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Danny Thorne

Did You Say "Intellectual Property"? It's a Seductive Mirage - GNU Project - Free Softw... - 0 views

  • The term carries a bias that is not hard to see: it suggests thinking about copyright, patents and trademarks by analogy with property rights for physical objects. (This analogy is at odds with the legal philosophies of copyright law, of patent law, and of trademark law, but only specialists know that.) These laws are in fact not much like physical property law, but use of this term leads legislators to change them to be more so. Since that is the change desired by the companies that exercise copyright, patent and trademark powers, the bias of “intellectual property” suits them.
  • one issue relating to copyright law is whether music sharing should be allowed. Patent law has nothing to do with this. Patent law raises issues such as whether poor countries should be allowed to produce life-saving drugs and sell them cheaply to save lives. Copyright law has nothing to do with such matters.
  • If you want to think clearly about the issues raised by patents, or copyrights, or trademarks, the first step is to forget the idea of lumping them together, and treat them as separate topics.
Danny Thorne

Intellectual property - Wikipedia, the free encyclopedia - 0 views

  • some scholars question the legitimacy and philosophical basis of such laws
  • the particular form or manner in which ideas or information are expressed or manifested, and not in relation to the ideas or concepts themselves
  • The shift in terminology towards "intellectual property" has coincided with a more general shift away from thinking about things like copyright and patent law as specific legal instruments designed to promote the common good and towards a conception of ideas as inviolable property granted by natural law.[8] The terminological shift coincides with the usage of pejorative terms for copyright infringement such as "piracy" and "theft".
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  • the "property" referred to in "intellectual property" is the rights, not the intellectual work.
  • still encourages a natural rights notion rather than a recognition that the rights are purely statutory, and it only characterizes the "property" rather than eliminates the property presupposition.
  • in the United States physical property laws are generally part of state law, while copyright law is in the main measure federal
  • The backronyms intellectual protectionism and intellectual poverty, whose initials are also IP, have found supporters as well, especially among those who have used the backronym digital restrictions management.
Danny Thorne

DigitalConsumer.org Overview - 0 views

  • You buy a CD but can't take it to the gym. The Audio Home Recording Act legalized our right to copy music for personal use -- for example, making a tape of a CD to use in a Walkman. But new copyright legislation makes it a crime to extract music from copy-protected CDs. You pay for cable but you aren't allowed to use your VCR. In the Betamax case, the Supreme Court ruled that making a copy of a TV show was a legal, non-infringing use of broadcast content. But new HDTV standards will make it illegal to copy a digital broadcast without the permission of the TV station. You buy a DVD but you can't watch it the way you want to. It seems obvious that users should have the ability to fast-forward and rewind movies as they see fit. But new copyright laws threaten that right: it is a crime to sell a DVD player that would allow a consumer to fast-forward through the ads at the beginning of a DVD! You own an electronic book, but you can't lend it to your son at college. Your right to lend a physical book is protected by the "first sale doctrine." This law states that purchasers of copyrighted works such as music or books have the right to dispose of the works in any way that they wish: they can sell them, loan them, rent them, or give them away. But new copyright laws criminalize all of those activities for digital content such as electronic books.
Danny Thorne

US CODE: Title 17,107. Limitations on exclusive rights: Fair use - 0 views

  • the factors to be considered shall include— (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
nagareochiru

Science Fiction Writer Robert J. Sawyer: Y3K: Artificial Intelligence - 0 views

  • Within a century, it will be possible to scan a human mind and reproduce it inside a machine. Regardless of whether our minds are just very sophisticated analog computers, or whether they have a quantum-mechanical element (as Roger Penrose proposes), we will nonetheless be able to duplicate them artificially.
  • Already, at the close of the second millennium, a transhumanist movement has begun; Christopher Dewdney is the principal Canadian spokesperson for it. This movement holds that uploading our consciousness into machines is desirable, since that will free us from biological aging and death. On the other hand (a decidedly biological metaphor), there is more to being human than just the networks of synapses in our brains; clearly, much of what we are is tied in intimately with our bodies. We may find that uploaded humans are not happy — indeed, are incapable of happiness or any emotion.
  • Just as laws today are moving toward recognizing a woman's right to control her body and any separate sentience that may be contained within it, so too will the laws of the future recognize the right of humans to upload their consciousness and then dispose of the original biological versions of themselves; such eliminations will not be seen as suicides or murders, but rather as a natural, perfectly legal step, eliminating a no-longer-needed biological container and preserving the uniqueness of the individual.
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  • It may, in fact, be dangerous to build conscious machines that are more intelligent than we are; just as intelligence may be an emergent property of sufficiently complex systems, so too may ambition and desire be emergent properties of sufficiently intelligent systems.
  • Although we used to consider the mastery of chess to be the pinnacle of human intellectual achievement, we've had to concede that it is simply a mathematical problem, and even today's primitive computers can do it better than the most skilled human. But there are other realms — including art, philosophy, and scientific theorizing — that, because of their intuitive, nonlinear nature, we may always be better at than any machine. Our AI servants may free humanity at the dawn of the fourth millennium to concentrate on these areas.
Danny Thorne

US CODE: Title 17,101. Definitions - 0 views

  • A “computer program” is a set of statements or instructions to be used directly or indirectly in a computer in order to bring about a certain result.
  • “Copies” are material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term “copies” includes the material object, other than a phonorecord, in which the work is first fixed.
  • “Copyright owner”, with respect to any one of the exclusive rights comprised in a copyright, refers to the owner of that particular right.
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  • A work is “created” when it is fixed in a copy or phonorecord for the first time; where a work is prepared over a period of time, the portion of it that has been fixed at any particular time constitutes the work as of that time, and where the work has been prepared in different versions, each version constitutes a separate work.
  • “Literary works” are works, other than audiovisual works, expressed in words, numbers, or other verbal or numerical symbols or indicia, regardless of the nature of the material objects, such as books, periodicals, manuscripts, phonorecords, film, tapes, disks, or cards, in which they are embodied.
  • “Publication” is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication. A public performance or display of a work does not of itself constitute publication.
Danny Thorne

"Intellectual property" is a silly euphemism | Technology | guardian.co.uk - 0 views

  • people who've "had their property stolen" are a lot more sympathetic in the public imagination than "industrial entities who've had the contours of their regulatory monopolies violated", the latter being the more common way of talking about infringement until the ascendancy of "intellectual property" as a term of art.
  • facts are not copyrightable, so no one can be said to "own" your address, National Insurance Number or the PIN for your ATM card. Nevertheless, these are all things that you have a strong interest in, and that interest can and should be protected by law.
  • there's plenty of stuff out there that's valuable even though it's not property. For example, my daughter was born on February 3, 2008. She's not my property. But she's worth quite a lot to me.
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  • The state should regulate our relative interests in the ephemeral realm of thought, but that regulation must be about knowledge, not a clumsy remake of the property system.
Danny Thorne

DMCA | Electronic Frontier Foundation - 0 views

  • In practice, the DMCA and DRM have done nothing to stop "Internet piracy." Yet the DMCA has become a serious threat that jeopardizes fair use, impedes competition and innovation, chills free expression and scientific research, and interferes with computer intrusion laws. If you circumvent DRM locks for noninfringing fair uses or create the tools to do so, you might be on the receiving end of a lawsuit.
Danny Thorne

Creative Commons - Wikipedia, the free encyclopedia - 0 views

  • Creative Commons licenses enable copyright holders to grant some or all of their rights to the public while retaining others through a variety of licensing and contract schemes including dedication to the public domain or open content licensing terms. The intention is to avoid the problems current copyright laws create for the sharing of information.
Danny Thorne

Unintended Consequences: Seven Years under the DMCA | Electronic Frontier Foundation - 0 views

  • The DMCA Chills Free Expression and Scientific Research.
  • The DMCA Jeopardizes Fair Use.
  • The DMCA Impedes Competition and Innovation.
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  • The DMCA Interferes with Computer Intrusion Laws.
Danny Thorne

AMERICAN GEOPHYSICAL UNION v. TEXACO INC., 60 F.3d 913 (2nd Cir. 1994) (LOISLAW) - 0 views

  • We do not deal with the question of copying by an individual, for personal use in research or otherwise (not for resale), recognizing that under the fair use doctrine or the de minimis doctrine, such a practice by an individual might well not constitute an infringement. In other words, our opinion does not decide the case that would arise if Chickering were a professor or an independent scientist engaged in copying and creating files for independent research, as opposed to being employed by an institution in the pursuit of his research on the institution's behalf.
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    systematic institution-support copying of journal articles by/for researchers at an oil company
Danny Thorne

Perfect 10, Inc. v. Amazon.com, Inc., et al. - Internet Library of Law and Court Decisions - 0 views

  • transformative nature of the thumbnails Google created, which, by facilitating the public’s ability to search the web for images, serve a different purpose than the original images, which are designed to entertain.
  • Google does not store the images contained on such third party web pages in its cache.  Rather, all that these cached copies contain are html instructions setting forth the location on the internet where the image can be found
  • the Copyright Act, unlike the Trademark Act, does not protect a copyright holder against acts that cause consumer confusion.
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  • Perfect 10 claimed that by assisting users in locating and obtaining access to third party sites that themselves contained infringing images, Google was guilty of contributory infringement.
  • Said the Ninth Circuit:  “Google’s failure to change it operations to avoid assisting websites to distribute their infringing content may constitute contributory liability …”.
  • The District Court was also directed to determine whether Google was immunized from liability for such contributory infringement claims by operation of the Digital Millennium Copyright Act (“DMCA”).  The DMCA immunizes Service Providers such as Google from liability “for infringement [including contributory infringement] of copyright by reason of the provider referring or linking users to an online location containing infringing material or infringing activity, by using information location tools, including a directory, index, reference, pointer or hypertext link,” if the service provider meets certain specified criteria.  The parties disputed whether Google in fact met such criteria, and qualified for the protections of the DMCA.  This issue was left to the District Court on remand.
  • Google had no contractual or other right to cause such third party websites to stop displaying infringing content.  As such, the Ninth Circuit held, Perfect 10’s vicarious copyright infringement claims were likely to fail.
  • only delivered html instructions – to wit in-line links – to its users, and not the actual images themselves
  • a user’s act of “caching” copies of infringing images in his computer as part of his review of such infringing materials was a fair use protected from claims of copyright infringement.
Danny Thorne

Intellectual Property Professional Information Center: PLI Panelists Critical of Trends... - 0 views

  • In May, the U.S. Court of Appeals for the Ninth Circuit vacated a preliminary injunction barring Google Inc. from displaying thumbnail versions of photographs found on an adult-oriented Web site, reasoning that the Web site owner was unlikely to overcome Google's fair use defense. Perfect 10 Inc. v. Amazon.com Inc., 487 F.3d 701 (9th Cir. 2007).
  • Jeffrey P. Cunard, of Debevoise & Plimpton, Washington, D.C., > termed secondary liability a “leaping mess,” which he > attributed to an effort on the part of the courts to erode the > Sony-Betamax > prescription for secondary liability, and not have > it apply in a digital era. > In Sony Corp. v. Universal Studios Inc., 464 U.S. 417 (1984), the U.S. Supreme Court held that if a technology is “capable of substantial noninfringing uses,” the manufacturer of that technology cannot be liable for the infringing acts of users.
  • Metro-Goldwyn-Mayer Studios > Inc. v. Grokster Ltd. > , 125 S.Ct. 2764, 33 Med.L.Rptr. 1865 (2005) >
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  • Grokster > defendants had taken affirmative steps to foster > infringement. >
  • the court emphasized that facilitating a payment is peripheral to the > actual infringement, which is the unauthorized distribution of a > copyrighted work. >
  • Perfect 10 Inc. v. Visa International Service > Association, > 494 F.3d 788 (9th Cir. 2007) >
  • the key issue in secondary liability is the business model.
  • copyright law is out of sync with developments in technology.
  • statutory damages for secondary liability should be written out of the Copyright Act.
  • dramatic growth in online advertising and new business models will continue to shape the legal landscape, and predicted, in particular, an explosion in legal issues related to social networking.
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