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eaimrie

Speculative Fiction Collection - 1 views

I thought this was a pretty good collection of audio books: ( link ) https://thepiratebay.org/torrent/15564538/ Favorite_Science_Fiction_Stories__Volume_1_-_8_(Unabridged)_201...

Science Fiction Collection

started by eaimrie on 27 Mar 17 no follow-up yet
Sunny Jackson

Basic Science Fiction Library - 0 views

www2.ku.edu/sflib.htm

Speculative Fiction

shared by Sunny Jackson on 21 Nov 11 - Cached
  • BAXTER, Stephen. This British hard-SF writer won the 1996 Campbell Award for The Time Ships [Amazon|Powell's], a sequel to H.G. Wells' The Time Machine
  • BESTER, Alfred. The Demolished Man [Amazon|Powell's]. Flamboyant novel of murder in a world where telepathy is common. Hugo, 1953.
  • The Stars My Destination (also titled Tiger! Tiger!, 1957) [Amazon|Powell's] is another major novel, the Count of Monte Cristo in a world of teleportation.
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  • For his important short fiction, Starlight (1976) [Amazon|Powell's].
  • CADIGAN, Pat. Synners [Amazon|Powell's] won the 1989 Arthur C. Clarke Award, Fools won the 1994 award for this author who won her first acclaim as the only female cyberpunk author at the time; soon after considered the "Queen of Cyberpunk." Patterns (1988) [Amazon|Powell's] was her first major collection of short works, and Mindplayers (1987) [Amazon|Powell's] was her breakout novel.
  • CAMPBELL, John W. The Best of John W. Campbell (1976) [Amazon|Powell's]. Influential, longtime editor of Astounding/Analog, Campbell began as a writer of space epics and then turned to writing the more subtle psychological, philosophical stories collected here.
  • DOCTOROW, Cory. Doctorow is an SF author, blogger, and technology activist. He co-edits Boing Boing and contributes to many other publications. He was formerly Director of European Affairs for the Electronic Frontier Foundation. His fiction has been nominated for all the major awards and won the Locus Award and the Sunburst Award. Doctorow speaks frequently about copyright, technology, and post-scarcity economics. His Little Brother [Amazon|Powell's] won the 2008 John W. Campbell Award.
  • CHERRYH, C. J. Downbelow Station [Amazon|Powell's]. Hugo, 1982. This former high school Latin teacher writes about carefully designed future civilizations and alien societies, as well as fantasy novels, such as her Rusalka trilogy.
  • CLARKE, Arthur C. Childhood's End [Amazon|Powell's] (1953). A visionary, eschatological novel about Earth's children changing into pure mentality and joining the Overmind. Clarke is one of the three best-known contemporary science-fiction writers of his time (the other two were Asimov and Heinlein) and worth reading in any of his three moods: extrapolative, poetic, philosophical. Other important books: The City and the Stars (1956) [Amazon|Powell's]; Rendezvous with Rama [Amazon|Powell's], Hugo, Nebula, Campbell, 1974; The Fountains of Paradise [Amazon|Powell's], Hugo, Nebula, 1979; and the novelization of the Stanley Kubrick film, 2001: A Space Odyssey (1968) [Amazon|Powell's].
  • DICK, Philip K. The Man in the High Castle [Amazon|Powell's]. The United States has lost World War II, and Japan and Germany have divided it up, except for the Rocky Mountain states, where a novelist is writing a book in which the United States won the war; one of the best of the alternate-history novels. Hugo, 1963. Dick, who died in 1982, was a prolific author whose books, all of interest, dealt often with the nature of reality: Do Androids Dream of Electric Sheep? [Amazon|Powell's] (upon which the film "Blade Runner" was based, 1968); Ubik [Amazon|Powell's] (1969); Flow My Tears, the Policeman Said (Campbell, 1974) [Amazon|Powell's]; and Valis (1981) [Amazon|Powell's].
  • CHARNAS, Suzy McKee. Walk to the End of the World (1974) [Amazon|Powell's] was one of the early post-holocaust feminist dystopias, followed by Motherlines (1978) [Amazon|Powell's], a feminist utopia. "Boobs" won the 1989 Hugo.
  • FARMER, Philip José. To Your Scattered Bodies Go [Amazon|Powell's]. The first novel in Farmer's Riverworld series, in which all past human beings are revived to find themselves living along the banks of a long river. Hugo, 1972. The first had Richard Burton as its hero, the second, The Fabulous Riverboat [Amazon|Powell's] (1971), Mark Twain. Farmer is prolific, and delights in reviving old heroes in fiction or fictionalized biography such as Tarzan Alive [Amazon|Powell's] (1972) and Venus on the Half Shell [Amazon|Powell's] (1975).
Sunny Jackson

Side Jobs - Stories from the Dresden Files - Google eBookstore - 0 views

books.google.com/ebooks

Wishlist eBooks Speculative Fiction

shared by Sunny Jackson on 21 Nov 11 - No Cached
  • Sunny Jackson on 21 Nov 11
     
    Here, together for the first time, are the shorter works of #1 New York Times bestselling author Jim Butcher-a compendium of cases that Harry and his cadre of allies managed to close in record time. The tales range from the deadly serious to the absurdly hilarious. Also included is a new, never-before-published novella that takes place after the cliff-hanger ending of the new April 2010 hardcover, Changes. This is a must-have collection for every devoted Harry Dresden fan as well as a perfect introduction for readers ready to meet Chicago's only professional wizard.
Sunny Jackson

EP222: Infestation - 0 views

escapepod.org/...ep222-infestation

Speculative Fiction Audio I've Read ❤❤❤❤❤ Podcast

shared by Sunny Jackson on 28 Oct 11 - Cached
  • Sunny Jackson on 28 Oct 11
     
    They were the usual motley collection of freelance vampire hunters. Two men, wearing combinations of jungle camouflage and leather. Two women, one almost indistinguishable from the men though with a little more style in her leather armour accessories, and the other looking like she was about to assault the south face of a serious mountain. Only her mouth was visible, a small oval of flesh not covered by balaclava, mirror shades, climbing helmet and hood. They had the usual weapons: four or five short wooden stakes in belt loops; snap-holstered handguns of various calibers, all doubtless chambered with Wood-N-Death® low-velocity timber-tipped rounds; big silver-edged bowie or other hunting knife, worn on the hip or strapped to a boot; and crystal vials of holy water hung like small grenades on pocket loops. Protection, likewise, tick the usual boxes. Leather neck and wrist guards; leather and woven-wire reinforced chaps and shoulder pauldrons over the camo; leather gloves with metal knuckle plates; Army or climbing helmets.
Sunny Jackson

Daína Chaviano | Biography - 0 views

www.dainachaviano.com/...biography.aspx

Speculative Fiction Authors

shared by Sunny Jackson on 21 Nov 11 - No Cached
  • In 1979 she received the David Prize for Science Fiction for Los mundos que amo ("The Worlds I Love"), a collection of stories she authored between the ages of 15 and 19.
  • established the first science fiction literary workshop in Latin America.
  • Daína Chaviano has received numerous international awards and recognitions: Anna Seghers Award (Berlin Academy of Arts, 1990) for Fábulas de una abuela extraterrestre; Azorín Prize for Best Novel (Spain, 1998) for El hombre, la hembra y el hambre; Goliardos International Award for Fantasy (Mexico, 2003); Guest of Honor at the 25th International Conference for the Fantastic in the Arts (Fort Lauderdale, 2004); and Gold Medal for Best Book in Spanish Language (Florida Book Awards, 2006) for La isla de los amores infinitos.
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  • Anna Seghers Award (Berlin Academy of Arts, 1990) for Fábulas de una abuela extraterrestre; Azorín Prize for Best Novel (Spain, 1998) for El hombre, la hembra y el hambre; Goliardos International Award for Fantasy (Mexico, 2003); Guest of Honor at the 25th International Conference for the Fantastic in the Arts (Fort Lauderdale, 2004); and Gold Medal for Best Book in Spanish Language (Florida Book Awards, 2006) for La isla de los amores infinitos.
Sunny Jackson

Beneath Ceaseless Skies : : Submissions Guidelines - 0 views

beneath-ceaseless-skies.com/page.php

Writing Speculative Fiction

shared by Sunny Jackson on 21 Nov 11 - Cached
  • "secondary world": some other world that is different from our own primary world in some way
  • It could be different in terms of zoology (non-human creatures), ecology (climate), or physical laws (the presence of magic).
  • It could be set on Earth but an Earth different from our primary world in terms of time (the historical past) or history (alternate history).
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  • It could have a "pre-tech" level of technology, or steampunk technology, or magic as technology, or anything else that's not advanced or modern technology.
  • the setting should contain some element that is in some way fantastical.
  • The inhabitants of this secondary world should have developed their own culture in response to the uniqueness of their world.
  • The characters should fit this culture, and the qualities of the secondary world should have some bearing on the plot.
  • (You can't publish that story as a first-run or "new" story anywhere else in the world, and you can't have it appear anywhere else, in print or online or as audio, before or for ninety days after we publish it. But after that you can have it reprinted online and/or in a reprint magazine and/or in any reprint anthology, like one of the many Year's Best collections.)
  • Our favorite characters are "round characters": ones who grow and change over the course of a story instead of remaining the same.
  • Our favorite styles are lush yet still clear.
  • We have a preference for limited points-of-view, first-person or third-person, because we find it harder for a story to get deep inside a character's head from an omniscient point-of-view.
  • We find present tense occasionally pretentious and second-person point-of-view always annoying.
  • We prefer stories that are as original as possible, particularly in the setting.
  • We usually find that fairy tale-style or myth-style narratives don't provide a gritty or immediate enough perspective to make us feel the texture of the secondary world or the direness of the protagonist's struggle.
  • In addition to fantasy, we also enjoy stories set in other types of secondary world that likewise don't have modern technology, including steampunk, smoke & sorcery, weird West, sixguns & sorcery, etc.
  • very dry sense of humor
  • We prefer under 10,000 words.
  • the longer a story is, the better it must be
  • we only want self-standing stories.
  • We are not interested in reprints (stories that have previously appeared anywhere in print or online, including on a personal website or blog).
  • Multiple Submissions (more than one story submitted at a time): We do NOT accept these.
  • Please wait until you have received a reply to your submission before sending another.
  • Simultaneous Submissions (stories that are currently under submission to another market): We DO accept these, but ONLY if you state in your cover letter that your submission is simultaneous, and ONLY if you notify us IMMEDIATELY when another market accepts your story.
  • For standard acceptances, we pay 5 cents US per word, which is professional rate as defined by the Science Fiction and Fantasy Writers of America (SFWA).
  • For this payment, we purchase the following rights: First World Serial Rights First World Electronic Rights An Option to buy Non-Exclusive World Anthology Rights An Exclusive Period to buy Limited-Time Exclusive Audio Rights
  • We strongly prefer characters who yearn for something, external or internal, and feel driven to attain it.
  • (You also can't sell the audio rights to anyone else for ninety days after we publish the story. And if during those ninety days we buy the audio rights from you, you can't have the story appear in audio form anywhere else before or for ninety days after we podcast it. But after that you can resell the audio rights, including to one of the many fiction podcast websites.)
  • We also hope that you will let us keep the story in our online archives after ninety days.
  • We are a SFWA-qualifying professional market, so any sale to us can be used to qualify the author for membership in SFWA.
  • Format your manuscript in Standard Manuscript Format. If you don't know what that is, look it up.
  • Include your name, address, and email on the first page, and a running header with your last name, the title, and page number at the top of every subsequent page.
  • We do prefer a SHORT cover letter
  • Mention the title of your story in case the attachment gets lost.
  • Type it into the body of your email.
  • If you have prior fiction sales, list the best one or two. 
  • If you've been to any writing workshops, mention them. 
  • TELL US if this is a simultaneous submission.
  • DO NOT give a synopsis or summary of your story
  • Attach your manuscript to an email
  • ".DOC" or ".RTF"
  • DO NOT send a *.DOCX file
  • Use the subject line Submission: (the title of your story)
  • your subject line MUST include the word "Submission" or our spam filter will delete your email.
  • You should receive our email auto-reply within 24 hours after sending your submission.
  • Our response times average 3-5 weeks, occasionally as long as 6-7 weeks.
  • If we post on the BCS Forums that we've replied to all submissions sent before a certain date, but you sent yours before that date, please query us using the email form on our Contact page. We really mean this; it's not necessary to wait.
  • All rejections and acceptances will be notified by email.
  • Unsolicited Rewrites:  We do not accept unsolicited rewrites of stories that we've already rejected. (That is a nearly universal policy among short fiction markets of all genres.) 
  • we don't take submissions of artwork.  But we are interested in names of artists and links to their online portfolios, so that when we are ready to buy art, we can check out their work. 
  • If you're an artist and would like us to put your name and portfolio on our list to check out the next time we're looking for artwork, feel free to send us your information using our Contact page.
Sunny Jackson

EP314: Movement : Escape Pod - 0 views

escapepod.org/ep314

I've Read Speculative Fiction Favorites Audio Podcast

shared by Sunny Jackson on 21 Nov 11 - Cached
Sunny Jackson liked it
  • Words are such fleeting, indefinite things.  They slip through the spaces between my thoughts and are lost.
  • Other people do not see the shoes the same way I do.  They see only the faded satin, battered so much that it has grown threadbare, and the rough wood of the toe box where it juts through the gaps.  They do not see how the worn leather has matched itself to the shape of my foot.  They do not know what it is like to dance in shoes that feel like a part of your body.
  • I begin to warm my muscles, keenly aware of the paths the shadows trace along the walls as sunset fades into darkness.  When I have finished the last of my pliésand jetés, stars glimmer through the colored glass of the windows, dizzying me with their progress.  I am hurtling through space, part of a solar system flung towards the outer rim of its galaxy.  It is difficult to breathe.
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  • Often, when the flow of time becomes too strong, I crawl into the dark space beneath my bed and run my fingers along the rough stones and jagged glass fragments that I have collected there.  But today the pointe shoes are connecting me to the ground.
  • Time stretches and spins like molasses, pulling me in all directions at once.  I am like the silence between one movement of music and the next, like a water droplet trapped halfway down a waterfall that stands frozen in time. Forces press against me, churning, swirling, roaring with the sound of reality changing.  I hear my heart beating in the empty chamber.  I wonder if this is how Daniel Tammet felt when he contemplated infinity.
  • Finally I find it; the pattern in the chaos.  It is not music, precisely, but it is very like it.  It unlocks the terror that has tightened my muscles and I am no longer a mote in a hurricane.  I am the hurricane itself.  My feet stir up dust along the floor.  My body moves in concordance with my will.  There are no words here.  There is only me and the motion, whirling in patterns as complex as they are inconstant.
  • When my muscles lose their strength I will relinquish the illusion of control and return to being yet another particle in the rushing chaos of the universe, a spectator to my own existence.  But for now I am aware of nothing except my own movement and the energy rushing through my blood vessels.  Were it not for physical limitations, I would keep dancing forever.
  • “No new shoes,”I say.  “I couldn’t dance the same in new shoes.”
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