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For centuries, Central America's Afro-Indigenous Garifuna people have kept the culture's oral history alive through their ancestors' native language. But decades of modernization, haphazard native-language training in Garifuna schools, intermarriage between cultures, and the ridicule of young people who speak the language, collectively led to Garifuna being listed on the UNESCO Atlas of Endangered Languages in 2001. Today, linguists estimate that about 100,000 speakers remain. The threat of language extinction isn't new. Some linguists estimate a language dies every two weeks, as some languages become dominant tools for social and economic exchange, while others are pushed to the margins. But there are ways to save at-risk languages, as well. The key is that the language needs to be thought of less as preserved, "but indeed part of their present and their future," says Liliana Sánchez, a linguist and professor at the University of Illinois at Chicago. That's exactly what the Garinagu (Garifuna people) are doing. For the past two decades, Garifuna artists have used a cultural cornerstone-spirited dance music-to inspire young Garinagu to learn and share their native language. Now, with a new Garifuna Tourism Trail project in Belize, travelers can experience and support the cultural renaissance, too. Elements of the Garifuna culture-including music, dance, and language-were listed as a UNESCO Masterpiece of Oral and Intangible Heritage of Humanity in 2001. Around that same time, Garifuna musicians and cultural activists hatched a plan: Create irresistible melodies, sung entirely in Garifuna, to rally young Garinagu to embrace the culture and learn the language. Will music save the Garifuna language? Time will tell. Garifuna remains on UNESCO's endangered-language list, last updated in 2010. And, as the Hawaiians learned from revitalizing their own language post colonization, this kind of revival is a long, multi-generational road.

The Rap Genius website annotates rap lyrics: creators hope to provide a hip-hop Wikipedia. You can listen to songs, read lyrics, and click the lines that interest you for pop-up explanations. Like Wikipedia, you can also create and annotate entries.

Dozens of countries, representing a wide range of languages, vie for the Eurovision song contest every year, but English has been by far the most dominant tongue, with 26 victories. So this year, Spain, which has not won since 1969, decided: If you can't beat them, join them. Spain's Eurovision entry will be sung entirely in English. This has sparked debate between people who embrace English as the language that will relate to more people and those who want Spain's entry to represent Spanish language and culture.

This Wall Street Journal interactive employs lyrics from the musical Hamilton as well as the song lyrics of the Fugees, Nas, Kendrick Lamar, Rakim, etc. to illustrate sound devices in context. Audio included.

A whistling language like that quoted in "Tree of Codes," she said, speaks to "how we humans adapt to and interact with our environment, not being separate, but really being in a merged relationship with everything around us." That positive attitude sets Ms. Lim apart from some of the other musical-linguistic ventures.

"Did Neanderthals sing? Is there a 'music gene'? Two scientists debate whether our capacity to make and enjoy songs comes from biological evolution or from the advent of civilization. Music is everywhere, but it remains an evolutionary enigma."

From drone strikes to the songs of the ancient caravans, the folk poetry called landay reflects Afghan life. Landay are two-line, 22-syllable poems in the oral tradition. The form is thousands of years old, thought to come from the caravan trains that arrived in the region in approximately 2,500 BC. Contemporary Afghan women are composing landay as a form of rebellion. Reporter Eliza Griswold studied these contemporary poems and discovered a complex world of rage, empowerment, sorrow and sex.

Based on past experiments and research of music affecting one's reading comprehension, it shows that students listening to lyrical music during an exam scored lower than students listening to instrumental songs. (Which proves my hypothesis of this experiment that I will be performing myself.)

Singing along to our favorite songs may actually be a skill we acquire even before we're born. According to a recent study published in the journal Ultrasound, unborn babies can "sing and dance" in the womb as early as 16 weeks.

a bit technical but the introduction is useful

"Like I did the things that I probably knew I should. But I an't have neighbors thats why they call it hood." 2:05

This article reminds me of the "Singing Neanderthals" reading that we did. Perhaps whales, like babies, hear tones instead of actual words and can also perceive emotions of other whales they communicate with. If this is so, would this 'tone communication' be considered a language in of itself?

When people listen to a preferred or a favorite song, they are able to connect better to the part of the brain called the default mode network, which is tied to how humans are able to switch between thinking about what's going on around them and their self-referential thoughts.

As far as we know, humans are still the only ones with language. But what separates language from communication? Why can't we assume that whales, with their elaborate songs, are simply speaking "whale-ese"? To be considered a true language, there are a few elements that are usually considered to be essential, says Kershenbaum. For one, it must be learned rather than instinctive - both whales and birds have this piece covered. For instance, killer whale calves learn a repertoire of calls from their mothers, and the sounds gradually evolve from erratic screams to adult-like pulsed calls and whistles. What holds whales and other animals back from language is that there is a limit to what they can express. There are only so many calls that each may convey different emotions, but only we have an unlimited ability to express abstract ideas.