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Weiye Loh

Interview: Artistic Director Ong Keng Sen - 0 views

  • Singapore is set up such that it is catering to a type of individual who wants to have a zone of comfort, a zone of convenience, where you make a lot of money, and then you go away and spend that money enjoying yourselves on holidays around the world. So it caters to a group of people. But there are many people who have things to say who have left, because there is little compatibility with what they are experiencing here. Then I ask myself this whole question of the ‘quitters’ and the ‘stayers’ (Writer’s note: this is a reference to a National Day rally address by former Prime Minister Goh Chok Tong in 2002, when he called people who emigrated from Singapore as ‘quitters’ and those who stayed in Singapore as ‘stayers’). Perhaps stayers are the people who stay here who want a certain lifestyle, not a very engaged lifestyle. Because if you want to be engaged, you’d run into borders where you’d be regulated, and you can’t say the things you want to say, so people who want to say things leave. But they are the ones who have quality and desire quality. So what you have left are the stayers who have already quit from engaging with life socio-politically.
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    "I think a lot of institutions, festivals, and venues here are ghettoising themselves by looking at only Singapore, Southeast Asia and Asia. This makes no sense to me. One cannot consider Asia without looking at America and Europe and other parts of the world. For example, what's happening in Tokyo is as much affected by what is happening with ISIS, and what's happening in Europe or New York with the rise of populism and conservatism worldwide. For me, these parts of the world don't just function as a region. The regions are interconnected; we have to see them in a larger context. Therefore I feel that this kind of perception that we must program Southeast Asian or Asian arts is a very misguided way of thinking - you have stunted visions of Asia if you don't consider Asia or Southeast Asia as part of the world."
Weiye Loh

Illusio: Balled Over by the Empire - 0 views

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    " 23 September 2016 Balled Over by the Empire In our "Rise of the anti-intellectual, illiberal left" category, the question is: Which of the following did not happen this week? A. Social Justice Warriors waging war on pie. Empire Pie. I miss fafblog and its pie jokes. B. Social Justice Warriors waging war on a museum. It put on a fundraising dinner called the Empire Ball to kick of its curated exhibition of the Tate's edgy, critical, anti-colonial take on Empire and Artists (co-branding yay or nay?). They object to the word empire, of course. C. Social Justice Warriors waging war on Fox's Empire. The word empire is imperialist (duh) and triggering. The UK exports Empire Pie all over Europe. Why are Euroleftist then not triggered by Empire Pie?! But let's talk about the National Gallery Singapore's little tiff with the SJWs. Of all three cases, it is the most tragicomic for several reasons. To whit: The National Gallery Singapore (TNGS) has been building its reputation as a Curator's gallery. Nothing that happens, happens without the careful and deliberate choices taken its curators. Unofficially, we can say their operational motto is The Curators Are God. I cannot confirm or deny if they say that too in private, within the gallery itself. As is clear from its publicity material, TNGS is very clear on the critical stand it takes on the issue of Empire (i.e. Mostly A Very Bad Thing). The protesters (including some of the artists participating in the exhibition and okay with its theme and approach) have chosen to ignore that stand to insist that the use of the word EMPIRE in its fundraising Empire Ball is triggering, etc. Of interest to us is this particular denunciation from ArtHop, a soi dissant intellectual rag to explain to its artistic audience, the Southeast Asia artworld. Note the intellectual poverty and posturing, the attempt to use a badly-quilted patchwork of academic jargon to advance what is essentially a classic SJW argument of ideological purity a
Weiye Loh

Missing From Asia's Boardrooms: Women - Southeast Asia Real Time - WSJ - 0 views

  • “It is not just about the quotas, but the diversity within those quotas — it isn’t just about having three women, but women from different backgrounds who can contribute different things,” said Ms. Crewes, whose organization, P&G, employs a chief diversity officer to ensure a better distribution of different nationalities, races and gender within the company.
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