J. R. R. Tolkien wrote a more detailed account of telepathy among Ainur (lesser deities)
Mercedes Lackey s
Mindspeech
Mercedes Lackey
frequency
Global Guardians
Larry Niven's Known Space
One of the Hitchhiker's Guide entries references an entire planet of beings who were cursed with telepathy. Everyone on there entire planet could hear every thought in every other mind on the planet, whether they wanted to or not — which quickly threatened to drive them bonkers from information overload and/or sheer boredom
there is a hero, sometimes of humble origins, who must rise above his or her circumstances and is compelled to act by conditions and/or events outside of their control
We see this character grow up and become someone great, defeat the odds, and challenge the evil and corrupt.
The hero may not always succeed at first try, but they will find means either within themselves or from outside sources to continue on their quest, which if they fail, would have world-reaching consequences.
a completely developed secondary world
a portal into another world
the “world within a world”
series
episodic installments
high fantasy is often based on myth or legend
a hero’s tale
Matters beyond him and magic turn his life, which would have been otherwise dull and ordinary, into the stuff of legend.
Echoes of these stories have been passed down through the ages and were at one point rooted in local myth, tradition, lore, or legend.
These stories still stir imaginations today and influence epic literature by their fantastical nature.
High fantasy has roots as far back as fairy tale; they are human stories passed down, aggrandized and lasting.
wizard
antihero
rough around the edges, has a haunted past, and isn’t afraid to do what must be done to achieve his goal
may be acting on the “good” side, but he’s not a “good” character even if he does grow in that direction
it is possible to bring high fantasy into a more modern setting
subgenres are not mutually exclusive
medieval type setting
how fantasy and the fantastical elements affect the world
A Song of Ice and Fire by George R. R. Martin
The Lord of the Rings by J.R.R. Tolkien
The Book of Three by Lloyd Alexander
The Once and Future King by T.H. White
The Last Unicorn by Peter S. Beagle
Lord Foul’s Bane and The Chronicles of Thomas Covenant series by Stephen R. Donaldson
We learn about some of the most important things in our lives vicariously through fiction.
I’ve known a lot of people for whom books have been profoundly important
Fiction isn’t powerless. And if the author just ignores the politics of their work, that doesn’t mean the book becomes apolitical. It just means they wrote their own defaults.
Think Black people are lazy and violent, but your work isn’t about that? I’ll bet you dollars to donuts it’s in there.
Reading is the same way.
He’s trying to be a better man and to create (in a small way) a better world by the way he chooses what he reads.
And it was a moral statement, even if it was mostly a private one.
How we read and how we write will always have moral and political implications. The only choice we’ve got is whether they’re unconscious or considered.
beautiful and damning distinction
best self
authentic self
Wanting to live in a better world is great. Working for a better world is great. It only becomes a vice when it keeps us from loving the world we’re in—warts and all. My experience is that life is full of strong women and weak ones. Venal ones. Active ones. Passive ones. Complicated ones. Unhealthy ones. Men are just as varied and complicated and screwed-up. Their lives aren’t our societal best self, but they’re who we are
Treating moral issues as if they were craft is asking for a literature of beautiful sermons.
reading projects that pull you out into different kinds of authors and stories are wonderful so long as the moral aspects of your reading list don’t become more important than the joy you take in reading
I would never argue that the power of story—and it’s a real power—comes without responsibility. But I would say that responsibility is both to the better world to which we aspire and also the broken, compromised one we live in now.