'Eichmann Before Jerusalem,' by Bettina Stangneth - NYTimes.com - 0 views
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“Eichmann in Jerusalem” in many ways mirrored Eichmann’s own self-presentation. She insisted that, contrary to expectations, the man in the dock was not some kind of demonic Nazi sadist but a thoughtless, relatively anonymous, nonideological bureaucrat dutifully executing orders for the emigration, deportation and murder of European Jewry. Arendt’s insights — that genocide and bureaucratic banality are not necessarily opposed, that fanatical anti-Semitism (or for that matter, any ideological predisposition) is not a sufficient precondition for mass murder — remain pertinent.
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as Bettina Stangneth demonstrates in “Eichmann Before Jerusalem,” her critical — albeit respectful — dialogue with Arendt, these insights most certainly do not apply to Eichmann himself. Throughout his post-1945 exile he remained a passionate, ideologically convinced National Socialist.
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Since he had a penchant for tailoring his endless chatting and voluminous writings to what he believed his audience desired, it may not be immediately evident why his statements in Buenos Aires should be considered more authentic than the “little man” portrait he painted in Jerusalem. The answer lies in the stance he took against what his Nazi and radical-right audience wanted to hear. For they were intent on either denying the Holocaust altogether, or outlandishly regarding it as either a Zionist plot to obtain a Jewish state or a conspiracy of the Gestapo (not the SS) working against Hitler and without his knowledge. Eichmann dashed these expectations. Not only did he affirm that the horrific events had indeed taken place; he attested to his decisive role in them. Hardly anonymous, he insisted on his reputation as the great mover behind Jewish policy, which became part of the fear, the mystique of power, surrounding him. As Stangneth observes: “He dispatched, decreed, allowed, took steps, issued orders and gave audiences.”
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