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In 1453, Mehmed II the Conqueror led the Ottoman Turks in seizing the ancient city of Constantinople, the Byzantine Empire’s capital. This put an end to 1,000-year reign of the Byzantine Empire.

Sultan Mehmed renamed the city Istanbul, meaning “the city of Islam” and made it the new capital of the Ottoman Empire.

By 1517, Bayezid’s son, Selim I, brought Syria, Arabia, Palestine, and Egypt under Ottoman control.

The Ottoman Empire reached its peak between 1520 and 1566, during the reign of Suleiman the Magnificent

The Ottomans were known for their achievements in art, science and medicine.

Some of the most popular forms of art included calligraphy, painting, poetry, textiles and carpet weaving, ceramics and music.

The Ottomans learned and practiced advanced mathematics, astronomy, philosophy, physics, geography and chemistry.

Under Sultan Selim, a new policy emerged, which included fratricide, or the murder of brothers.

The threat of assassination was always a concern for a Sultan. He relocated every night as a safety measure.

the millet system, a community structure that gave minority groups a limited amount of power to control their own affairs while still under Ottoman rule.

The devshirme system lasted until the end of the 17th century.

Starting in the 1600s, the Ottoman Empire began to lose its economic and military dominance to Europe.

n 1878, the Congress of Berlin declared the independence of Romania, Serbia and Bulgaria.During the Balkan Wars, which took place in 1912 and 1913, the Ottoman Empire lost nearly all their territories in Europe.

At the start of World War I, the Ottoman Empire was already in decline. The Ottoman Turks entered the war in 1914 on the side of the Central Powers (including Germany and Austria-Hungary) and were defeated in 1918.

In 1915, Turkish leaders made a plan to massacre Armenians living the Ottoman Empire. Most scholars believe that about 1.5 million Armenians were killed.

After ruling for more than 600 years, the Ottoman Turks are often remembered for their powerful military, ethnic diversity, artistic ventures, religious tolerance and architectural marvels.

The mighty empire’s influence is still very much alive in the present-day Turkish Republic, a modern, mostly secular nation thought of by many scholars as a continuation of the Ottoman Empire.

Mr. Khamenei’s ruling philosophy has been shaped and reinforced by three notable authoritarian collapses: The 1979 fall of Iran’s monarchy, the 1991 dissolution of the Soviet Union and the Arab uprisings of 2011. His takeaway from each of these events has been to never compromise under pressure and never compromise on principles.

The Iranian regime’s repressive capacity — at least on paper — remains formidable. Ayatollah Khamenei is commander in chief of 190,000 armed members of the Islamic Revolutionary Guard Corps, who oversee tens of thousands of Basij militants tasked with instilling public fear and morality.

Iran’s nonideological conscription army, whose active forces are an estimated 350,000, is unlikely to take part in mass repression

Until now, the political and financial interests of Ayatollah Khamenei and the Revolutionary Guards have been intertwined. But persistent protests and chants of “Death to Khamenei” might change that

The sociologist Charles Kurzman wrote in his seminal book, “The Unthinkable Revolution in Iran,” that the paradox of revolutionary movements is that they are not viable until they attract a critical mass of supporters but that to attract a critical mass of supporters, they must be perceived as viable.

If the organizing principle that united Iran’s disparate opposition forces in 1979 was anti-imperialism, the organizing principles of today’s socioeconomically and ethnically diverse movement are pluralism and patriotism.

The faces of this movement are not ideologues or intellectuals but athletes, musicians and ordinary people, especially women and ethnic minorities, who have shown uncommon courage. Their slogans are patriotic and progressive — “We will not leave Iran, we will reclaim Iran,” and “Women, life, freedom.”

The demands of the current movement are brilliantly distilled in Shervin Hajipour’s song “Baraye,” or “For,” which has become the anthem of the protests and articulates a “yearning for a normal life” rather than the “forced paradise” of a religious police state.

Abbas Amanat, a historian of Iran, observed that one of the keys to Iran’s civilizational longevity, which dates to the Persian Empire of 2,500 years ago, is the power of its culture to co-opt its military invaders. “For nearly two millenniums, Persian political culture and, in a broader sense, a repository of Persian civilizational tools successfully managed to convert Turkic, Arab and Mongolian conquerors,” he told me. “Persian language, myth, historical memories and timekeeping endured. Iranians persuaded invaders to appreciate a Persian high culture of poetry, food, painting, wine, music, festivals and etiquette.”

When Ayatollah Khomeini acquired power in 1979, he led a cultural revolution that sought to replace Iranian patriotism with a purely Islamic identity. Ayatollah Khamenei continues that tradition, but he is one of the few remaining true believers. While the Islamic Republic sought to subdue Iranian culture, it is Iranian culture and patriotism that are threatening to undo the Islamic Republic.

Four decades of the Islamic Republic’s hard power will ultimately be defeated by two millenniums of Iranian cultural soft power. The question is no longer about whether this will happen but when.

he carefully links the ascendancy of these artists to a conveniently timed revolution in their industry. “They needed critics … who could understand and write about their work, dealers who would show it, and curators and collectors who would buy it.” Put simply, they needed an art world that would cater to their wants. America provided one.

The New Yorker, a publication, Menand notes, that catered to well-educated, culturally insecure folk “eager not to like the wrong things, or to like the right things for the wrong reasons.”