequently, far too many students can read music notation but not write it. Failing to achieve full literacy in their field, they develop a habit of deference toward printed music. Plato argues in the Phaedrus that we should not take that which is written too seriously. Letting students write music will help them to achieve the perspective of Plato-himself a writer.

Manus, Sara. "Librarian in the Classroom: An Embedded Approach to Music Information Literacy for First-Year Undergraduates." OhioLINK. Web. 20 November 2010 This article is about developing a new model for information literacy. It discusses how you foster the development of foundational research skills in first-year undergraduate music students. This was the dilemma facing Vanderbilt University music librarians and faculty. Our solution to this problem was to implement a four-semester integrated music information- literacy program that emphasized library instruction for first-year stu- dents.

Wiggins, Donna G. "Pre-K Music and the Emergent Reader: Promoting Literacy in a Music-Enhanced Environment." OhioLINK. Web 20 November 2010. This article is about the importance of the relationship between music and literacy. it also discuss how music and literacy connect in the early learning setting. Emergent literacy may be nurtured in an early childhood environment that integrates literacy experiences with meaningful music activities in which young children develop skills necessary for success in both areas simultaneously. Early childhood educators can develop the knowledge and skills needed to bring music into the classroom as an engaging and stimulating element of literacy education.

Woodall, Laura and Brenda Ziembroski. "Promoting Literacy Through Music." Songsforteaching.com. Songs for Teaching TM, 2009. Web. 3 November 2010. This article is primarily about finding confidence in writing and reading through music. It goes on to say that children are naturally wired to sounds and rhythms so at a young age it can be used to establish rhyming patterns in areas of reading and writing. Music can be a way to remember stories and learn more about the world. Repetition of songs enhances emergent literacy. The article also says music and print language are similar.