Gifts of Speech - Camille Paglia - 0 views
-
if people are trying to critique from within the academic establishment, and they're getting tarred with the word "neoconservative," you keep on doing that long enough, people will get used to hearing it about themselves, and they will become conservative
-
a lot of people have been driven toward the neoconservative side by the failure of the liberal academic establishment to critique itself. So rather than blaming The New Criterion or Roger Kimball for all the problems of the world, it's time for the liberals of academe to critique themselves, to reform it from within.
-
my career has been a disaster. And before my book was finally published at Yale Press, it was rejected by seven New York publishers, I could not get published throughout the Seventies and Eighties, I was completely poor. For the first time in my adult life I'm out of debt as of three months ago. I've been on the unemployment line. I have taught in factories. I'm probably the only major voice right now in academe who's actually taught factory workers. As opposed to these people who are the Marxists [makes prancing, dancing, hair-preening gestures], oh yes, these Marxists, like Terry Eagleton at Oxford. Do you know what he makes? Do you know the salary that man makes? Oh, it just disgusts me. This is why he has to wear blue jeans, to show, "Oh, no, I don't have the money." These people are hypocrites! They really are. It's all a literary game. There's no authentic self-sacrifice, no direct actual experience of workers or working-class people. It's appalling, the situation. It's everywhere, it's everywhere in the Ivy League.
- ...24 more annotations...
-
You know, I'm really happy there wasn't all this talk about sex changes back then, since I probably would have gotten this fantasy that I was a man born wrongly in a woman's body, and I think I might very well have become obsessed with the idea of a sex change, which would have been a terrible mistake. Because I think I absolutely am a woman, but I was just a woman born ahead of my time. I was a kind of pioneer, and decade by decade I've acclimated myself to my sex role--thanks to my friendships with gay men and drag queens! Drag queens have influenced me enormously. Their analysis of the mythology of male and female, and the theatre of gender and so on,
-
My sense of time-frame is so vast compared to that of people in English departments. When I think about sex, when I think about anything in culture, I'm thinking about a 10,000-year time span, you see, and this is what causes a communication problem with feminists, because most of them, as far as I can see, tend to have their specialties in the late eighteenth century or following. There are a few who have training earlier, but they tend to be very narrowly focused even in that one area. I think my broad expanse of learning and my already world-consciousness
-
There was a point where feminism and I agreed. I was thirteen though. It was 1960, okay? That was a time when I said, "Men are terrible. The sexes are the same. Men must change. Society must change. And all the problems between the sexes are coming from the fact that men are so awful."
-
That's an unevolved position. It's thirty years later, girls! Let us move on! Oh, God! So I continued studying and, at this point, I became notorious in Syracuse, New York, where I was going to high school, for my Amelia Earhart obsession. The newspaper actually reported this. For three years--this looks forward to Sexual Personae--for three years, I did this Amelia Earhart research. The biographer of Amelia Earhart told me I had done more research in the primary sources than he had! I spent every Saturday in the bowels of the public library going through all these materials, old magazines and newspapers, before microfilm. Everything was falling to pieces. I probably destroyed the whole collection! I was covered with grime. Amelia Earhart to me was an image of everything a woman should be. It remains that for me. Amelia Earhart, my obsession. She is woman alone. Not woman hand-holding in a group and whining about men. Woman alone! Okay, all right? Woman goes up in a plane. If she crashes, she doesn't go, "You men did this to me!" She knows that she is responsible. It's her skill, her preparation. And then nature. Something that's not in her control can be her opponent: nature!
-
No one wants to talk about nature now. Meanwhile, the entire student population of the world is thinking about nature, the environment, they're thinking globally, but our faculty are off in their little corners talking about social constructionism. They haven't thought about nature in twenty years, okay, they are so behind. You mention the mere word "nature"--"Essentialism!" That's it. What--? I mean--! The thing about the Sixties is that we had a comprehensive world-view. We saw the injustices of society, and we wanted to remedy them. We focused our negative energy against society to change it. At the same time we saw the enormity of nature. And we honored the enormity of nature. It is appalling, the situation now, that you could think about talking about sex without thinking about nature. That you could claim that you are an expert in gender without knowing about hormones!
-
It's this combination of the sciences plus the arts. "Impossible," you say, today? "Impossible--we're too specialized for that, we're too expert." No, this is exactly what we need. We have to bring this back, this idea of all of culture integrated. This is what we must do for the next generation of students. We must do this. We must make radical reforms of undergraduate and graduate education, to give students this kind of comprehensive vision of culture.
-
. When you destroy young people's ability to take pleasure in beauty, you are a pervert! So I stood up, I was very agitated--and she was such a good sport. I mean, here was this maniac she never heard of, my book had just come out, and I was waving my arms around. I said I didn't mean to condemn her, because I understood that what she was doing was the result of ten years of feminists doing this. But nevertheless, I asked, why is it, why is it that feminists have so much trouble dealing with beauty and pleasure, I said, to which gay men have made such outstanding cultural contributions? Why--if gay men can respond? This is why I get along so well with gay men, and I don't get along with lesbian feminists. This is why my sexuality is a complete neuter! I don't fit in anywhere! I'm like this wandering being, the Ancient Mariner--it's just awful.
-
You cannot just suddenly open a magazine and look at a picture of a nude woman and then free associate, using Lacan. You cannot do that! Because fashion magazines are part of the history of art. These are great photographers, great stylists--and gay men have made enormous contributions to fashion photography. Anyway, I made a huge statement that night--the whole audience gasped. I went, "The history of fashion photography from 1950 to 1990 is one of the great moments in the history of art!" And everyone went, "How can you say that?" Because obviously fashion is an oppression of women.
-
And beauty, according to, um, Miss, um, Naomi Wolf, is a heterosexist conspiracy by men in a room to keep feminism back
-
We had this huge fight about the song "Under My Thumb." I said it was a great song, not only a great song but I said it was a work of art. And these feminists of the New Haven Women's Liberation Rock Band went into a rage, surrounded me, practically spat in my face, literally my back was to the wall. They're screaming in my face, "Art? Art? Nothing that demeans women can be art!" There it is. There it is! Right from the start. The fascism of the contemporary women's movement.
-
What I identify with is the prewar feminism of Amelia Earhart, of Katherine Hepburn--who had an enormous impact on me--that period of women where you had independence, self-reliance, personal responsibility, and not blaming other people for your problems.
-
I don't feel less because I'm in the presence of a beautiful person. I don't go [imitates crying and dabbing tears], "Oh, I'll never be that beautiful!" What a ridiculous attitude to take!--the Naomi Wolf attitude. When men look at sports, when they look at football, the don't go [crying], "Oh, I'll never be that fast, I'll never be that strong!" When people look at Michelangelo's David, do they commit suicide? No. See what I mean? When you see a strong person, a fast person, you go, "Wow! That is fabulous." When you see a beautiful person: "How beautiful." That's what I'm bringing back to feminism. You go, "What a beautiful person, what a beautiful man, what a beautiful woman, what beautiful hair, what beautiful boobs!"
-
We should not have to apologize for reveling in beauty. Beauty is an eternal human value. It was not a trick invented by nasty men in a room someplace on Madison Avenue.
-
I say in Sexual Personae that it was invented in Egypt. For 3,000 years at the height of African civilization you had a culture based on beauty. We have two major cultures in the world today, France and Japan, organized around the idea of beauty. It is so provincial, feminism's problem with beauty. We have got to get over this.
-
Obviously, any addiction--like if you're addicted to plastic surgery--that's a problem. Of course it's a problem. Addiction to anything is a problem. But this blaming anorexia on the media--this is Naomi's thing--oh please! Anorexia is coming out of these white families, these pushy, perfectionist white families, who all end up with their daughters at Yale.
-
All this "Let's unmask Big Daddy"--this obsession with the weaknesses of big figures. This is infantile. It's infantile. You read major figures not because everything they say is the gospel truth but because they expand your imagination, they expand your I.Q., okay, they open up brain cells you didn't even know you have.
-
a politics which blames all human problems on white male imperialists who have victimized women and people of color. This view of history is coming from people who know nothing about history. Because when you think of the word "imperialist," if you automatically just think "America," then you don't know anything. Because someone who's studied the history of ancient Egypt knows that imperialism was practically invented in Egypt and in the ancient Near East. If you want to talk about imperialism, let's talk about Japan or Persia or all kinds of things. It's not just a white male monopoly.
-
we cannot have this scenario being projected of male rapaciousness and brutality and female victimage. We have got to make women realize they are responsible, that sexuality is something that belongs to them. They have an enormous power in their sexuality. It's up to them to use it correctly and to be wise about where they go and what they do. And I'm accused of being "anti-woman" because of this attitude
-
people say to me, "Oh, you're always talking about feminists as if they're monolithic. We're not monolithic. We're very pluralistic. We have so many different views." No, excuse me: the date-rape issue shows that I am correct. Because there is one voice speaking about date rape from coast to coast, one voice, one stupid, shrewish, puritanical, sermonizing, hysterical voice. And where are all these sophisticated feminists supposedly out there? Where are they? Totally impotent, locked in their little burrows wherever they are, whether they're in the East Village or Harvard. Wherever they are, they're impotent. There's not one voice raised to bring some sense into this hysteria. Now, I am an experienced teacher. I sympathize with the problems of freshmen, and so I believe that date-rape awareness is an excellent thing to do when students arrive, not only for the men, to warn the men that breaches of civilized behavior will not be tolerated, but also to warn the women, because unfortunately to me what's happening is that we have a white middle-class problem. I don't notice so many Hispanic women and African-American women going around and carrying on like this.
-
The girl has met the guy once before, this is the second time she met him, they were at a party, she invites him back to her room, its three A.M., she falls asleep, and then suddenly something happens, and she charges him with rape.
-
We cannot have this, these white middle-class girls coming out of pampered homes, expecting to do whatever they want. They don't understand what's going on, that there's a sexual content to their behavior, that maybe there's a subliminal sexuality, a provocativeness in their behavior. "Don't say 'provocative'! Because then you're blaming the victim!" Well, women will never be taken seriously until they accept full responsibility for their sexuality.
-
the sexual ideology of current feminism is reactionary and repressive and puritanical and phobic. And it's being produced by many of these women who have succeeded, you see, in the women's studies programs and who don't understand the degree to which their own careerism, their own opportunism is enwrapped with these ideas. They don't understand. They're not sophisticated women, many of them. They're not. They're not cosmopolitan women. To talk about sex, you have to know about literature and art. Literature and art are the best way into the psychology of mankind, because of the ambiguity and mystery. Because that is where you feel the flux, the flux of our sexual desire, the way our spirit is not in these rigid categories of oppressor and victim. Everything is flowing. Fantasy and imagination and all these things, they're always flowing. That's why Freud has been so useful for me, because of the way he is able to study the dream process and to find words to articulate these ambiguous nonverbal phenomena. It's a very, very good exercise for anyone trying to talk about sex. So the present situation is just appalling--just appalling. The language that is being used by these people, the way social-welfare issues have taken over the agenda. We cannot have this.
-
what's so ridiculous about this is that these people want "multiculturalism," they want to talk about various ethnic groups. At the same time they want to deny there's any difference between those ethnic groups.