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Chad Amico

Post-it® / Stickies™ Notes & Flags - Office Supplies | Staples® - 0 views

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    Stores Everywhere sell stickynotes
Chad Amico

Post-it note - Wikipedia, the free encyclopedia - 0 views

  • In 1968, Dr. Spencer Silver, a scientist at 3M in the United States, was attempting to develop a super-strong adhesive, but instead he accidentally created a "low-tack", reusable, pressure-sensitive adhesive[1][2] that has been characterized as "a solution without a problem"
  • Fry then developed the idea by taking advantage of 3M's officially sanctioned "permitted bootlegging" policy.[5] 3M launched the product in stores in 1977 in four cities under the name "Press 'n Peel", but its results were disappointing.[6][7] A year later, in 1978, 3M issued free samples to residents of Boise, Idaho, and 94 percent of the people who tried them said that they would buy the product.[6] On April 6, 1980, the product debuted in US stores as "Post-It Notes".[8] In 1981, Post-its were launched in Canada and Europe.[9]
  • In 2003, the company came out with Post-it Brand Super Sticky notes, with a stronger glue that adheres better to vertical and non-smooth surfaces.[10] Standard Post-it Brand notes have only partial adhesive coating on the back, along one edge.
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  • The Yellow Stickee Diary of a Mad Secretary", by Rosa Maria Arenas, is the mini graphic journal of an office worker/artist, exhibited July 7 - August 25, 2013, at the Michigan Institute of Contemporary Art (MICA) Gallery in Lansing, Michigan. The 41 drawings displayed are a tiny percentage of the more than 2000 original drawings that constitute the Yellow Stickee Diary Project which Arenas created while working temp jobs from 1994 to 2005. Printed with archival inks on archival paper, the reproductions include "stickee sized" (3" x 5") framed prints and enlargements of the original drawings (which were all done on post-it notes).
  • Rebecca Murtaugh, a California artist who uses Post-it notes in her artwork, in 2001 created an installation by covering her whole bedroom with $1000 worth of the notes, using the ordinary yellow for objects she saw as having less value and neon colors for more important objects, such as the bed.[10]
  • One such work, by the artist R. B. Kitaj, sold for £640 in an auction, making it the most valuable Post-it note on record.[14]
  • Analogues of Post-it notes have also been used in technology in the form of desktop notes which are computer applications developed to allow users to put virtual notes on their computer desktop. These computerized versions of Post-it notes include 3M's own "Post-it Brand Software Notes", "Stickies" in Mac OS, "Sticky Notes" in Windows,[15] or other non-free applications like ShixxNOTE.[16] Additionally, some web applications have developed Post-it sort notes for online use.
Heather Purpera

Scrupuli: Who Invented the CD and the CD-ROM? - 0 views

    • Heather Purpera
       
      Jul 28, 2000 8:37 PM-James Russell thought of it in 1965 while working for Pacific Northwest National Laboratory, operated by Battelle Memorial Institute for the U. S. Department of Energy. His idea, known as Optical Digital Recording (ODR), was to store information digitally on photosensitive film using a laser to record and to play back. In 1974, for his work on ODR, Russell was honored with an R&D 100 Award. By 1980 he had made the first disk player.
  • For a long time Battelle was unable to interest anyone else in ODR. Eventually Sony and Philips licensed it, established a proprietary ODR format for audio called “Compact Disc” (CD), and delivered a commercial product in 1982, followed in 1985 with a related ODR format for data called CD-ROM. Sony and Philips call these their “inventions”, misleading many into seeing Sony and Philips as visionary. They are often given sole credit for this revolutionary technology. In actuality, their contribution was to bring Russell’s system to market, and only after taking two decades to recognize its value.
  • As you might expect, Sony and Philips have made millions, and Russell himself got nothing.
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    • Heather Purpera
       
      Russell got nothing as expected yet Sony and Philips have gotten all the fame and made "millions"!!!
  • Russell invented it Fred Moody: CD-ROM Inventor Strikes Again
  • Sony and Philips co-invented it
  • ment.
  • It is now 14 years since Sony and Philips launched the Compact Disc digital audio format and gave the world its first taste of digital entertain
  • Jul 28, 2000 8:37 PM–James Russell thought of it in 1965 while working for Pacific Northwest National Laboratory, operated by Battelle Memorial Institute for the U. S. Department of Energy. His idea, known as Optical Digital Recording (ODR), was to store information digitally on photosensitive film using a laser to record and to play back. In 1974, for his work on ODR, Russell was honored with an R&D 100 Award. By 1980 he had made the first disk player.
Chad Amico

Post-It Notes Evolve In Size And Color: Student Research Center - powered by EBSCOhost - 0 views

  • Our last word in business is about a little product that requires concise writing. Thirty years ago this month, it hit stores across the country. Scientists at the office products conglomerate 3M had stumbled upon a new kind of adhesive, one that could stick to many surfaces and be pulled off easily and repositioned.
  • Since 1980, they have been a top-selling office supply. They're no longer just three-by-three inches and light yellow in color. The little sticky pads come in eight sizes, and dozens of shapes and colors.
  • heir contribution to human progress has been so great that Post-It note inventers Arthur Fry and Spencer Silver were inducted last month into the National Inventors Hall of Fame.
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    EBSCO 
Tuffer Jordan

Inventor of the Week: Archive - 0 views

    • Heather Purpera
       
      James T. Russel invented the compact disc in the late 1960s
  • The digital compact disc, now commonplace in stereos and computers, was invented in the late 1960s by James T. Russell.
  • Russell was born in Bremerton, Washington in 1931.
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  • At age six, he invented a remote-control battleship, with a storage chamber for his lunch
  • He was among the first to use a color TV screen and keyboard as the sole interface between computer and operator; and he designed and built the first electron beam welder.
  • Russell was an avid music listener.
  • Like many audiophiles of the time, he was continually frustrated by the wear and tear suffered by his vinyl phonograph records. He was also unsatisfied with their sound quality: his experimental improvements included using a cactus needle as a stylus. Alone at home on a Saturday afternoon, Russell began to sketch out a better music recording system --- and was inspired with a truly revolutionary idea.
  • Russell envisioned a system that would record and replay sounds without physical contact between its parts; and he saw that the best way to achieve such a system was to use light.
  • Russell was familiar with digital data recording, in punch card or magnetic tape form. He saw that if he could represent the the binary 0 and 1 with dark and light, a device could read sounds or indeed any information at all without ever wearing out.
  • If he could make the binary code compact enough, Russell saw that he could store not only symphonies, but entire encyclopedias on a small piece of film.
    • Heather Purpera
       
      His inventing began very young!!!
    • Tuffer Jordan
       
      Russell earned his BA in Physics from Reed College in Portland in 1953.
    • Tuffer Jordan
       
      At the age of 6, Russell invented a remote-control battleship, with a storage chamber for his lunch.
Heather Purpera

The First CD Invented - 0 views

  • James Russell invented the compact disc in 1965. James Russell was granted a total of 22 patents for various elements of his compact disc system. However, the compact disk did not become popular until it was mass manufactured by Philips in 1980.             The first working prototype was produced in 1979. At the time of the technology's introduction it had more capacity than computer hard drives common at the time. The reverse is now true, with hard drives far exceeding the capacity of CDs.
  • n 1979, Philips and Sony got together to manufacture the compact disc.
  • The team leaders of this project were Kees Immink and Toshitada Doi. Philps handled the manufacturing process along with the Eight-to-Fourteen Modulation (EFM), while Sony too care of the error connection method, better known as CIRC. However, Philips claims that this invention was not a one man's job but a collective contribution by members of both the companies who worked together as a team.
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  • Audio CDs and audio CD players have been commercially available since October 1982.            Mass adoption didn't happen immediately -- CDs wouldn't overtake cassette tapes until the late 1980s. The first album to sell 1 million copies in the CD format and outsell its vinyl version was Dire Straits' "Brothers in Arms," released in 1985.
  • This disc was taken over by nearly all markets across the globe, especially the Europe and the United States consumer market. The first successful CD to be launched was Brothers in Arms in 1985.A compact disc (CD) is a popular form of digital storage media used for computer files, pictures, and music. The plastic platter is read and written to by a laser in a CD drive. It comes in several varieties including CD-ROM, CD-R, and CD-RW.  As with most new technologies, one reason for the slow spread of CDs was their steep price tags. The Sony CDP-101 player sold for the equivalent of $730 when it first hit Japanese shelves in 1982. Accounting for inflation, that's about $1,750 today. The audio CDs themselves were $15, which is $35 in 2012 dollars.
  • Standard CDs have a diameter of 120 millimeters (4.7 in) and can hold up to 80 minutes of uncompressed audio or 700 MB (actually about 703 MB or 737 MB) of data. The Mini CD has various diameters ranging from 60 to 80 millimeters (2.4 to 3.1 in); they are sometimes used for CD singles, storing up to 24 minutes of audio or delivering device drivers.
Tuffer Jordan

Wecome to NWS&T Magazine Online - 0 views

  • The Puget Sound Engineering Council selected Russell as the 2005 Industry Engineer of the Year. And despite all of his accomplishments, it wasn't until Joe Decuir of Seattle's chapter of the Institute of Electrical and Electronics Engineers, Inc., (IEEE) saw a story about Russell in the local newspaper that he suggested Russell's name to the committee last fall.
  • In the mid 1950s, he was frustrated with the sound quality of LPs, which started wearing out after only a dozen plays. He even tried using a cactus needle to play records because the jewel needle wore out the vinyl faster and didn't sound as clear. Russell wanted a way to capture the complexity and nuances of classical music without damaging the recording. And the idea that sparked a multi-billion dollar industry was about to take shape in Russell's mind.
  • In fifth grade, he started building radios out of parts he scrounged from the neighbors. In high school, he took a job setting up a commercial radio station, even though he didn't know how to hook up most of the equipment. "But I learned– rapidly,” he laughs.
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  • After graduating from Reed College with a degree in physics in 1953, Russell took a job with General Electric in the Hanford Nuclear Plant doing experimental work.
  • Battelle took over the Hanford Laboratories in 1965 and gave Russell a lab and time to work on some of his imaginings, including the crazy idea that sound could be converted to strings of numbers and reproduced using light.
  • He had come up with a way of using a laser to read digital bits of information, which later became the most widely-used way to read just about everything. By using a light to read the data, the record would never wear out. The data are encoded as microscopic pit marks on the surface of the disk, which, when spun, can be read to reproduce high-quality sound.
  • The original goal was to record television shows, not music, because adding visuals would be more difficult. If television couldn't be recorded digitally, Russell and his backers decided they would at least know where they stood. In 1973, they were successful, but they were ahead of their time. Amazingly, no one wanted to buy a license for the precursor to the DVD.
  • By 1991, about 25 years after he came up with the idea, CDs were outselling their predecessors, audio tapes, in record stores nationwide.
  • But all he can do is shrug ruefully, "I didn't invent the CD, I invented the technology.”
  • Today, Russell has more than 50 patents to his name. He continues his work from the basement of his Bellevue home where he and Barbara have lived for more than a decade.
  • The first devices were called Optical Digital Data Storage –the term CD is actually a trademark of Philips. The original storage units were made of glass plates, about the size of large index cards, which could be read as a laser scanned over them.
    • Tuffer Jordan
       
      Russell didn't get fame nor riches for his invention.
  • Now, sales of the mirror-like plastic discs are in the billions every year, but the man behind it all has gotten neither fame nor riches. The company that held the patents sold the rights for a song. Now, Russell has a few artifacts from the early days, a scrapbook full of pictures, and a handful of plaques and trophies to show for all his
    • Tuffer Jordan
       
      In the fifth grade, Russell started building radios out of parts he scrounged form the neighbors.
    • Tuffer Jordan
       
      Russell came up with a way of using a laser to read digital bits of information, which later became the most widely-used way to read just about everything.
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    James T. Russell invented the CD! 
Heather Purpera

CD History - 0 views

  • It was Philips Industries, a Dutch-based electronics giant (known in the music world as owner of the PolyGram labels), that made the first announcement, on May 17, 1978. Working with Japan's Sony Corporation, Philips announced that they would have a marketable compact disc and appropriate hardware ready "in the early 1980s." That promise was kept on October 1, 1982, when the compact disc was introduced in Japan by CBS/Sony, with 112 different CD titles and a CD player (Sony's CDP-101). The last few months of 1982 were hectic, with Sony selling over 20,000 CD players and Hitachi also posting sales in the 6,000 per month range for their player. Prices for these initial players ran from about $700 to about $1000. The discs themselves, priced at about $15-20, could not be pressed fast enough to meet demand. Sony's research on who was buying the discs in Japan indicated it was young (20s, early 30s) men with a particular interest in sound quality. Perhaps it was this research that led others to believe, as the rest of the world looked on in curiosity to what was happening in Japan, that CDs would fill a niche for high quality sound enthusiasts and little else. By the end of 1982, CBS/Sony and Epic/Sony had issued 122 CD titles.
  • The stories about compact discs published in Billboard during early 1983 are fascinating. The lead story on January 29 has PolyGram mulling over how to package the CD in the US when it's released later in 1983, leaning toward the (in retrospect, ill-fated) "long box," the 6"x12" cardboard box which they convinced the industry to adopt at the RIAA (Record Industry Association of America) meeting the next week. (Many at the meeting were considering a 12"x12" box!)
  • In February, Sony announced a "firm" suggested retail price of $1000 for their CD player and $16.98 for discs when they would be introduced later that year in the US. February 23, 1983 marked the debut of the compact disc in Europe, with PolyGram's Hans Gout noting that, "The sooner the Compact Disc replaces the conventional black vinyl LP, the better." By early March, Sony and CBS Records in the US were supplying free compact disc players and discs to selected radio stations here, mostly with Classical and Album-Oriented Rock formats. The March 12 issue of Billboard also notes that Capitol Record Shop, a Hartford, Connecticut, record store, had begun importing CDs from Japan and Europe, with 24 titles at a price tag of $24.95 each. At the time the owner was interviewed, he had only sold a total of one disc.
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  • Several months of delays and anticipation dragged by, until in late June, 1983, CBS finally shipped the first CD "prepacks" to a select 35 accounts. Each prepack had a total of 12 titles, with no more than a total of 1000 prepacks altogether in the first shipment. Among the individual titles were Pink Floyd's Wish You Were Here, Billy Joel's The Stranger, Michael Jackson's Thriller, and Toto's Toto IV. Other titles were jazz and classical. The CD era had begun in the United States.
  • Within about a month, CBS had issued several other pop/rock titles, including Boston's Don't Look Back, Earth Wind & Fire's Raise!, ELO's Discovery, Journey's Escape, Boz Scaggs' Silk Degrees, Barbra Streisand's Guilty, and Bruce Springsteen's Born To Run. These had the CBS logo (and mastering numbers in the DIDP 50000 series). Later, these were reissued with Columbia logos, but these remain as examples of the earliest American CD releases
  • After the introduction of the CD here, most of the stories in the trade press center around the acute shortage of pressing plants. At that time, there were two major plants, PolyGram's Hanover, West Germany plant, and Sony's plant in Japan. (Almost all the CDs sold under US labels for the first few years were either made in Japan or West Germany.) Sales figures for the US in 1983 totalled about 30,000 players and 800,000 discs. Still, no one really knew if the CD would succeed.
Heather Purpera

Molecular Expressions: History of the Compact Disc - 0 views

  • History of the Compact Disc Starting in the mid 1980's, compact discs (CD) began to take over both the audio and computer program market. Much of this can be attributed to a general acceptance of certain specifications regarding compact discs, known as the "Color Books." Originally designed and developed by both Sony and Phillips, the concept of the Color Books was patented and standards were developed. These are a collection of five books that describe the specifications and standards CD technology follows. This led eventually to the current audio CD technology (Figure 1).
  • The first book, written in 1980, was named the "Red Book" and outlined the specifications regarding CD Digital Audio. This was the common CD used in stereo systems, and was capable of holding up to 99 tracks, for a total of roughly 74 minutes of audio information.
  • The second book was written in 1983 and is known as the "Yellow Book", comprising the basis of the Compact Disc - Read Only Memory (CD-ROM). This became the standard for computer-based compact discs, and meant that any computer system that had a CD-ROM drive, could read this format. It is capable of holding around 650 million bytes of data. CD-R's were developed under the same standards, but the actual CDs were comprised of different material. While the generic CD-ROM discs uses aluminum in their construction, the CD-R discs uses gold, which makes color a distinguishing feature.
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  • The third book, known as the "Green Book," covered CD-Interactive technology, is used to synchronize both audio and data tracks on a CD-ROM in order to provide things such as full motion video combined with interactivity. Published in 1986, Phillips Interactive primarily marketed this technology.
  • The fourth, the "Orange Book", is merely an outline for the coming generation of writable CD technology, primarily CD-E. (Compact Disc - Erasable) This is meant to replace, or be used in the same matter as floppy discs, only providing a much larger medium to store data. The technology is available today, but know otherwise as CD-RW. (Compact Disc - ReWritable) Much like a floppy disc or hard drive, data can be written and rewritten to these discs, allowing for a very large yet portable medium of data storage.
  • The last book known as the "White Book," is a plan for the future of compact disc technology. It outlines what is known as video compact discs, and contains the standard of data compression that is used to display large amounts of audio and video on a home computer. This concept more or less morphed into what is now known as DVD (Digital Video Drives,) a technology produced primarily by Sony, Phillips and Toshiba. While not compatible with the standard CD-ROM drives used in computers, it did achieve what the White Book had outlined for the future.
  • While an overview of how compact disc technology developed and became so popular is presented, it fails to explain how the technology works. There are, however, relatively simple processes accounting for how a compact disc is read and how the CD-ROM drive translates that into data your computer can understand. First is the construction of the compact disc. It is built from a layer of polycarbonate plastic, covered in a color-dyed layer of aluminum, and followed by a protective layer of lacquer. Figure 2 shows a cross section of a compact disc, illustrating the different layers and providing a general idea behind its construction.
  • When a compact disc is written to, tiny rivets are made in the surface of the disc called stripes or pits. The areas between these pits are called lands, which together make up a pattern where data is written. From there, a CD-ROM drive uses a read head to interpret these patterns, which is done by focusing a laser beam on the surface of the disc. While the CD is spinning, this laser comes in contact with the lands and pits. If the laser comes in contact with a pit, the light is reflected off in all directions. However, if the light comes in contact with a land, it reflects back into the read head, triggering an electric impulse. Figure 3 illustrates the difference between a land and a pit, and how the light is reflected in each situation.
  • A pattern is developed from these electric impulses, and the CD-ROM drive returns this pattern to the computer as a string of 1s and 0s. This binary or digital data is in turn interpreted by the software controlling the CD-ROM drive, and then translated into something the computer can use, be it an executable program, an image, or a sound file.
bailey spoonemroe

Wrigley.com :: Our Founder - 1 views

  • William Wrigley Jr. was born in Philadelphia in 1862, at the height of the Civil War. His father, William, Sr., was a soap manufacturer, and as a little boy, young William carried a basket through the streets of Philadelphia, selling Wrigley's Scouring Soap. When he became a teenager, William took a full-time job as a soap salesman for his father. He had a talent for salesmanship, and he drove a horse and wagon from town to town, trying to convince stores to stock Wrigley's soap. William Wrigley Jr. struck out on his own in the spring of 1891 when he was 29 years old. He left Philadelphia for Chicago with just $32 in his pocket and a dream of running his own business. He also had boundless energy and a gift for seeing things from his customers' point of view.
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