David Frum: HBO's 'Game Change' Charts Sarah Palin's Revenge - The Daily Beast - 0 views
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Game Change the movie shows a Palin of almost unfathomable ignorance. Staffers discover that she has never heard of the Federal Reserve and does not know why there are two Koreas; she answers a prep question about the military alliance with Britain by saluting John McCain’s excellent relationship with Queen Elizabeth. Efforts to instruct her send Palin into what one staffer describes as a “catatonic stupor.” And when Palin emerges, she is seized by the grievances that defined her public message from the autumn of 2008 onward. In those dying days of the campaign, she discovered the idea that would shape the final month of the campaign and the rest of her career: the divide between the “real” America—the America-loving America—and the despised rest of the country.
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By luck or by some deep political instinct, Palin launched her attack on the credentialed urban elite at exactly the hour that this elite was discrediting itself as at no time since the urban crisis of the 1960s.
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It was the mighty brains of Wall Street who first enabled the financial crisis—and then escaped scot-free from the disaster, even as ordinary Americans lost their jobs, homes, and savings. Palin was speaking to and for constituencies who had steadily lost ground through the previous decade—and who now confronted personal and national disaster. Meanwhile, the people asking for bailouts—and the people deciding whether to grant bailouts—boasted résumés that looked a lot like Obama’s private school/Columbia/Harvard Law School pedigree. That is, when they weren’t outright Obama supporters and donors. And at the same time, the position of America in the world—and of the white majority within America—seemed in question as never before. There, too, Obama could be made to represent every frightening trend: the flow of immigrants (12 million of them between 2000 and 2008, half of them illegal); the rise of non-Western powers like China and India; the deadly threat of terrorism emanating from people with names like “Barack,” “Hussein,” and—give or take a consonant—“Obama.”
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Is this film accurate? I asked Schmidt directly. “I felt as if I were having an out-of-body experience as I watched,” he said. In other words: yes.