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Keith Hamon

Reacting to the Past: An Open Game Based Pedagogy Workshop at Duke, January 19-20 - Pro... - 1 views

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    Reacting to the Past (RTTP) is a series of elaborate games, set in the past, where students take on the roles of historical characters, and through arguments and gameplay, have the potential to reshape history. In order for students to "win" the game, they have to thoroughly master literary and historical texts for their games' time period, and to be able to fight against their in-game opponents through a series of oral presentations and written work. In other words, students in Reacting to the Past have to basically do everything their professors want them to do in a college class-read and analyze texts, learn about historical contexts, learn how to construct forceful and convincing arguments-but in the guise of a game.
Stephanie Cooper

When people worry about math, the brain feels the pain | UChicago News - 2 views

  • Beilock’s work has shown, for instance, that writing about math anxieties before a test can reduce one’s worries and lead to better performance.
    • Stephanie Cooper
       
      Yet another reason to encourage reflective writing in the math classes!  This may actually help the math phobic students to perform better on their tests.  
Stephanie Cooper

Looking for "Flippable" Moments | Flip It Consulting - 0 views

  • For me, the FLIP is when you “Focus on your Learners by Involving them in the Process”
  • This is the moment when you stop talking at your learners and “flip” the work to them instead.  This is the moment when you allow them to struggle, ask questions, solve problems and do the “heavy lifting” required to learn the material.
  • Students can look up the content on their own and find the answer to a question within a matter of seconds.  What they can’t always do on their own is analyze, synthesize, and experience the process of engaging in higher levels of critical thinking. This is when they need to do the messy work of learning, evaluating, and critiquing. This is when they need your structure and guidance, but not your answers. They have to make meaning for themselves. This is a “flippable moment.”
    • Stephanie Cooper
       
      This is what Oprah would call an "aha" moment.  I've always wondered EXACTLY how to utilize the lecture-free time during class.  This puts it into perspective.
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    Great advice and tips for using the "Flipped" model
Stephanie Cooper

Seven Bad Writing Habits You Learned in School | Copyblogger - 3 views

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    This guy has some very interesting thoughts, but can teachers really afford to follow some of his advice??  
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    His sense of audience is ridiculous. I'm all about creativity, even in academic writing. My students have a variety of creative opportunities, but the fact remains that they need to learn how to put thoughts together effectively. I just looked at two essays that had absolutely no coherent point, even though they featured personal experiences. He made a comparison between essays and novels. Dude! They are two completely different forms of writing. They have different goals and different parameters. Yes, the 5-paragraph essay is a stilted, inauthentic form of writing and it is largely on its way out, but at the secondary level, it is the training wheels some students need to learn how to organize their thoughts coherently. No matter how they write, they still have to say SOMETHING.
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    He does exaggerate for effect, e.g. his claim that students are told to write in a style similar to classic literature--ridiculous! No one is told to copy any writing style previous to 1950, unless it is graduate students being told to mimic the horrible jargon of academic journals, but I think that's a different "bad" than what he means here. He avoids what should be his real topic--truly bad writing; I mean incompetent, to the point of being an effort to follow, poorly structured writing. We see this writing from the strongest cases of ESL students and from students who seem to have skipped several grades in school or who have never read a great deal in their school years. He leaves off the most important tool for teaching writing, and that is frequency. Anyone who only writes by email, Facebook, and twitter, and only writes something for a class once or twice a semester, will never break into a "conversational" form of writing (with complete sentences and paragraphs) that will be recognized as literate, normal, and natural. We recommend starting with short, non-graded writing and, by writing 2-3 times a week, working up to something more substantial. If teachers can do that, then college student writing will improve, but the plan requires patience and consistency from the teacher.
Nicolette Elzie

Writing in College - 1. Some crucial differences between high school and college writing - 1 views

  • You get no credit for asserting the existence of something we already know exists.
  • You must shape and focus that discussion or analysis so that it supports a claim that you discovered and formulated and that all of your discussion and explanation develops and supports.
  • In that sense, you might state the point of your paper as "Well, I want to show/prove/claim/argue/demonstrate (any of those words will serve to introduce the point) that "Though Falstaff seems to play the role of Hal's father, he is, in fact, acting more like a younger brother who . . . ."" If you include in your paper what appears after I want to prove that, then that's the point of your paper, its main claim that the rest of your paper supports.
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  • Most of us begin our research with a question, with a puzzle, something that we don't understand but want to, and maybe a vague sense of what an answer might look like. We hope that out of our early research to resolve that puzzle there emerges a solution to the puzzle, an idea that seems promising, but one that only more research can test.
  • A good point or claim typically has several key characteristics: it says something significant about what you have read, something that helps you and your readers understand it better; it says something that is not obvious, something that your reader didn't already know; it is at least mildly contestable, something that no one would agree with just by reading it; it asserts something that you can plausibly support in five pages, not something that would require a book.
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    I thought this was a great article on the differences between collegiate level writing and high school writing. Moreover, it lays a groundwork for writing a paper. If only there was some way to convey these differences to our students in a way that they will understand without feeling discouraged. I think the weakness of the article is that it is very long, if I wanted to pass this on to a student I fear that the sheer length would deter them away from both reading it and/or finishing it. On the other hand, if we could manage to make this simpler or convert it into a series of short workshops for students then I think the content would be extraordinarily beneficial.
Stephanie Cooper

Humor - 0 views

  • classified humor in lectures as jokes, riddles, puns, funny stories, humorous comments and other humorous items. Professors have discovered other creative ways to incorporate humor in classes such as cartoons, top ten lists, comic verse, and phony or bogus experiments (for a complete discussion of sources and forms of humor see Wandersee, 1982).
Keith Hamon

eLearn: Feature Article - E-learning 2.0 - 1 views

  • Sharing content is not considered unethical; indeed, the hoarding of content is viewed as antisocial [9]. And open content is viewed not merely as nice to have but essential for the creation of the sort of learning network described by Siemens [10].
    • Keith Hamon
       
      Open content is one reason we prefer Google tools over Blackboard or Moodle, both of which are closed systems that restrict access to content.
  • In a nutshell, what was happening was that the Web was shifting from being a medium, in which information was transmitted and consumed, into being a platform, in which content was created, shared, remixed, repurposed, and passed along. And what people were doing with the Web was not merely reading books, listening to the radio or watching TV, but having a conversation, with a vocabulary consisting not just of words but of images, video, multimedia and whatever they could get their hands on. And this became, and looked like, and behaved like, a network.
    • Keith Hamon
       
      QEP wants to join this network, adding its smaller class networks to the larger network, thereby enriching both.
  • Blogging is very different from traditionally assigned learning content. It is much less formal. It is written from a personal point of view, in a personal voice. Students' blog posts are often about something from their own range of interests, rather than on a course topic or assigned project. More importantly, what happens when students blog, and read reach others' blogs, is that a network of interactions forms-much like a social network, and much like Wenger's community of practice.
    • Keith Hamon
       
      Student blogging is still one of the more significant strategies for encouraging students to use writing as a tool for learning and communicating.
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  • What happens when online learning ceases to be like a medium, and becomes more like a platform? What happens when online learning software ceases to be a type of content-consumption tool, where learning is "delivered," and becomes more like a content-authoring tool, where learning is created? The model of e-learning as being a type of content, produced by publishers, organized and structured into courses, and consumed by students, is turned on its head. Insofar as there is content, it is used rather than read— and is, in any case, more likely to be produced by students than courseware authors. And insofar as there is structure, it is more likely to resemble a language or a conversation rather than a book or a manual.
    • Keith Hamon
       
      This shift from medium to platform is key to understanding writing in Web 2.0 as opposed to writing in print for it radically shifts the relationships between writer and subject and writer and reader.
  • learning comes not from the design of learning content but in how it is used
    • Keith Hamon
       
      This is a radical shift away from the activity of the teacher to the activity of the students.
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    E-learning has been around for ten years or so. During that time, it has emerged from being a radical idea-the effectiveness of which was yet to be proven-to something that is widely regarded as mainstream. And now, e-learning is evolving with the World Wide Web as a whole and it's changing to a degree significant enough to warrant a new name: E-learning 2.0.
Thomas Clancy

Critical Thinking: What Is It, Anyway? - 1 views

  • The ability to think critically is arguably the most important skill for the 21st century person.
    • Keith Hamon
       
      Well, critical thinking is one of five writing literacies taught in QEP classes. Is it the most important?
    • Thomas Clancy
       
      Indeed, we are all about including the five "literacies" in our writing opportunities, even though, technically, "literacy" cannot be pluralized!
  • Instead of using the Five W’s for developing content (they’re the basics for writing a successful news piece), use the Five W’s to analyze any post/piece of writing.
    • Keith Hamon
       
      This is a nice technique to add to the QEP toolbox, and has a dual use for both writing and reading. Keep in mind that QEP should also address reading, as Tom points out to us.
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    critical thinking demands objective examination of a topic and then a conscious response to that examination.
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    critical thinking demands objective examination of a topic and then a conscious response to that examination.
Stephanie Cooper

Wear wristwatch? Use e-mail? Not for Class of '14 - Yahoo! News - 2 views

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    These are a few things to keep in mind when trying to relate to new freshmen.
Keith Hamon

Reflections on open courses « Connectivism - 0 views

  • MOOCs reduce barriers to information access and to the dialogue that permits individuals (and society) to grow knowledge.
    • Keith Hamon
       
      We have yet to truly explore this reduction of barriers to information access, but it is emerging before our eyes. When lectures by Nobel-prize physicists and writers are online for free, then what do we local physics and English teachers have to offer our classrooms? We need to think through that.
  • Knowledge is a mashup. Many people contribute. Many different forums are used. Multiple media permit varied and nuanced expressions of knowledge. And, because the information base (which is required for knowledge formation) changes so rapidly, being properly connected to the right people and information is vitally important.
    • Keith Hamon
       
      This captures nicely the shift from learning as a solitary activity within the individual mind to learning as a networked, interconnected activity within a personal learning network.
  • MOOCs share the process of knowledge work – facilitators model and display sensemaking and wayfinding in their discipline. They respond to critics, to challenges from participants in the course. Instead of sharing only their knowledge (as is done in a university course) they share their sensemaking habits and their thinking processes with participants. Epistemology is augmented with ontology.
    • Keith Hamon
       
      Online, our knowledge-making becomes explicit, and we shift from traditional teaching methods back to older apprenticeship methods. We let our students see us struggle to create new knowledge out of data and experience.
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    • Keith Hamon
       
      This suggests some of the new kinds of value that teachers can bring to their local classes.
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    Siemens' thoughts about the impact of open courses on learning and the Academy.
Keith Hamon

Use Diigo To Help Write Your Next College Essay or Term Paper - 0 views

  • since most research papers are based on quotes used from various sources, Diigo provides a way to not only bookmark your sources, but also to manage and access your quotes, notes, and analysis.
    • Keith Hamon
       
      This post assumes that most college research papers are based on secondary sources easily found on the Internet.
  • The best way to do research is know what your thesis is for a given topic.
    • Keith Hamon
       
      I'm not sure I agree. Many students start with a subject, such as gun control, but don't develop a thesis until after they have done some reading and investigation.
  • Having a thesis in mind can help you narrow research, even if you change your thesis during the process.
    • Keith Hamon
       
      I do believe that students should be taught to do research after they know what they are looking for. 
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  • create a list for your topic. This list will be used to manage all your bookmarks and highlights.
    • Keith Hamon
       
      Any item can be added to many lists, or more precisely, can be tagged with many items.
  • install the Diigo bookmarklet, or diigolet, in your favorite web browser
    • Keith Hamon
       
      This is an essential tool for using Diigo. You can bookmark without the Diigo tool, but it is much more cumbersome to do so.
  • You might consider color coding your highlights, e.g., yellow for quotes that support your thesis, and green for quotes that are against your thesis.
    • Keith Hamon
       
      Visual cues work for some people.
  • If you’re working on a group research project, Diigo can be used for the same purpose. Simply create a group for which everyone can bookmark sources to.
    • Keith Hamon
       
      Diigo is a great tool for collaborative writing.
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    Diigo can be a very useful tool for helping you to write a college essay or research paper.
Stephanie Cooper

Part One: Teacher Tips for Wiki Projects - The Tempered Radical - 1 views

  • Creating a classroom encyclopedia covering the content you are studying in class or a comprehensive collection of solutions to one common problem will be a motivating and productive task for your students. Groups can be assigned particular topics to tackle or charged with detailing the strengths and weaknesses of one potential solution, creating pages mirroring the format of Wikipedia entries. Conceptually, using Wikipedia as a model for your classroom wiki project will make your expectations approachable—and give students samples to refer to while completing their final products.
    • Stephanie Cooper
       
      This is a great idea! I could see this replacing the old fashioned report on a subject.
Keith Hamon

What's the Trick to Building Community in the Classroom? | p e d a b l o g i c a l - 0 views

  • the key to a successful community is “connecting a group of people online and making them feel a part of something special.” Students aren’t going to launch into discussion just because we throw them together. We have to give them reasons to connect.
  • Give students time to bond and make connections.
  • the class needs to do things together.
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  • community challenges can also be effective.
  • Consider community participation projects as well.
  • do all you can to encourage authentic conversation. Allow students to discuss topics freely and without fear of criticism.
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    Online or off, getting students to talk to each other is a tricky task. … The FeverBee Primer About Successful Online Communities can help. While meant more for corporate and public community building, the lessons apply to the classroom just as well.
Keith Hamon

When Teaching the Right Answers Is the Wrong Direction | Edutopia - 0 views

  • Step off the soapbox, tone down that direct teaching, and become wondrous and inquisitive right along side your students. Take a break from what you are expert at and delve into unknown territory with new content, activities, or a concept. Here are ways to get started:
    • Keith Hamon
       
      In QEP terms, this means ceasing to be THE content deliverer and become a co-content explorer and generator with your students.
  • Begin and end a lesson, unit, or project with an essential question or two. These are overarching questions that do not have a definitive answer
  • Take every opportunity to express to your students that you have no idea about an answer, even if you have to fake it a little.
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  • Dwindle down those teacher sentences that start with "This means" and replace them with, "I wonder," "What if," and "How might?"
  • Give students plenty of think time. When you stop rushing, students may seem a bit shocked and may even believe it to be some sort of trick or hidden tactic.
  • Be mindful of your tone. Try replacing a flat, authoritative, expert-sounding one with -- and this might sound corny -- a singsong intonation, the one we use when we are whimsically curious.
  • Make your classroom a place of wonderment.
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    Students are all too often on a quest for the Correct Answers, which has little to do with critical-thinking development. Our schools are about competition, merits, awards, and how to earn the Golden Ticket -- giving the right answers. And this focus often starts as early as kindergarten.  … Studies show that getting answers wrong actually helps students learn.
Stephanie Cooper

Flickr: Tell a story in 5 frames (Visual story telling) - 1 views

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    This would be a great class assignment! It uses critical thinking skills, imagination, technology, and a touch of writing (posting comments, etc.)
Keith Hamon

Can We Teach Creative and Critical Thinking? - Education - GOOD - 1 views

  • Critical thinking is, among many things, the ability to understand and apply the abstract, the ability to infer and to meaningfully investigate. It’s the skills needed to see parallels, comprehend intersections, identify problems, and develop sustainable solutions.
    • Keith Hamon
       
      We have not adequately accounted for abstraction in our discussions of CT or investigation. I wonder if CT is such a large, amorphous category as to be almost meaningless? Perhaps not, but it is clear to me that almost every discussion of CT must begin with a clear delineation of just what we mean when we say critical thinking.
  • sound critical thinking is imperative to social progress.
    • Keith Hamon
       
      This social imperative is somewhat troubling to me. Is not good critical thinking its own reward?
  • Cultivating critical thinking may be accomplished with modeling
    • Keith Hamon
       
      Modeling is a promising technique, but how often do teachers expose their own thinking processes to students? Don't we usually let them see only the polished final product of our thought, and not the messy critical thinking we went through prior to our polished position?
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  • School trips, service learning requirements, and various other kinds of hands-on situations allow students to make connections at their own pace
    • Keith Hamon
       
      Nice methods that change the complexion of the typical classroom from one of content-delivery to content application.
  • teachers suggest, and insist, that students investigate further, making—but more importantly, justifying—inferences and conclusions.
    • Keith Hamon
       
      Is it not obvious how the focus on the "right answer" undermines this willingness to explore? Why would most students expend any energy on an issue when they already have the answer that will be on the test, the "correct answer"?
  • It’s hard to design test questions that effectively measure a child’s ability think creatively.
    • Keith Hamon
       
      Note the writer's confusion of critical thinking and creative thinking. Are they usually confused? Should they be? Is there any advantage to distinguishing between them?
  • At the heart of teaching critical and creative thought is the ability to ask the right questions to students. In turn, they need to be able answer in a way that demonstrates their ability to see the parallels and intersections;
    • Keith Hamon
       
      This kind of open-ended discussion and work in class is key to the QEP classroom.
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    But how is creative or critical thought defined and taught? And by what assessment can we measure it, if at all?
Keith Hamon

From Degrading to De-Grading - 0 views

  • Grades tend to reduce the quality of students’ thinking.  Given that students may lose interest in what they’re learning as a result of grades, it makes sense that they’re also apt to think less deeply.  One series of studies, for example, found that students given numerical grades were significantly less creative than those who received qualitative feedback but no grades.  The more the task required creative thinking, in fact, the worse the performance of students who knew they were going to be graded.  Providing students with comments in addition to a grade didn’t help:  the highest achievement occurred only when comments were given instead of numerical scores (Butler, 1987; Butler, 1988; Butler and Nisan, 1986).
  • what grades offer is spurious precision – a subjective rating masquerading as an objective evaluation
  • Grades spoil students’ relationships with each other.  The quality of students’ thinking has been shown to depend partly on the extent to which they are permitted to learn cooperatively (Johnson and Johnson, 1989; Kohn, 1992).  Thus, the ill feelings, suspicion, and resentment generated by grades aren’t just disagreeable in their own right; they interfere with learning.
    • Keith Hamon
       
      In QEP, we seek to enable students to connect to one another. Grading systems that promote competition among students tend to undermine that willingness to connect and collaborate.
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  • The competition that turns schooling into a quest for triumph and ruptures relationships among students doesn’t just happen within classrooms, of course.  The same effect is witnessed at a schoolwide level when kids are not just rated but ranked, sending the message that the point isn’t to learn, or even to perform well, but to defeat others.  Some students might be motivated to improve their class rank, but that is completely different from being motivated to understand ideas.  (Wise educators realize that it doesn’t matter how motivated students are; what matters is how students are motivated.  It is the type of motivation that counts, not the amount.)
  • Even when students arrive in high school already accustomed to grades, already primed to ask teachers, “Do we have to know this?” or “What do I have to do to get an A?”, this is a sign that something is very wrong.  It’s more an indictment of what has happened to them in the past than an argument to keep doing it in the future.
  • Research substantiates this:  when the curriculum is engaging – for example, when it involves hands-on, interactive learning activities -- students who aren’t graded at all perform just as well as those who are graded (Moeller and Reschke, 1993).
  • abolishing grades doesn’t mean eliminating the process of gathering information about student performance – and communicating that information to students and parents.  Rather, abolishing grades opens up possibilities that are far more meaningful and constructive.  These include narratives (written comments), portfolios (carefully chosen collections of students’ writings and projects that demonstrate their interests, achievement, and improvement over time),  student-led parent-teacher conferences, exhibitions and other opportunities for students to show what they can do.
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    Grades tend to reduce the quality of students' thinking.  Given that students may lose interest in what they're learning as a result of grades, it makes sense that they're also apt to think less deeply.  One series of studies, for example, found that students given numerical grades were significantly less creative than those who received qualitative feedback but no grades.  The more the task required creative thinking, in fact, the worse the performance of students who knew they were going to be graded.  Providing students with comments in addition to a grade didn't help:  the highest achievement occurred only when comments were given instead of numerical scores (Butler, 1987; Butler, 1988; Butler and Nisan, 1986).
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    The spurious nature of grading seems particularly true in the case of writing. Most any piece of writing can, and often does, receive any grade.
Keith Hamon

Brown - 0 views

  • As new technologies take us through major transformations in the way we use documents, it becomes increasingly important to look beyond the conduit image. We need to see the way documents have served not simply to write, but also to underwrite social interactions; not simply to communicate, but also to coordinate social practices.
    • Keith Hamon
       
      This touches directly on Deleuze & Guattari's admonition to ask not what a document means but what it does.
  • Printed documents, Anderson maintains, were essential to replacing the ideology of sovereigns and subjects by creating the idea of a self-constructed society built around shared ideals and shared practices.
    • Keith Hamon
       
      Creating documents of our own empowers us in all ways.
  • Anderson calls the resulting community an "imagined" one. This is no slight. An imagined community is quite distinct from an imaginary community. It is one, Anderson notes, whose members "will never know most of their fellow members, meet them, or even hear of them, yet in the minds of each lives the image of their communion." Where an imaginary community does not exist, an imagined one exists on too large a scale to be known in any other way. And the central way they can be imagined is through the documents they share.
    • Keith Hamon
       
      I really like this imagined community. Actually, I think all communities are imagined, but this makes a useful distinction.
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  • In this way, document forms both old (like the newspaper) and relatively new (like the television program) have underwritten a sense of community among a disparate and dispersed group of people.
    • Keith Hamon
       
      Connectivity enables community, and it's the documents created in that community that provide the tell-tale markers and sign-posts about the function of that community.
  • In offering an alternative to the notion that documents deliver meaning, both arguments instead suggest connection between the creation of communities and the creation of meaning, for communities seem to create meaning for themselves.
    • Keith Hamon
       
      This is a very challenging notion in education, where we usually assume that it's the job of experts to provide or channel meaning to the students and verify that they got it. This says that a group of students create meaning in a community and that teachers assist in that construction.
  • Providing a shared context for constructing meaning, documents are the beginning rather than the end of the process of negotiation.
    • Keith Hamon
       
      To my mind, this inverts the usual role of documents in most classrooms.
  • Indeed, writing on writing is both literally and metaphorically an important part of the way meaning is negotiated. Annotation is a rich cultural practice which helps, if only by the density of comment attached, to signify the different cultural importance of texts and parts of texts. The thin trickle of original text overflowing a vast dam of commentary, the long introduction, and the separate subject entry in a library catalog offer clear indications that a particular text is socially and culturally valued.
    • Keith Hamon
       
      How often do we ask students to write on writing, and then tell that their constructed meaning is wrong?
  • Hypertext software, however, has revived the immediacy of intertextual links.
    • Keith Hamon
       
      Software such as Diigo allows for easy annotation and for sharing such annotations within a community.
  • The interpretation of a document always depends on community standards. Nonetheless, documents can and do play important roles in negotiating differences and coordinating practices between communities.
    • Keith Hamon
       
      Nice: documents at once define a community and act as a point of negotiating between that community and other communities. What does that say about our classes as communities of discourse?
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    To fully assess the document's evolving role requires a broad understanding of both old and new documents. For documents are much more than just a powerful means for structuring and navigating information space -- important though that is. They are also a powerful resource for constructing and negotiating social space. It is the latter quite as much as the former that has made the documents of the World Wide Web so popular.
Stephanie Cooper

I hate writing but love to blog….why? | The Thinking Stick - 0 views

  • o why is it that I hate to write and love to blog? First, I think a lot of it has to do with the computer and word processing. As I type this in my Firefox extension Performancing every misspelled word is underlined in red for me, giving me instant feedback on what I have misspelled. Does it catch all my mistakes, heck no, but you should see a post before it actually goes live. Secondly, I can type faster then I can write…about 75 words/minute and you can actually read what I’ve written when I’m done. Finally, I don’t see blogging as writing…it’s idea generation, it’s the free flow of ideas between people and it is a conversation. I love to talk (if you have a hard time writing you usually do…coping skill). I would rather stand in front of a group of parents and give a presentation, or have a face to face parent conference than write a letter home.
  • Blogging gives me an audience, just like giving a presentation…I almost feel that way sometimes…like I’m presenting information, my thoughts rather than writing. It could be a podcast, a video, or blogging…it’s about having an audience. I wonder if I would have blogged in school, given the chance? It would have depended, I bet, on how the teacher used it as a tool. Was it a reflective journal to layout your thoughts, or did every period, capital and ‘ie, ei’ combination have to be perfect. If that was the case I’d have hated it. Blogging is different…it’s not writing in the sense we think about it. People ask me why I blog and I truly can’t give them an answer…I just do, because it’s an outlet for me. I’d bet that I’ve blogged more in the past year then I wrote my whole life leading up to it. It’s been that powerful for me as a tool, and I see it in my students as well. In myspace and youtube…this networking, conversation, sharing atmosphere is contagious!
  • I think you hit on the larger issue, though, is that blogging is much less structured (mostly) than a typical piece of writing. Blogging is much more stream-of-consciousness than writing. As I am writing this, it is a direct connection from idea to publication. I think that is the blogging revolution. I would wonder how different your post would have been, or my comment for that matter, had we outlined it before writing it.
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  • Good writing is really about good editing. Too much time in school is spent on conventions–grammar, spelling–and not on helping people find their voice. Blogging is not writing in the sense that much of blogging comes from a very authentic, unedited perspective. We say what we feel. We mean what we say. We just do not always overprocess it. We have chosen our audience by virtue of the topics and themes we choose.
  • Blogging offers realtime, real world feedback. How many people actually comment on misspellings? Who cares if I end a sentence with a preposition? Perhaps monitors in somepeople’s houses have red circles on them. People comment on the usefulness, the humour, the passion, the ideas. Call it what you will, Blogging is writing with an attitude. Yours. And yours alone. Sure someone might flame you, but you can delete their posts. Now I could proof read this. I could let it sit an daim to craft my thoughts better, but I like the rawness of this.
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    I liked this article because it talks about how it is easier for resistant writers to write by blogging.
Stephanie Cooper

Education News for Teachers - TheApple.com - 1 views

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    See how they use peer interaction to stop cheating in online classes. This sort of beats them at their own game! lol
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