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Gary Edwards

CSS Advanced Layout Module | W3C CSS3 Specification - 0 views

www.w3.org/css3-layout

css3 HTML-CSS w3c

shared by Gary Edwards on 11 Mar 11 - Cached
  • The properties in this specification work by associating a layout policy with an element.
    • Gary Edwards
      Gary Edwards on 11 Mar 11
       
      The CSS3 "Layout Policy" is one of the primary differentials between HTML5-CSS3-SVG and XML alternatives ODF and OOXML. Neither ODF or OOXML provide a complete description (semantic) of the underlying document layout model.
  • these policies give an element an invisible grid for aligning descendant elements
  • Gary Edwards on 11 Mar 11
     
    CSS is a simple, declarative language for creating style sheets that specify the rendering of HTML and other structured documents. This specification is part of level 3 of CSS ("CSS3") and contains features to describe layouts at a high level, meant for tasks such as the positioning and alignment of "widgets" in a graphical user interface or the layout grid for a page or a window, in particular when the desired visual order is different from the order of the elements in the source document. Other CSS3 modules contain properties to specify fonts, colors, text alignment, list numbering, tables, etc. The features in this module are described together for easier reading, but are usually not implemented as a group. CSS3 modules often depend on other modules or contain features for several media types. Implementers should look at the various "profiles" of CSS, which list consistent sets of features for each type of media.
Gary Edwards

Adobe's Web Typography design work lands in WebKit browser | Deep Tech - CNET News - 0 views

news.cnet.com/...n-work-lands-in-webkit-browser

Adobe-CSS3 Web-Typography WebKit

shared by Gary Edwards on 06 Jun 11 - No Cached
  • Gary Edwards on 06 Jun 11
     
    Adobe has contributed the first "CSS Regions" patch to the OS WebKit project.  CSS Regions is at the core of Adobe's flowing Web Typography work, and has been submitted to the W3C CSS standardization effort.   No mention yet as to what kind of CSS3-HTML5 authoring and publication tools Adobe has in the works, but the inclusion in WebKit will no doubt shake things up in the world of visually-immersive packaging (FlipBoard, OnSwipe, TreeSaver, Needle, etc.) excerpt:Today, the first bit of Adobe-written code landed in the WebKit browser engine project, an early step to try to bring magazine-style layouts to Web pages using an extension to today's CSS (Cascading Style Sheets) technology. Adobe calls the technology CSS Regions. The move begins fulfilling a plan Adobe announced in May to build the technology into WebKit and--if the company can persuade others to embrace it--furthers Adobe's ambition to standardize the advanced CSS layout mechanism. WebKit
Gary Edwards

Father of CSS plans for Web publishing future | Deep Tech - CNET News - 1 views

news.cnet.com/8301-30685_3-20019705-264.html

CSS3 layout

shared by Gary Edwards on 15 Oct 10 - No Cached
  • "You paint a layout with ASCII art," a sort of visual design made out of text directly in the CSS code, Lie said, "then fill content into that. It's an experimental specification, but one I think has that compactness and terseness and minimalism that's part of CSS but still allows you to do quite advanced layouts."
    • Gary Edwards
      Gary Edwards on 15 Oct 10
       
      What???  Why not use SVG!
  • Gary Edwards on 15 Oct 10
     
    After years of relative obscurity, the Web formatting standard called CSS, or Cascading Style Sheets has come into its own, taking a starring role as the mechanism for building a new generation of interactive, elaborate Web pages. CSS is growing in new directions now, and the technology's original creator believes its next direction for improvement will be dealing with more complicated Web page layout chores. "There is important work left to be done for layout," Håkon Wium Lie, who is also Opera's chief technology officer, said in an interview here. The new CSS3 under development now can handle multi-column text arrangements, "but you couldn't replicate a printed newspaper in CSS."
Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 1 views

quod.lib.umich.edu/...n-workflows-start-with-the-web

OpenWeb XML XHTML-CSS HTML5-CSS3-JavaScript IDML

shared by Gary Edwards on 01 Nov 13 - No Cached
  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Using the Web as a Production Platform
  • Gary Edwards on 01 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. As an after thought, i was thinking that an alternative title to this article might have been, "Working with Web as the Center of Everything".
Gary Edwards

The Future of Web Layout: CSS 3 Flexible Box Model | Ajaxian » - 0 views

ajaxian.com/...css-3-flexible-box-model

webkit mozilla CSS-Layout

shared by Gary Edwards on 25 Aug 09 - Cached
  • Gary Edwards on 25 Aug 09
     
    Florian is fond of pointing out to me that Open Web HTML+ lacks a representational model - a standard method for layout that can then be interoperably rendered across any ACiD 3 browser.  Florian is right that HTML+ is not quite there yet.  But many engineers and Web designers are working on this problem.  The W3C may have dropped CSS layout years ago, but the WebKit and Mozilla faithful toil upwards through the night to get it right.  The Flexible Box spec pushes the envelope. Excerpt:  Alex Russell has been having a really interesting discussion with some standards folks about what is wrong on the Web right now, and it narrowed down to discuss CSS variables as a case study (it aint perfect, but get DRY and ship it!) Alex tells it how it is, but people forget that he does this as he is passionate about the Web, and that he does also give credit and positive outlook IF it is due! His latest post shows this as he talked about CSS 3 progress and specifically the flexible box model that Mozilla and WebKit have had forevaaaaaah: David Baron (of Mozilla fame) is editing a long-overdue but totally awesome Flexible Box spec, aka: "hbox and vbox". Both Gecko and WebKit-derived browsers (read: everything that's not IE) supports hbox and vbox today, but using it can be a bit tedious. Should you be working on an app that can ignore IE (say, for a mobile phone), this should help make box layouts a bit easier to get started with:
Gary Edwards

Download CSS Regions Protoype - Adobe Labs - 1 views

labs.adobe.com/...cssregions.html

CSS-Regions CSS-Layout

shared by Gary Edwards on 10 May 11 - No Cached
  • Gary Edwards on 10 May 11
     
    Yes!  Finally we have CSS Layout enabling professional typography.  Download includes a modified version of WebKit and a number of open source libraries. CSS Regions bring new properties to CSS (Cascading Style Sheets) that provide:     * text containers with custom shapes......     * exclusion shapes which text will wrap around......     * text that flows from one area into another. Demos showcase some of the concepts Adobe proposed to the  W3C with CSS Regions: content threads, content shapes and text exclusions. The samples require a mini-browser using a specially modified version of WebKit.  
Gary Edwards

Adobe proposes standard for magazine-like Web | Deep Tech - CNET News - 0 views

news.cnet.com/8301-30685_3-20041050-264.html

immersive-technologies FlipBoard visual-document visually-immersive TreeSaver sports-illustrated CSS-Regions HTML+

shared by Gary Edwards on 11 Mar 11 - No Cached
  • Gary Edwards on 11 Mar 11
     
    Adobe Systems has proposed a standard that could make it easier to create Web pages with fancy layouts seen more often in magazines. The company proposed a technology it calls CSS Regions (PDF) yesterday to the World Wide Web Consortium, which standardizes the Cascading Style Sheets technology widely used to control formatting on Web pages. Adobe also described the technology at a CSS Working Group meeting in Silicon Valley. "This proposal is intended to support sophisticated, magazine-style layouts using CSS," said Arno Gourdol, director of engineering for runtime foundation at Adobe, in a mailing list posting.
Gary Edwards

Pushing the 3D Boundaries in WebKit with CSS 3D and Three.js - 0 views

www.readwriteweb.com/...ing-the-3d-boundaries-in-w.php

CSS-Layout CSS-3D WebGL OpenWeb-Productivity-Platform WebKit

shared by Gary Edwards on 17 Jan 12 - No Cached
  • Gary Edwards on 17 Jan 12
     
    Good stuff going on at Acko.net! Excerpt: Sometimes, you need to see what a technology can do before you can fully appreciate it. Take, for instance, CSS 3D and Three.js. It's one thing to hear about doing 3D elements for Web sites, and another to see them integrated into a well-designed site. Take, for example, Steven Wittens' Acko.net redesign. Visit Acko.net using a current release of Firefox, and you'll see a nice clean site with a nice header image that demonstrates two-point perspective nicely. But hit the site using a WebKit browser, and you're in for a real treat.
Gary Edwards

Kindle Format 8 Overview - 0 views

www.amazon.com/...feature.html

KF8 compound-documents Cloud-Productivity-Platform Cloud-Compound-Document

shared by Gary Edwards on 13 Jan 12 - No Cached
  • Gary Edwards on 13 Jan 12
     
    Amazon releases a new version of the KF8 Format, with greatly improved HTML5-CSS3 capabilities.  Details of the KF8 spec can be found here: http://goo.gl/XY39v A couple of things i'm wondering about here.  One is, the KindleGen conversion tool can convert HTML, XHTML and EPUB to KF8.  Has anyone tried to push a OpenOffice XHTML compound document through this latest KF8 version of  KGen?  I'm thinking that perhaps the OOo HTML problem could be solved in this way? There is no doubt in my mind that HTML5 will continue to grow, and eventually replace the desktop XML "compound document" formats. The great transition from desktop client/server business productivity environments, where legacy compound documents rule the roost and fuel the engines of all business systems, to a Cloud Productivity Platform, will require an HTML5 compound document format model.  Also needed will be HTML5 capable applications participating in the production of Cloud ready compound documents.  Is KF8 a reasonable starting place? excerpt: Kindle Format 8 is Amazon's next generation file format offering a wide range of new features and enhancements - including HTML5 and CSS3 support that publishers can use to create all types of books. KF8 adds over 150 new formatting capabilities, including drop caps, numbered lists, fixed layouts, nested tables, callouts, sidebars and Scalable Vector Graphics - opening up more opportunities to create Kindle books that readers will love. Kindle Fire is the first Kindle device to support KF8 - in the coming months KF8 will be rolled out to our latest generation Kindle e-ink devices as well as our free Kindle reading apps.
Gary Edwards

What ASP.NET Developers Should Know About jQuery - MIX Online - 0 views

visitmix.com/...opers-Should-Know-About-jQuery

jQuery DOM ASP.NET JavaScript webkit_Chromium Platinum

shared by Gary Edwards on 29 Apr 09 - Cached
  • Gary Edwards on 29 Apr 09
     
    Recently the Rocketman and i have been arguing about webkit/Chromium DOM capabilities and limitations; like the failure to fully implement CSS3! Especially missing is support for CSS3 page layout / page break innovations. I realized that i didn't have a good understanding of browser DOM - client side issues, and came across this interesting post from Dave Ward concerning DOM and jQuery.
    The core issue behind my discussions with the Rocketman have to do with creating a DOM view from OpenXML and ODF documents, and then passing that view to the webkit/Chromium engine. So we weren't all that interested in cross browser support or in how IE8 handles DOM-JavaScript. Dave Ward however not only provides a good discussion about DOM-JavaScript and the importance of jQuery as a force of interoperability, he also points out that Microsoft supports jQuery - including direct support within Visual Studio!
    ".....Though JavaScript itself is a great programming language, the document object model (DOM) can be a web developer's worst nightmare.  The DOM is a method through which browsers expose an interface allowing JavaScript code to manipulate elements, handle events, and perform other tasks related to a document within the browser.  While almost every browser implements an ECMA standard version of JavaScript, their DOM implementations are inconsistent and quirky at best.  In fact, if you've had bad experiences with client-side programming in the past, it's likely that the DOM was the true source of your frustrations, not JavaScript itself.  This is exactly the pain point which jQuery addresses....
    ..... "Officially supported by Microsoft - For many Microsoft developers, this official blessing is the clincher. Not only will Microsoft begin including jQuery with Visual Studio, but it is part of the default ASP.NET MVC project template. What's more, Microsoft Product Support Services has already begun offering support for jQuery."....
Gary Edwards

Death of The Document - CIO Central - CIO Network - Forbes - 0 views

blogs.forbes.com/...death-of-the-document

forbes visual-documents visually-immersive static-documents compound-documents

shared by Gary Edwards on 29 Apr 11 - No Cached
  • Gary Edwards on 29 Apr 11
     
    Well, not quite.  More IBM happy talk about interoperability and easy document interchange.  While i agree with the static versus interactive - collaborative document perspective, it's far more complicated. Today we have a world of "native"  docs and "visual" docs.   Native docs are bound to their authoring productivity environment, and are stubbornly NOT interchangeable.  Even for ODF and OOXML formats. Visual documents are spun from natives, and they are highly interchangeable, but interactively limited.  They lack the direct interaction of native authoring environments.  The Visual document phenomenon starts with PDF and the virtual print driver.  Any authoring application(s) in a productivity environment can print a PDF using the magic of the virtual print driver.   In 2008, when ISO stamped PDF with "accessibility tags", a new, highly interactive version of PDF was offically recognized.  We know this as "Tagged PDF".  And it has led the sweeping revolution of wide implementation of the paperless transaction process. The Visual Document phenomenon doesn't stop there.  The highly mobile WebKit revolution ushered in by the 2008 iPhone phenomenon led to wide acceptance of highly interactive and collaborative, but richly visual versions of SVG and HTML5-CSS3-JSON-JavaScript documents. Today we have SVG-HTML+ type visually immersive documents spun out of Server side publication presses such as FlipBoard, Cognito cComics, QWiki, Needle, Sports Illustrated, Push Pop Press, and TreeSaver to name but a few.   Clearly the visually immersive category of documents is exploding, but not for business - productivity documents.  Adobe has proposed a "CSS Regions" standard for richly immersive layout that might change that.  But mostly i think the problem for business documents, reports and forms is that they are "compound documents" bound to desktop productivity environments and workgroups. The great transition from desktop/workgroup productivity environme
Gary Edwards

Chrome Developer Tools: Remote Debugging - Google Chrome Developer Tools - Google Code - 0 views

code.google.com/...remote-debugging.html

chrome-webkit developer-tool-interface HTML5-CSS3 JSON OTXML

shared by Gary Edwards on 20 May 11 - No Cached
  • Gary Edwards on 20 May 11
     
    Incredible.  I'm wondering if either Jason or florian has thought about using the Chrome JSON messaging layer to expose docx conversions to OTXML?  Essentially, when Florian breaks a .docx document, he only deals with the objects and how they are positioned (layout) on a page.  Once captured and described, these xObjects could then be converted to JSON.  The Chrome web client/ web server port (9222) could then, theoretically be used to observe the JSON xObjects?  Interesting. intro:  Under the hood, Chrome Developer Tools is a web application written in HTML, JavaScript and CSS. It has a special binding available at JavaScript runtime that allows interacting with chrome pages and instrumenting them. Interaction protocol consists of commands that are sent to the page and events that the page is generating. Although Chrome Developer Tools is the only client of this protocol, there are ways for third parties to bypass it and start instrumenting browser pages explicitly. We will describe the ways it could be done below. Contents Protocol Debugging over the wire Using debugger extension API
Gary Edwards

http://www.sdtimes.com/lgp/images/wp/What's%20next%20for%20HTML5.pdf - 0 views

www.sdtimes.com/...hat's%20next%20for%20HTML5.pdf

HTML5 Visual-Productivity Visual-Documents Cloud-Computing

shared by Gary Edwards on 01 Oct 13 - No Cached
  • Gary Edwards on 01 Oct 13
     
    White paper from Intel discusses HTML5 and the future of computing. Intro: Computer programmers have been grappling with cross-platform issues since there was a second platform. Since then, the number of issues has rapidly increased. Today's developers can target at least four operating systems (plus their fragments), running on devices with all shapes, sizes, resolutions, persistence levels, input methods, carrier networks, connection speeds and states, UI conventions, app stores, deployment and update mechanisms, and on and on. Many of the world's developers once looked to Java* as the shining knight of cross-platform development. Indeed, the structured language of Sun* (and now Oracle) continues to solve many cross-platform issues. But it also introduces obstacles, not the least of which is a class structure that heavily burdens even the tiniest of program functions. Java's heft grew still more burdensome as developers turned to the browser for app delivery; Java applets are black boxes that are as opaque to the browser as the language is closed to the developer (with all due deference to the JCP). Around the same time Java was fuelling the browser wars, a like-named interpreted language was beginning to emerge. First called Mocha, later LiveScript, and finally JavaScript*, the language proved more useful than Java in some ways because it could interact with the browser and control content display using HTML's cascading style sheets (CSS). JavaScript support soon became standard in every browser. It is now the programming language of HTML5, which is currently being considered by the World Wide Web Consortium as the next markup-language standard. To better understand HTML5-why it is where it is and where it's going- Intel® Software Adrenaline turned to Moh Haghighat, a senior principal engineer in the Developer Products Division of Intel's Software and Services Group. Moh was the technical lead from Intel's side on the first JavaScript
Gary Edwards

The Web Fights Back Against Flipboard - 0 views

www.businessinsider.com/back-against-flipboard-2010-12

TreeSaver FlipBoard visually-immersive Filipe-Fortes Scobelizer HTML+

shared by Gary Edwards on 08 Jun 11 - No Cached
  • Gary Edwards on 08 Jun 11
     
    This is the Dec 2010 interview that totally changed my view of the future of Documents.  Separating content and layout, and then reconstituting is the essence of preparing a publication.  Are documents Web pages?  Are Web sights magazines?   Visually-immersive apps like TreeSaver and Flipboard change everything, as this video demonstrates.  TreeSaver is OpenWeb HTML+.  FlipBoard is iOS platform specific.  Filipe argues why Open Web will win.  Great interview.  Life changing stuff. excerpt: The problem with Flipboard is that it's an app, not the Web, and I keep hoping someone will show me a really well-designed Web app that shows me that the Web can still win. Yesterday Treesaver's Filipe Fortes took me up on my "can the Web be saved" challenge and visited my house to show me what he's been working on for publishers. An open-source JavaScript/HTML5/CSS library of design templates that will help developers at content companies compete with the design aesthetic that Flipboard showed us.
Gary Edwards

Shine on Silverlight and Windows with XAML * The Register : Tim Anderson - 0 views

www.theregister.co.uk/...page2.html

xaml wpf silverlight tim-anderson

shared by Gary Edwards on 04 Jun 09 - Cached
  • Gary Edwards on 04 Jun 09
     
    Excellent explanation and review from the Tim Anderson. I wonder how i missed this? Here is the summary statement: "..... You can also extend XAML with custom objects. The main requirement is that classes used in XAML must have a parameterless constructor. The procedure is straightforward. Define a class; make sure your application has a reference to the assembly containing the class; then add a namespace declaration for the assembly. You can then define elements in XAML that map to your class, and at runtime these will become object instances. XAML has a curious story when it comes to formatted text, especially in Silverlight. In one sense it is rather limited. XAML has no understanding of common formats such as HTML, CSS or RTF, let alone the fancy new OOXML. Silverlight developers have to interact with the browser DOM in order to display HTML." "... No escaping it: Silverlight .XAP bundle preserves the original XAML. That said, XAML with WPF actually is a document format. The full WPF has an element called FlowDocument and rich formatting capabilities. Silverlight lacks FlowDocument, but does have a TextBlock with basic formatting options via the inline object. It also supports the Glyph element. This is interesting because it is the core element in XPS, Microsoft's invented-here alternative to Adobe's PDF." ".... XPS uses a subset of XAML to describe fixed layouts. In consequence, and with some compromises, you can use Silverlight to display XPS." "..... The bottom line is that XAML is a way of programming .NET declaratively. Its more intricate features improve the mapping between XAML and .NET. The result is we have design tools like Microsoft's Expression Blend and a clean separation between UI objects and program code, which is a considerable achievement." ".... As ever there's a downside, and with Microsoft it's the classic: this is thoroughly proprietary, and the schema issues make it difficult to validate with standard XML tools." No
Gary Edwards

Bricolage Structured Prediction Algorithm - 0 views

hci.stanford.edu/...bricolage

Bricolage Bento NOOXML OCR_Scan Tagged-PDF Google-OCR

shared by Gary Edwards on 27 Apr 11 - No Cached
  • Gary Edwards on 27 Apr 11
     
    I was surprised to learn that Florian's native document parser is a JSON like ripper of OpenXML visual objects.  He doesn't wrestle with structured objects, but simply treats everything as a visual object.  NOOXML might be closer to a virtual print driver than a OpenXML ripper.   So this has me rethinking the OCR/Scan methods used to rip paper documents to create Tagged PDF "structured object" versions.  Structured objects can easily be converted to interactive HTML-CSS or SVG.  Today Google released an OCR enhanced Android gDOCS app.  Not sure if it uses the Bricolage/Bento algorithm, but that would be an interesting approach. excerpt: the Bricolage algorithm for transferring design and content between Web pages. Bricolage employs a novel, structured-prediction technique that learns to create coherent mappings between pages by training on human-generated exemplars. The produced mappings are then used to automatically transfer the content from one page into the style and layout of another. We show that Bricolage can learn to accurately reproduce human page mappings, and that it provides a general, efficient, and automatic technique for retargeting content between a variety of real Web pages.
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