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According to QAnon, President Donald Trump is secretly working to stop a child sex cabal run by Hollywood and political elites

During the pandemic, QAnon-related content has exploded online, growing nearly 175% on Facebook and nearly 63% on Twitter, according a British think tank.

The FBI has called QAnon a domestic terror threat and an internal FBI memo warned that "fringe conspiracy theories very likely motivate some domestic extremists, wholly or in part, to commit criminal and sometimes violent activity." Facebook finally pledged to ban QAnon content earlier this month.

"I see this circulating through conservative and Charismatic churches and it breaks my heart," said Anleitner, who spent time in Pentecostal churches, where he says QAnon's influence is distressingly pervasive.

Some Christian pastors are actually leading their followers to QAnon, or at least introducing them to its dubious conspiracy theories.

During services in July, Rock Urban Church in Grandville, Michigan, played a discredited video that supports QAnon conspiracy theories.

Danny Silk, a leader at Bethel Church, a Pentecostal megachurch in Redding, California, has posted QAnon-related ideas and hashtags on his Instagram account.

"If you are just learning about QAnon and The Great Awakening, this is the right spot for you," reads the ministry's website. Representatives from the ministry did not respond to multiple requests for comment.

"Right now QAnon is still on the fringes of evangelicalism," said Ed Stetzer, an evangelical pastor and dean at Wheaton College in Illinois who wrote a recent column warning Christians about QAnon. "But we have a pretty big fringe.

Q himself (or herself, or themselves for that matter -- no one quite knows who Q is) has posted nearly 5,000 messages since 2017.

QAnon is complex, said Brian Friedberg, a researcher at the Harvard Kennedy School of Government who has studied the movement.

Earlier this year a young Christian friend of his recirculated QAnon ideas posted online by a national Christian leader, Anleitner said. (He declined to name the pastor on the record).

In QAnon, some observers see a mass delusion, others see a political cult, and still others claim to see the sprouts of a new faith.

If QAnon is a new religion, it bears the birthmarks of our truth-deprived time: Born on an obscure internet image board, it spreads through social media, preaches a perverted form of populism and is amplified by a president who has demonstrated little regard for facts.

"It's kinda like checking Fox News or CNN," -- that is, a place to find the latest news, said Park Neff, who has a masters in divinity and a doctorate from New Orleans Baptist Seminary. "It just seemed to be good, solid conservative thought."

"What resonated with me is the idea of moving toward a global government," she said, "and that actually goes along with the Christian belief about the End Times."

It interprets world events through the lens of Scripture or Q posts. It's obsessed with a grand, apocalyptic reckoning that will separate good from evil, deeply distrusts the media and finds an unlikely champion -- and hero -- in President Trump.

That's no accident, say experts who have studied QAnon. The group intentionally uses emotionally fraught topics, like suffering children, to draw Christians to their movement.

"That's a recruiting tactic," said Travis View, a host of "QAnon Anonymous," a podcast that seeks to explain the movement. "It's their red pill." (Travis View is a pseudonym he uses for safety. )

View compared it to a religion that proselytizes by offering potential converts seemingly mundane services before laying the hard sell on them."The 'Save the Children' messaging is very effective, because everyone wants to protect children."

"People who start with 'saving the children' don't stay there -- and that's the problem," he said. "It's like Alice in Wonderland. They follow the rabbit and enter a totally different framework for reality."

"This is an information operation that has gotten out of the direct control of whoever started it," he said. It's an operation, he added, that likely would not exist in a less polarized, confusing and frightening time.

When Jesus didn't arrive, the Millerites were greatly disappointed, but they adjusted their apocalyptic timetables and soldiered on, eventually becoming the Seventh Day Adventist Church.

These days, Q shies away from giving specific dates, View noted, suggesting a shift in tactics. Even so, believers attempt to explain away any contradictions between QAnon and reality, just as the Millerites did centuries ago.

"Some of it seems like deliberate misinformation to throw off the other side," Neff said, "as should be apparent to anyone who watches the news. Sometimes he (Q) does it to rattle their cages, sometimes to keep them guessing. It seems to work."

These folks were not natural allies of the party of business or its wealthy donors. In exchange for pursuing the economic agenda of the wealthy, the GOP increasingly offered up a primal vision rooted in culture wars, contempt for government, and scapegoating blacks, immigrants, Muslims and other minorities.

The real causes of blue-collar woes were globalization, the Great Recession, the housing crisis, and an information society which marginalized the undereducated. About this, the GOP elite did nothing—not about student debt, stagnant wages, dwindling benefits, diminishing job security, retraining for the new economy, or the widespread unaffordability of quality medical care.

the new book Authoritarian Nightmare by Bob Altemeyer and John Dean presents “data from a previously unpublished nationwide survey showing a striking desire for strong authoritarian leadership among Republican voters.”

As president, Trump has pushed the boundaries of our constitutional democracy to achieve unprecedented executive power. Not only do his followers support this, but elected Republicans have done nothing to stop him.

In the Altemeyer-Dean survey, roughly half of Trump supporters agreed with this statement: “Once our government leaders and the authorities condemn the dangerous elements in our society, it will be the duty of every patriotic citizen to help stomp out the rot that is poisoning our country from within.”

This squares with findings by Vanderbilt political scientist Larry Bartels summarized by the Post: “Many Republican voters hold strong authoritarian and anti-democratic beliefs, with racism being a key driver of those attitudes.”

The GOP is no longer about ideas like limited government, or the higher ideals of inclusiveness and an American Dream open to all. Its toxic compound of raw anger and nativist passion is, at bottom, about subjugating the demographic “other.”

It is barely possible now to imagine the GOP had Trump been different. He came without ideology, propelled by a gift for embodying a potent but undefined populism

He might have become an agent of constructive reinvention, eschewing racism and xenophobia in favor of offering embattled middle-class and blue-collar workers genuine economic uplift. He could have reinstated fiscal responsibility by disdaining tax cuts for the wealthy. He might even have taken steps—if not to drain the swamp—at least to reform it.

But that would have required real talent, sustained attention, and a genuine interest in governance. Instead this irredeemably vicious, vacant, and narcissistic demagogue unleashed white identity politics and the endless overreach of Republican donors. This leads inexorably to the deadest of ends—a demographic death knell for his party and, for our democracy, the most grievous of wounds

49 percent of Americans referred explicitly to family relationships in their definition of happiness, while Southern Europeans and Latin Americans generally conceived of it in terms of oneself: Just 22 percent of Portuguese, 18 percent of Mexicans, and 10 percent of Argentines talked about their families in their happiness definitions.

Writing in the International Journal of Wellbeing in 2012, two Japanese scholars surfaced an important cultural difference in the definition of happiness between Western and Asian cultures. In the West, they found happiness to be defined as “a high arousal state such as excitement and a sense of personal achievement.” Meanwhile, in Asia, “happiness is defined in terms of experiencing a low arousal state such as calmness.”

In large countries, even comparing people within the same borders can be difficult to accomplish accurately. Happiness is defined very differently in northern versus southern India,

research shows that the United States is home to significant regional differences in personality characteristics. For example, people in the mid-Atlantic and Northeast regions tend to display more attachment anxiety (“When will you call?”), while the western states breed more attachment avoidance (“See you when I see you”).

in Latin-based languages, the term comes from felicitas, which referred in ancient Rome not just to good luck, but also to growth, fertility, and prosperity.

Even the words we use to talk about happiness have different connotations in different tongues. In Germanic languages, happiness is rooted in words related to fortune or positive fate. In fact, happiness comes from the Middle English hap, which means “luck.”

cultures vary widely in their definitions of happiness. Therefore, it is impossible to say that one country is happier than another in some absolute sense, and a single index of “the happiest countries in the world” is not instructive.

Maybe Finland is the happiest country by one definition; it is almost certainly not by another. Countries should be classified more than compared.

handy way to get started on that task is to distinguish between two ways of focusing on happiness. The first is an “inner” or “outer” focus on happiness—that is, on introspection versus interaction with others. The second is a “relation” or “task” focus—people-oriented versus doing-oriented. This gives us four major models for well-being, based on survey research from around the world.

1. Happiness comes from good relationships with the people you love.This is a combination of the “outer” and “relation” foci. In this model, friends and family are who deliver the most happiness. A good example of a country that fits this model based on how the population tends to define happiness is the United States.

2. Happiness comes from a higher consciousness.This is a combination of the “inner” and “relation” foci, and is the model for highly spiritual, philosophical, or religious people, especially those who place a special importance on coming together in community. Southern India has been found to be home to a lot of people who follow this model.

3. Happiness comes from doing what you love, usually with others.This is a combination of the “outer” and “task” foci—that is, a dedication to work or leisure activities that are deeply fulfilling. This is your model if you tend to say “My work is my life” or “I love golfing with my friends.” Look for it in the Nordic countries and Central Europe.

4. Happiness comes from simply feeling good.This is a combination of the “inner” and “task” foci. It is the model for people who prioritize experiences that give them positive feelings, whether alone or with others. It’s a good way to assess your well-being if, when you imagine being happy, you think of watching Netflix or drinking wine. This model is most common in Latin America, the Mediterranean, and South Africa.

Just as different places have different definitions of happiness, so do different people. Understanding that diversity can help you understand yourself—to see whether and why you are a misfit in your home, and what you might do about it, whether that’s moving, joining a new community, or simply making peace with your surroundings.

The point is that the MSM universe is so large that you’re always going to be able to cherry-pick examples to support the notion that “they” are feeding “us” false narratives.

We have had a robust conversation about whether the inflation we’re seeing is transitory, or not. There are different signals pointing in different directions. Of the thousands of people who make up the MSM, some give more credence to one view, some to the other.1

The same is true for literally every other example Sullivan cherry-picks. Jussie Smollett was not an “MSM narrative.” It was a crime-blotter case that the media reported, and then continued reporting on, even as the subsequent reporting took Smollett’s story apart.

Surely some people in or around the MSM were more credulous than they should have been. Some people were skeptical from the start. There was no “narrative” except the one that exists in Andrew Sullivan’s head.

And of the dozens of thousands of meta-stories the MSM has covered over the last five years, much of the reporting has added real value to our world, yes?

For instance, if you only relied on reporting from the MSM about COVID, you would have been much better informed than if you’d relied on, say, Facebook, or conservative media. Reporting on the 2020 election lawsuits and allegations of fraud in the MSM were, in the main, very helpful.

What’s the Alternative?

Remember: It wasn’t a faceless blob called “the media” that published the UVA story. It was Rolling Stone. And it was a collection of reporters at various “mainstream media outlets” who took the Rolling Stone story apart.

I mention this history not to damn the mainstream media, but to show that what Sullivan laments isn’t new. There is no golden past. People in the media make mistakes. Sometimes big ones. Bigger, even, than the “narrative” on the Covington kids.

Undergirding Sullivan’s essay is a notion that someone ought to do something.

Is the journalistic mode great? No. Like democracy, it is the worst system there is—except for all the others.

Well, we tried that. “Conservative media” in its modern incarnation—the Washington Times, Fox News, the Federalist—was created as a corrective to the endemic flaws in the mainstream media.

The conservative broadcast ecosystem—Fox, OAN, Newsmax, talk radio—is so untethered from reality that their legal departments occasionally force them to air libel-remedy hostage videos condemning their own “reporting.” They air anti-vaccine nonsense and false-flag theories.

The Federalist publishes snuff fantasies and COVID death-cult nonsense.

And conservative media criticism is so nakedly partisan that on occasions when conservative media makes a mistake—for instance, the Washington Examiner’s Muslim prayer-rugs-at-the-border story—the response from erstwhile “conservative media critics” was . . . [crickets].

In conservative media, there is no self-corrective outside of the legal system.2

Any Club at Hand

Why has Sullivan recently become so exercised about the dangers of MSM narratives? I suspect because we often write what we know.

In recent years Andrew Sullivan has been othered by parts of the MSM for sins against current political orthodoxy. To him, these recent developments feel like a big, all-consuming story. Because for him, personally, they have been.

someone has to defend the honor of the dreaded mainstream media. Because here is the very boring truth about “MSM narratives”:

The media is a vast space where actors and institutions are interconnected, but operate semi-independently, according to a variety of incentives. Sometimes independent actors make good-faith mistakes. Sometimes they make bad-faith mistakes. But in most cases—in nearly every case, actually—the marketplace of ideas eventually wins and the truth outs.

The MSM is like a giant peer-review system, but where the peer-reviewing takes place after publication. Jonathan Rauch talks about this at length in The Constitution of Knowledge—that the scientific enterprise and the journalistic enterprise have similar modes of operation.

the Rolling Stone case is actually a proof of concept for the media.

By its diffuse nature, the media can’t be optimized. There will always be flaws and inefficiencies.5

I’d argue that the mainstream media’s continued openness to self-correction over the last few years is evidence of its overall reliability and health—even in the face of our democracy having hit a real-deal constitutional crisis.

We are on the cusp of a media crisis that no one is talking about.

As we move toward 2024, the big concern should be how the media would cover an openly anti-democratic presidential candidate. Would they treat said candidate as a danger to America? Or would they attempt to remain neutral and pretend that he was just another generic politician doing normal political things?

Chinese universities have organized classes to give students a “correct understanding” of the war, often highlighting Russia’s grievances with the West. Party newspapers have run series of commentaries blaming the United States for the conflict.

Mr. Xi has given that tale a more urgent, ominous spin. In doing so, he has embraced Mr. Putin as a fellow authoritarian lined up against Western dominance, demonstrating to the Chinese people that Mr. Xi has a partner in his cause.

“The most powerful weapon possessed by the West is, aside from nuclear weapons, the methods they use in ideological struggle,”

Since the demise of the Soviet Union, it says, “some countries in Eastern Europe, Central Asia and Transcaucasia have become forward positions for the West to contain and meddle in Russia.”

It describes Mr. Putin as cleansing Russia of the political toxins that killed the Soviet Union.

In 2013, propaganda officials under Mr. Xi put out a documentary on the lessons of the collapse of the Soviet Union. This latest take offers an even more conspiratorial interpretation

They regard China and Russia as both menaced by “color revolution,” the party’s phrase for insurrections backed by Western governments

“They actually believe their own narrative about color revolutions and tend to see this whole situation as a U.S.-led color revolution to overthrow Putin,”

“Both domestically and internationally, Xi has been pedaling this dark narrative since he took power,” Mr. Johnson said in an interview. “It allows him to justify his accumulation of power and the changes he’s made by creating this sense of struggle and danger.”

The Biden administration has cast the war as a contest between democracy and authoritarianism. Chinese officials are mounting a counternarrative that American-led domineering is the source of conflict in Ukraine and elsewhere.

The documentary attributes the decline of the Soviet Union to political liberalization, especially what Beijing calls “historical nihilism,” or emphasizing the Communist Party’s mistakes and misdeeds. It accuses historians critical of the Soviet revolution of fabricating estimated death tolls by many millions for Stalin’s purges.

Stalin, it argues, was a modernizing leader whose purges went too far but initially “were something of a necessity” given the threats to Soviet rule. It suggests that rock music and modern fashion were symptoms of the moral rot that later set in.

“They’ve taken only one lesson from all of this, and that is you do not allow any freedom of expression,”

Previous leaders in Moscow — above all Mr. Gorbachev and Nikita S. Khrushchev — are portrayed as dupes, bewitched by the siren song of liberal reform and Western superiority.

Officials overseeing the screenings are often described in official notices as calling for cadres to maintain firm loyalty to Mr. Xi.

“Loving a party and its leader is not a cult of personality,”

Chinese leaders have been debating why the Soviet Union fell apart ever since it dissolved in 1991. More than his predecessors, Mr. Xi has blamed the Soviet Union’s breakup on lack of ideological spine and Western political subversion.

“If you have the worldview that you see in this documentary, you could tell yourself the story that the Russians are facing a real threat from the West,”

Political loyalty has become more crucial to Mr. Xi as Beijing tries to contain Covid outbreaks with stringent lockdowns, and manage a slowing economy. China’s foreign policy is under scrutiny, after some Chinese scholars posted essays criticizing Beijing’s refusal to condemn Mr. Putin.

Universities and colleges have organized indoctrination lectures for students, suggesting that officials are worried that young, educated Chinese may be receptive to the criticisms that Beijing has been too indulgent of Mr. Putin.

“There’s an ‘either we hang together or we hang separately’ attitude that comes into play,” Mr. Johnson, the former C.I.A. analyst, said of Chinese leaders. “If it’s a strong nationalist approach, then who in the party doesn’t want to be a good nationalist?”

One of the book’s authors, Neil Howe, 71, has become a frequent podcast guest. A follow-up, “The Fourth Turning Is Here,” comes out this month.

The book’s outlook on the near future has made it appealing to macro traders and crypto enthusiasts, and it is frequently cited on the podcasts “Macro Voices,” “Wealthion” and “On the Margin.”

He described it as “this almost fun theory about history,” but added: “And yet there’s something deeply menacing about it.”

Mr. Arbery, who said he does not subscribe to the theory, sees parallels between the fourth turning and other nonscientific beliefs. “I modeled the way that Teresa talks about the fourth turning on the way that young liberals talk about astrology,” he said.

The play’s author, Will Arbery, 33, said he heard about “The Fourth Turning” while researching Stephen K. Bannon, the right-wing firebrand and former adviser to President Donald J. Trump, who is a longtime fan of the book and directed a 2010 documentary based on its ideas.

“I’ve read ‘The Fourth Turning,’ and indeed found it useful from a macroeconomic investing perspective,” Lyn Alden, 35, an investment analyst, wrote in an email. “History doesn’t repeat, but it kind of gives us a loose framework to work with.”

“The Fourth Turning” captured a mood of decline in recent American life. “I remember feeling safe in the ’90s, and then as soon as 9/11 hit, the world went topsy-turvy,” he said. “Every time my cohort got to the point where we were optimistic, another crisis happened. When I read the book, I was like, ‘That makes sense.’”

“The Fourth Turning” was conceived during a period of relative calm. In the late 1980s, Mr. Howe, a Washington, D.C., policy analyst, teamed with William Strauss, a founder of the political satire troupe the Capitol Steps.

Their first book, “Generations,” told a story of American history through generational profiles going back to the 1600s. The book was said to have influenced Bill Clinton to choose a fellow baby boomer, Al Gore, as his running mate

when the 2008 financial crisis hit at almost exactly the point when the start of the fourth turning was predicted, it seemed to many that the authors might have been onto something. Recent events — the pandemic, the storming of the Capitol — have seemingly provided more evidence for the book’s fans.

Historically, a fourth turning crisis has always translated into a civil war, a war of great nations, or both, according to the book. Either is possible over the next decade, Mr. Howe said. But he is a doomsayer with an optimistic streak: Each fourth turning, in his telling, kicks off a renaissance in civic life.

In the new book, he describes what a coming civil war or geopolitical conflict might look like — though he shies away from casting himself as a modern-day Nostradamus.

“This big tidal shift is arriving,” Mr. Howe said. “But if you’re asking me which wave is going to knock down the lighthouse, I can’t do that. I can just tell you that this is the time period. It gives you a good idea of what to watch for.”

it is beautifully written and a magnificent read, whether or not one follows the author all the way to his final destination in this journey of the pilgrim soul in the capitalist wilderness.

McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work. He rails against “the ensemble of falsehoods that comprise the foundation of economics”, which offer “a specious portrayal of human beings and a fictional account of their history”.

Homo economicus, driven by instrumental self-interest and controlled by the power of money, is condemned as a shabby and degrading construct that betrays the truth of human experience.

After capitalism has delivered what the author describes as “two centuries of Promethean technics and its irreparable ecological impact” there must be a return to an earlier, gentler, more sacramental vision of the world; one that has a greater sense of natural limits and a restored sense of wonder at creation.

McCarraher embarks on a kind of genealogy of neoliberal morals, barrelling his way through the tracts, studies, theories and literature that have constituted the “symbolic universe” of capitalism since the Renaissance.

From the English Puritans who made money for the greater glory of God, through the machine idolatry rampant in 1920s Fordism, to the cult of the ruthless entrepreneur

capitalism is best understood, he concludes, as a secular faith. It operates through myths and dogma, just as any religion does.

Modernity is not, as Max Weber maintained, the culmination of a process of intellectual “disenchantment”, in which societies lost their sense of the sacred and embraced the rational

Instead, a different enchantment took hold of our minds; the material culture of production and consumption. “Its moral and liturgical codes are contained in management theory and business journalism,” writes McCarraher. “Its iconography consists of advertising, marketing, public relations and product design.”

This brave new era produced a “predatory and misshapen love of the world

Spiritually diminished by the commodification of things and people, and the desire to consume, we have lost sight of what the Catholic poet Gerard Manley Hopkins described as the “dearest freshness deep down things”.

On Avarice. This work, says McCarraher, signalled a transition: the growth of commerce and banking was beginning to loosen the grip of biblical disdain for “filthy lucre”

the Florentine then makes an argument that is precociously modern, suggesting that without it, there would be “no temples, no colonnades, no palaces…”

The 17th-century Puritans are presented as a capitalist “avant garde”, driven by notions of a divine calling to turn common land into private property and then turn a profit on it

Milton mourns this sellout of the English revolution, using Paradise Lost to portray Mammon as a fallen angel, driven to blasphemous self-aggrandisement on eart

by the 20th century such satanic cunning is the new common sense in business circles

McCarraher leaves the poetry of Milton to move, via the Industrial Revolution, to the outlandish business utopias dreamed up in early 20th-century America

In February 1928, Vanity Fair caught the mood, praising Henry Ford as “a divine master-mind”

the epilogue of this mammoth portrait of the religious longings at the heart of secular materialism carries a bleak message: 20th-century fantasies of the world as one global business have been realised. Capital’s empire now extends to all corners of the world. Globalisation has built a “paradise of capital”

But Mammon is delivering an unsustainable future dominated by wage stagnation, tech-led unemployment, deepening inequality and environmental peril. As disaster looms, distraction is being sought in “a tranquillising repertoire of digital devices and myriad forms of entertainment” along with “the analgesic pleasures of consumption”.

“get back to the garden”. A new Romantic left is needed to reinhabit a sacramental imagination, which values people and things in themselves rather than as factors of production, and places collaboration over competition

recalling John Ruskin’s principle of “amazement”, which teaches that the gifts of nature should be admired and nurtured, rather than ravished and depleted

where pessimism might take hold, the author’s Christian faith gives him a trump card. For McCarraher, it is simply the case that “the Earth is a sacramental place, mediating the presence and power of God”

however obscured the truth is by a destructive lust for power and accumulation. It is simply a question of seeing things as they truly are.

The new American right, however, has blown past the relatively innocuous populism of the past 40 years and added a fetid cynicism about almost everything related to public life.

Not only are the MAGA Republicans seemingly repelled by the idea of voting for someone better than they are; they support candidates who are often manifestly worse people than the average citizen, so that they may slather their fears about their own shortcomings and prejudices under a sludgy and undifferentiated hatred about almost everyone in public office.

These populists not only look past the sins of their candidates but also defend and even celebrate them

The same Republicans who claim to venerate the Founders and the Constitution have intentionally turned our politics into a scuzzy burlesque.

consider how many people cheer on unhinged cranks such as Marjorie Taylor Greene or allow themselves to be courted by smarmy opportunists such as Vance and Ted Cruz.

This new populism, centered in the modern Republican Party, has no recognizable policy content beyond the thrill of cruelty and a juvenile boorishness meant largely to enrage others.

The GOP’s goals now boil down to power for its elected royalty and cheap coliseum pleasures for its rank and file.

Republicans, therefore, are forced to lower their—and our—standards for admission to public office, because the destruction of dignity is the only way they can find the candidates who will do what decent men and women will not, including abasing themselves to Donald Trump.

Let us leave aside the cult around Trump, which has now reached such levels of weirdness that the specter of Jim Jones is probably pacing about the netherworld in awe.

I’m an adult. I get it. Our elected officials aren’t saints, and only rarely are they heroes. But must they now be a cavalcade of clowns and charlatans, joyously parading their embrace of vice and their rejection of virtue? The Republican Party seems to think so.

If anything, the reverse has been the case: responses to the pandemic sharply diverged, even within entities like the European Union, ostensibly committed to common policies.

Mercifully, it has not all been a zero-sum game. In late March 2021, 25 world leaders, including Emmanuel Macron, Johnson, Mario Draghi, Angela Merkel, Cyril Ramaphosa, Volodymyr Zelenskiy and the head of the European Council, Charles Michel, as well as the prime ministers of South Korea, Fiji, Thailand, Chile, Senegal and Tunisia – but, depressingly, missing the leaders of the US, Japan, Russia and China – issued a statement explicitly acknowledging the chain linking human and non-human lives and destinies. Invoking the multilateralist idealism of the years following the second world war that sought a reconnected world through the United Nations and agencies like the WHO, they proposed a legally binding international treaty to deal with future pandemics. Such a treaty would embody “an approach that connects the health of humans, animals and our planet”

To some extent, the raising of walls, psychological and institutional, is understandable. The instinctive reaction to contagion breaking out somewhere distant is to erect barriers against its importation

Before long, any possibility of a clear and honest understanding of the common worldwide conditions that allowed such disasters to happen, not least the biological consequences of environmental degradation, became swallowed up by this default vocabulary of competitive nationalism.

two years’ experience of the pandemic, in particular the unpredictable incidence of recurring outbreaks and viral mutations, has made the locking off of discrete zones of exclusion all but impossible. The need for an alternative, transnational approach to containment, mitigation and protection, coordinated by the WHO, has never been more urgent

This moment in world history is no less fraught for being so depressingly familiar: the immemorial conflict between “is” and “ought”; between short-term power plays and long-term security; between the habits of immediate gratification and the prospering of future generations; between the cult of individualism and the urgencies of common interest; between the drum beat of national tribalism and the bugle call of global peril; between native instinct and hard-earned knowledge

If it is a happy answer you want to the question as to which will prevail, it is probably best not to ask a historian. For history’s findings are more often than not tragic, and its boneyard littered with the remains of high-minded internationalist projects.

The appeals of idealists fill whole-page declarations in earnest broadsheets and win funds from far-sighted philanthropic foundations. But the plans and the planners are demonised by the tribunes of gut instinct as suspiciously alien, hatched by cosmopolitan elites: the work of foreign bodies.

the intellectual right effectively dismissed the book

Here is David Brooks, echoing the conservative consensus in 2006:

As any number of historians, sociologists and pollsters can tell you, the evangelical Protestants who now exercise a major influence on the Republican Party are an infinitely diverse and contradictory group, and their relationship to these hyperpartisans is extremely ambivalent.

The idea that members of the religious right form an “infinitely diverse and contradictory group” and were in no way “hyperpartisan” is now clearly absurd. Christianism, in fact, turned out to be the central pillar of Trump’s success, with white evangelicals giving unprecedented and near-universal support — 84 percent — to a shameless, disgusting pagan, because and only because he swore to smite their enemies.

The fusion of Trump and Christianism is an unveiling of a sort — proof of principle that, in its core, Christianism is not religious but political, a reactionary cult susceptible to authoritarian preacher

Christianism is to the American right what critical theory is to the American left: a reductionist, totalizing creed that “others” half the country, and deeply misreads the genius of the American project.

Christianism starts, as critical theory does, by attacking the core of the Founding: in particular, its Enlightenment defense of universal reason, and its revolutionary removal of religion from the state.

Mike Johnson’s guru, pseudo-historian David Barton, claims that the Founders were just like evangelicals today, and intended the government at all levels to enforce “Christian values” — primarily, it seems, with respect to the private lives of others. As Pete Wehner notes, “If you listen to Johnson speak on the ‘so-called separation of Church and state’ and claim that ‘the Founders wanted to protect the church from an encroaching state, not the other way around,’ you will hear echoes of Barton.”

Christianism is a way to think about politics without actually thinking. Johnson expressed this beautifully last week: “I am a Bible-believing Christian. Someone asked me today in the media, they said, ‘It’s curious, people are curious: What does Mike Johnson think about any issue under the sun?’ I said, ‘Well, go pick up a Bible off your shelf and read it. That’s my worldview.

this tells us nothing, of course. The Bible demands interpretation in almost every sentence and almost every word; it contains universes of moral thought and thesauri of ambiguous words in a different ancient language; it has no clear blueprint for contemporary American politics, period

Yet Johnson uses it as an absolute authority to back up any policy he might support

The submission to (male) authority is often integral to fundamentalism

Trump was an authority figure, period. He was a patriarch. He was the patriarch of their tribe. And he was in power, which meant that God put him there. After which nothing needs to be said. So of course if the patriarch says the election is rigged, you believe him.

And of course you do what you can to make sure that God’s will be done — by attempting to overturn the election results if necessary.

Christianism is a just-so story, with no deep moral conflicts. Material wealth does not pose a moral challenge, for example, as it has done for Christians for millennia. For Christianists, it’s merely proof that God has blessed you and you deserve it.

“I believe that scripture, the Bible is very clear: that God is the one that raises up those in authority. And I believe that God has ordained and allowed each one of us to be brought here for this specific moment.” That means that Trump was blessed by God, and not just by the Electoral College in 2016. And because he was blessed by God, it was impossible that Biden beat him fairly in 2020.

More than three-quarters of those representing the most evangelical districts are election deniers, compared to just half of those in the remaining districts. Fully three-quarters of the deniers in the caucus hail from evangelical districts.

since the Tea Party, the turnover in primary challenges in these evangelical districts has been historic — a RINO-shredding machine. No wonder there were crosses being carried on Capitol Hill on January 6, 2021. The insurrectionists were merely following God’s will. And Trump’s legal team was filled with the faithful.

Tom Edsall shows the skew that has turned American politics into something of a religious war: “When House districts are ranked by the percentage of voters who are white evangelicals, the top quintile is represented by 81 Republicans and 6 Democrats and the second quintile by 68 Republicans and 19 Democrats.”

the overwhelming majority of the Republican House Caucus (70%) represents the Most Evangelical districts (top two quintiles). Thus, we can see that a group that represents less than 15% of the US population commands 70% of the districts comprising the majority party in the House of Representatives.

And almost all those districts are safe as houses. When you add Christianism to gerrymandering, you get a caucus that has no incentive to do anything but perform for the cable shows.

This is not a caucus interested in actually doing anything.

I don’t know how we best break the grip of the fundamentalist psyche on the right. It’s a deep human tendency — to give over control to a patriarch or a holy book rather than engage in the difficult process of democratic interaction with others, compromise, and common ground.

he phenomenon has been given new life by a charismatic con-man in Donald Trump, preternaturally able to corral the cultural fears and anxieties of those with brittle, politicized faith.

What I do know is that, unchecked, this kind of fundamentalism is a recipe not for civil peace but for civil conflict

It’s a mindset, a worldview, as deep in the human psyche as the racial tribalism now endemic on the left. It controls one of our two major parties. And in so far as it has assigned all decisions to one man, Donald Trump, it is capable of supporting the overturning of an election — or anything else, for that matter, that the patriarch wants. Johnson is a reminder of that.

If OnlyFans’s creator earnings were taken as a whole, the company would rank around No. 90 on Forbes’s list of the biggest private companies in America by revenue, ahead of Twitter (now called X), Neiman Marcus Group, New Balance, Hard Rock International and Hallmark Cards.

Many creators now operate like independent media companies, with support staffs, growth strategies and promotional budgets, and work to apply the cold quantification and data analytics of online marketing to the creation of a fantasy life.

The subscription site has often been laughed off as a tabloid punchline, a bawdy corner of the internet where young, underpaid women (teachers, nurses, cops) sell nude photos, get found out and lose their jobs.

pressures to perform for a global audience; an internet that never forgets. “There is simply no room for naivety,” one said in a guide posted to Reddit’s r/CreatorsAdvice.

America’s social media giants for years have held up online virality as the ultimate goal, doling out measurements of followers, reactions and hearts with an unspoken promise: that internet love can translate into sponsorships and endorsement deals

But OnlyFans represents the creator economy at its most blatantly transactional — a place where viewers pay upfront for creators’ labor, and intimacy is just another unit of content to monetize.

The fast ascent of OnlyFans further spotlights how the internet has helped foster a new style of modern gig work that creators see as safe, remote and self-directed,

Creators’ nonchalance about the digital sex trade has fueled a broader debate about whether the site’s promotion of feminist autonomy is a facade: just a new class of techno-capitalism, selling the same patriarchal dream.

But OnlyFans increasingly has become the model for how a new generation of online creators gets paid. Influencers popular on mainstream sites use it to capitalize on the audiences they’ve spent years building. And OnlyFans creators have turned going viral on the big social networks into a marketing strategy, using Facebook, Twitter and TikTok as sales funnels for getting new viewers to subscribe.

many creators, she added, still find it uniquely alluring — a rational choice in an often-irrational environment for gender, work and power. “Why would I spend my day doing dirty, degrading, minimum-wage labor when I can do something that brings more money in and that I have a lot more control over?”

it is targeting major “growth regions” in Latin America, Europe and Australia. (The Mexican diver Diego Balleza said he is using his $15-a-month account to save up for next year’s Paris Olympics.)

“Does an accountant always enjoy their work? No. All work has pleasure and pain, and a lot of it is boring and annoying. Does that mean they’re being exploited?”

Adams’s operation is registered in state business records as a limited liability company and offers quarterly employee performance reviews and catered lunch. It also runs with factory-like efficiency, thanks largely to a system designed in-house to track millions of data points on customers and content and ensure every video is rigorously planned and optimized.

Since sending her first photo in 2021, Adams’s OnlyFans accounts have earned $16.5 million in sales, more than 1.4 million fans and more than 11 million “likes.” She now makes about $30,000 a day — more than most American small businesses — from subscriptions, video sales, messages and tips, half of which is pure profit

Adams’s team sees its business as one of harmless, destigmatized gratification, in which both sides get what they want. The buyers are swiped over in dating apps, widowed, divorced or bored, eager to pay for the illusion of intimacy with an otherwise unattainable match. And the sellers see themselves as not all that different from the influencers they watched growing up on YouTube, charging for parts of their lives they’d otherwise share for free.

“This is normal for my generation, you know?

“I can go on TikTok right now and see ten girls wearing the bare minimum of clothing just to get people to join their page. Why not go the extra step to make money off it?”

the job can be financially precarious and mentally taxing, demanding not just the technical labor of recording, editing, managing and marketing but also the physical and emotional labor of adopting a persona to keep clients feeling special and eager to spend.

enix International Limited, is based, the company said its sales grew from $238 million in 2019 to more than $5.5 billion last year.

Its international army of creators has also grown from 348,000 in 2019 to more than 3 million today — a tenfold increase.

The company paid its owner, the Ukrainian American venture capitalist Leonid Radvinsky, $338 million in dividends last year.)

portion of its creator base and 70 percent of its annual revenue

When Tim Stokely, a London-based operator of live-cam sex sites, founded OnlyFans with his brother in 2016, he framed it as a simple way to monetize the creators who were becoming the world’s new celebrities — the same online influencers, just with a payment button. In 2019, Stokely told Wired magazine that his site was like “a bolt-on to your existing social media,” in the same way “Uber is a bolt-on to your car.”

Before OnlyFans, pornography on the internet had been largely a top-down enterprise, with agents, producers, studios and other middlemen hoarding the profits of performers’ work. OnlyFans democratized that business model, letting the workers run the show: recording their own content, deciding their prices, selling it however they’d like and reaping the full reward.

The platform bans real-world prostitution, as well as extreme or illegal content, and requires everyone who shows up on camera to verify they’re 18 or older by sending in a video selfie showing them holding a government-issued ID.

OnlyFans operates as a neutral marketplace, with no ads, trending topics or recommendation algorithms, placing few limitations on what creators can sell but also making it necessary for them to market themselves or fade away.

After sending other creators’ agents their money over PayPal, Adams’s ad workers send suggestions over the messaging app Telegram on how Bryce should be marketed, depending on the clientele. OnlyFans models whose fans tend to prefer the “girlfriend experience,” for instance, are told to talk up her authenticity: “Bryce is a real, fit girl who wants to get to know you

Like most platforms, OnlyFans suffers from a problem of incredible pay inequality, with the bulk of the profits concentrated in the bank accounts of the lucky few.

the top 1 percent of accounts made 33 percent of the money, and that most accounts took home less than $145 a month

Watching their partner have sex with someone else sometimes sparked what they called “classic little jealousy issues,” which Adams said they resolved with “more communication, more growing up.” The money was just too good. And over time, they adopted a self-affirming ideology that framed everything as just business. Things that were tough to do but got easier with practice, like shooting a sex scene, they called, in gym terms, “reps.” Things one may not want to do at first, but require some mental work to approach, became “self-limiting beliefs.”

They started hiring workers through friends and family, and what was once just Adams became a team effort, in which everyone was expected to workshop caption and video ideas. The group evaluated content under what Brian, who is 31, called a “triangulation method” that factored their comfort level with a piece of content alongside its engagement potential and “brand match.” Bryce the person gave way to Bryce the brand, a commercialized persona drafted by committee and refined for maximum marketability.

One of the operation’s most subtly critical components is a piece of software known as “the Tool,” which they developed and maintain in-house. The Tool scrapes and compiles every “like” and view on all of Adams’s social network accounts, every OnlyFans “fan action” and transaction, and every text, sext and chat message — more than 20 million lines of text so far.

It houses reams of customer data and a library of preset messages that Adams and her chatters can send to fans, helping to automate their reactions and flirtations — “an 80 percent template for a personalized response,” she said.

And it’s linked to a searchable database, in which hundreds of sex scenes are described in detail — by price, total sales, participants and general theme — and given a unique “stock keeping unit,” or SKU, much like the scannable codes on a grocery store shelf. If a fan says they like a certain sexual scenario, a team member can instantly surface any relevant scenes for an easy upsell. “Classic inventory chain,” Adams said.

The systemized database is especially handy for the young women of Adams’s chat team, known as the “girlfriends,” who work at a bench of laptops in the gym’s upper loft. The Tool helped “supercharge her messaging, which ended up, like, 3X-ing her output,” Brian said, meaning it tripled.

Keeping men talking is especially important because the chat window is where Adams’s team sends out their mass-message sales promotions, and the girlfriends never really know what to expect. One girlfriend said she’s had as many as four different sexting sessions going at once.

Adams employs a small team that helps her pay other OnlyFans creators to give away codes fans can use for free short-term trials. The team tracks redemption rates and promotional effectiveness in a voluminous spreadsheet, looking for guys who double up on discount codes, known as “stackers,” as well as bad bets and outright fraud.

Many OnlyFans creators don’t offer anything explicit, and the site has pushed to spotlight its stable of chefs, comedians and mountain bikers on a streaming channel, OFTV. But erotic content on the platform is inescapable; even some outwardly conventional creators shed their clothes behind the paywall

Creators with a more hardcore fan base, meanwhile, are told to cut to the chase: “300+ sex tapes & counting”; “Bryce doesn’t say no, she’s the most wild, authentic girl you will ever find.”

The $18 an hour she makes on the ad team, however, is increasingly dwarfed by the money Leigh makes from her personal OnlyFans account, where she sells sex scenes with her boyfriend for $10 a month. Leigh made $92,000 in gross sales in July, thanks largely to revenue from new fans who found her through Adams or the bikini videos Leigh posts to her 170,000-follower TikTok account

“This is a real job. You dedicate your time to it every single day. You’re always learning, you’re always doing new things,” she said. “I’d never thought I’d be good at business, but learning all these business tactics really empowers you. I have my own LLC; I don’t know any other 20-year-old right now that has their own LLC.”

The team is meeting all traffic goals, per their internal dashboard, which showed that through the day on a recent Thursday they’d gained 2,221,835 video plays, 19,707 landing-page clicks, 6,372 new OnlyFans subscribers and 9,024 new social-network followers. And to keep in shape, Adams and her boyfriend are abiding by a rigorous daily diet and workout plan

They eat the same Chick-fil-A salad at every lunch, track every calorie and pay a gym assistant to record data on every rep and weight of their exercise.

But the OnlyFans business is competitive, and it does not always feel to the couple like they’ve done enough. Their new personal challenge, they said, is to go viral on the other platforms as often as possible, largely through jokey TikTok clips and bikini videos that don’t give away too much.

the host told creators this sales-funnel technique was key to helping build the “cult of you”: “Someone’s fascination will become infatuation, which will make you a lot of money.”

Adams’s company has worked to reverse engineer the often-inscrutable art of virality, and Brian now estimates Adams makes about $5,000 in revenue for every million short-form video views she gets on TikTok.

Her team has begun ranking each platform by the amount of money they expect they can get from each viewer there, a metric they call “fan lifetime value.” (Subscribers who click through to her from Facebook tend to spend the most, the data show. Facebook declined to comment.)

The younger workers said they see the couple as mentors, and the two are constantly reminding them that the job of a creator is not a “lottery ticket” and requires a persistent grind. Whenever one complains about their lack of engagement, Brian said he responds, “When’s the last time you posted 60 different videos, 60 days in a row, on your Instagram Reels?”

But some have taken to it quite naturally. Rayna Rose, 19, was working last year at a hair salon, sweeping floors for $12 an hour, when an old high school classmate who worked with Adams asked whether she wanted to try OnlyFans and make $500 a video.

Rose started making videos and working as a chatter for $18 an hour but recently renegotiated her contract with Adams to focus more on her personal OnlyFans account, where she has nearly 30,000 fans, many of whom pay $10 a month.

One recent evening this summer, Adams was in the farm’s gym when her boyfriend told her he was headed to their guest room to record a collab with Rose, who was wearing a blue bikini top and braided pigtails.

“Go have fun,” Adams told them as they walked away. “Make good content.” The 15-minute video has so far sold more than 1,400 copies and accounted for more than $30,000 in sales.

Rose said she has lost friends due to her “lifestyle,” with one messaging her recently, “Can you imagine how successful you would be if you studied regularly and spent your time wisely?”

The message stung but, in Rose’s eyes, they didn’t understand her at all. She feels, for the first time, like she has a sense of purpose: She wants to be a full-time influencer. She expects to clear $200,000 in earnings this year and is now planning to move out of her parents’ house.

“I had no idea what I wanted to do with my life. And now I know,” she said. “I want to be big. I want to be, like, mainstream.”

The largest of those priorities was his intense focus on growing OpenAI, which he saw as his life’s mission, one person said.

A separate concern, unrelated to his initial firing, was that Altman personally invested in start-ups he discovered through the incubator using a fund he created with his brother Jack — a kind of double-dipping for personal enrichment that was practiced by other founders and later limited by the organization.

“It was the school of loose management that is all about prioritizing what’s in it for me,” said one of the people.

a person familiar with the board’s proceedings said the group’s vote was rooted in worries he was trying to avoid any checks on his power at the company — a trait evidenced by his unwillingness to entertain any board makeup that wasn’t heavily skewed in his favor.

Graham had surprised the tech world in 2014 by tapping Altman, then in his 20s, to lead the vaunted Silicon Valley incubator. Five years later, he flew across the Atlantic with concerns that the company’s president put his own interests ahead of the organization — worries that would be echoed by OpenAI’s board

The same qualities have made Altman an unparalleled fundraiser, a consummate negotiator, a powerful leader and an unwanted enemy, winning him champions in former Google Chairman Eric Schmidt and Airbnb CEO Brian Chesky.

“Ninety plus percent of the employees of OpenAI are saying they would be willing to move to Microsoft because they feel Sam’s been mistreated by a rogue board of directors,” said Ron Conway, a prominent venture capitalist who became friendly with Altman shortly after he founded Loopt, a location-based social networking start-up, in 2005. “I’ve never seen this kind of loyalty anywhere.”

But Altman’s personal traits — in particular, the perception that he was too opportunistic even for the go-getter culture of Silicon Valley — has at times led him to alienate even some of his closest allies, say six people familiar with his time in the tech world.

Altman’s career arc speaks to the culture of Silicon Valley, where cults of personality and personal networks often take the place of stronger management guardrails — from Sam Bankman-Fried’s FTX to Elon Musk’s Twitter

But some of Altman’s former colleagues recount issues that go beyond a founder angling for power. One person who has worked closely with Altman described a pattern of consistent and subtle manipulation that sows division between individuals.

AI executives, start-up founders and powerful venture capitalists had become aligned in recent months, concerned that Altman’s negotiations with regulators were dangerous to the advancement of the field. Although Microsoft, which owns a 49 percent stake in OpenAI, has long urged regulators to implement guardrails, investors have fixated on Altman, who has captivated legislators and embraced his regular summons to Capitol Hill.

“These are technologies that are supposed to be so democratized and universal, but they’re so heavily influenced by one person,”

“Everything they do is [framed as] a step toward much larger greatness and the transformation of society. But these are just cults of personality. They sell a product.”

during

“These are private-sector people making money off something that serves a public function. And when they take a turn because of very personal, very individual decisions, where a handful of people are shaping the trajectory of these companies, maybe even the existence of these companies, that’s something new we all have to deal with.”

where the other firms sold phones and search engines, Musk and Altman championed their work as a public mission for protecting mankind, with a for-profit business attached. It is notable that as private companies, they don’t have to report to federal regulators or to shareholders, who can vote down proposals or push back against their work.

The corporate storytelling that pushes technology as a force for public harmony has proved to be one of Silicon Valley’s great marketing tools, said Margaret O’Mara, a professor at the University of Washington who studies the history of technology. But it’s also obscured the dangers of centralizing power and subjecting it to leaders’ personal whim

“Silicon Valley has for years adopted this messaging and mood that it’s all about radical transparency and openness — remember Google’s ‘Don’t be evil’ motto? — and this idea of a kinder, gentle capitalism that’s going to change the world for the better,” she said.

“Then you have these moments of reckoning and remember: It’s capitalism. Some tech billionaires lost, and some other ones are winning,”

Jeff Hauser, the head of the left-leaning advocacy group Revolving Door Project, said in a statement Wednesday that Summers’s role on the board was a sign OpenAI was “unserious” about its oversight, and that it “should accelerate concerns that AI will be bad for all but the richest and most opportunistic amongst us.”

Ro Khanna, who represents parts of Silicon Valley, said in an interview that the OpenAI turmoil underscores concerns that “a few people, no matter how talented, no matter how knowledgeable, can’t be making the rules for a society on a technology that is going to have such profound consequences.”

“We’ve seen a parade of these big tech leaders come to D.C.,” Khanna said. “I think highly of them, but they’re not the ones who should be leading the conversation on the regulatory framework, what safeguards we need.”

Musk on Tuesday posted a message, under a picture of him holding a katana, saying, “There is a large graveyard filled with my enemies. I do not wish to add to it, but will if given no choice.”

Riding the waves of mutability has always been possible if the frame of mind in government and society is adequately supple and responsive. Reliance on ancient nostrums, and expectations that old solutions will remain good enough, are almost inevitably fatal.

Civilisations that become dependent on large, widespread and complex supply networks and reciprocal markets usually generate their own fragilities. If one part of such a network fails, the effects cascade in a series of chain reactions through all apparently powerful participants in the system

The end of the Bronze Age c.1200 BC, perhaps triggered by drought in Anatolia, may have precipitated one such domino collapse, as the Hittite empire, the Mycenaeans, the Mesopotamian states and Pharaonic Egypt all either fell apart or shrank to an unrecognisable impotence.

Volcanoes are the unexpected killers. Their spewing of ash into an atmosphere whose winds distribute it around the globe has repeatedly destroyed summers, devastated crops, induced famines and collapsed societies

In his hands, the triumph of the West, with the unconscionable horrors of the Atlantic slave trade at its heart, takes on the appearance of an alarming fusion of Faust and Midas. For centuries, Europeans felt they could do no wrong. They could use the world, its people and beauties. They could transform it as they wished, shifting its plants, animals and populations where they wanted, and there would be no consequences. Or at least, as in those two myths of the cult of ‘entitlement’ – a word Frankopan repeatedly uses of the transforming empires – the consequences were hidden from the perpetrators.

His story of destruction over the past two centuries is one of arrogant myopia which led in the 20th century to ‘a sequence of catastrophes unparalleled both in human history and in that of the natural world. The suffering of the past 100 years has been by far the greatest in recorded history in terms of its scale and its horror’.

The assumption that man must conquer nature was allied to the capital and industrialised capacity to bring it about. Humanity became its own climate. Its own actions created the world in which it lived

The value of this book is as an act of deep understanding, recognising not only scientifically but culturally and philosophically that we are epiphenomena – not dominators of the Earth but products of it

Bleakly and soberingly, Frankopan recognises from the long line of precedents that the prospects are for a world of war and suffering. The destructive changes are already ‘baked in’. Success does not breed success, he says, but more often than not ‘sows the seeds of ruin’.

Thus began the coddling of the populist mind

Disagreement on the right quickly came to be seen as synonymous with disrespect. If “we the people” (the term Trump partisans apply to what they call the “real America”) believe something, then the people deserve to have that view reflected right back to them by their politicians and pundits.

Repeatedly, Fox leaders and personalities who did not seem to believe the 2020 election was stolen referred to the need to “respect” their audience by telling them otherwise. For these Fox staffers, respecting the audience didn’t mean relaying the truth (a true act of respect). Instead, it meant feeding viewers’ insatiable hunger for confirmation of their conspiracy theories.

Politicians are always tempted to pander, but rarely do you see such a complete abdication of anything approaching true moral or political leadership as what transpired at the Waco rally

It’s common to critique the Trumpist movement as a Donald Trump cult, but that’s not quite right anymore. He’s still immensely influential, but do true cultists boo their leader when he deviates from the approved script? Yet that’s what happened in December 2021, when parts of a Dallas rally crowd booed Trump when he said he’d received a Covid vaccine booster. And does anyone think that Trump is a QAnon aficionado? Yet in 2022 he boosted explicit Q content on Truth Social, his social media platform of choice.

There may have been a time when Trump truly commanded his movement. That time is past. His movement now commands him. Fed by conspiracies, it is hungry for confrontation, and rallies like Waco demonstrate its dominance

guided by a fascination with the wayward paths to fame, he half-unwittingly sows doubt about the justice of the American rise to artistic leadership in the postwar era. In his erudite account, artistic success owes little to vision and purpose, more to self-promotion, but most to unanticipated adoption by bigger systems with other aims, principally oriented toward money, political advantage, or commercial churn

For the greatness and inevitability of artistic consecration, Menand substitutes the arbitrary confluences of forces at any given moment.

The curriculum runs chapter by chapter through George Kennan, George Orwell, Jean-Paul Sartre, Hannah Arendt, Jackson Pollock, Lionel Trilling, Allen Ginsberg, Claude Lévi-Strauss, Robert Rauschenberg and John Cage, Elvis and the Beatles, Isaiah Berlin, James Baldwin, Jack Kerouac, Andy Warhol, Susan Sontag, and Pauline Kael. Each biography opens a door to a school or trend of work

Menand’s is not a “great man” view of history, because no one seems particularly great. One gets a feeling for Sartre as a person, a limited knowledge of how Sartre made Being and Nothingness, and a vivid sense of how the book made Sartre a celebrity. Then one learns how a troupe of others came along and rode his success like a sled.

Menand zooms in and out between individual egomaniacs and the milieus that facilitated their ascent and profited from their publicity.

group biographies, in miniature, of the existentialists, the Beats, the action painters, the Black Mountain School, the British Invasion, the pop artists, and many coteries more—are enchanting singly but demoralizing as they pile up

All of these enterprises look like hives of social insects, not selfless quests for truth or beauty. Menand is a world-class entomologist: He can name every indistinguishable drone, knows who had an oversize mandible, who lost a leg, who carried the best crumbs.

From this vantage, the monuments really are just anthills.

Menand is truly one of the great explainers. He quotes approvingly a lesson taken by Lionel Trilling from his editor Elliot Cohen: “No idea was so difficult and complex but that it could be expressed in a way that would make it understood by anyone to whom it might conceivably be of interest.”

The underlying theory of the book rests on a picture of what makes for “cultural winners,” works and ideas that Menand defines as

He is accurate, he is insightful, and he is not a dumber-downer

Menand’s account of each is an abbreviated tour de force. His explanations work at all levels: interpretation for scholars, review for general readers, introductions for neophytes. Where another writer would take 20 pages to tell us why someone or something mattered historically, Menand does it in two.

goods or styles that maintain market share through “generational” taste shifts—that is, through all the “the king is dead; long live the king” moments that mark the phases of cultural history for people living through it.

Menand’s recountings are less concerned with the changing meanings of individual works than with their successive adoptions and co-optations, in defiance of depth and meaning. It is a process of “winning” often based on cults of personality, indifference to complex origins, and the fortune or misfortune of timing

Menand is notably excellent on how commercial, regulatory, and technological changes determined which kinds of artwork made it to the public. His analysis helps demystify trends in commercial forms like film and pop music, especially when they otherwise seemed to run against the grain of pure profit

Often Menand’s point seems to be that the culture’s reigning talkers and salespeople and debaters need to conjure figures to venerate and attack (in ceaseless alternation) for short-range purposes of attention and competition. Any given work—1984, say, or Bonnie and Clyde—isn’t much of anything until it becomes a counter in other people’s games.

The central question of this period in culture might be whether U.S. artists lived up to expectations

In 1945, Europe was in ruins. America was rich and productive and dictated the terms of the postwar economic and political order. Certainly the U.S. had the power to pretend to cultural glory, too. But was it a pretense, or did Americans really continue and exceed the prewar triumphs of European modernism?

Most histories of the arts after 1945 assume that the greatest American successes deserved their fame.

The thrust of many of Menand’s retellings is that “in the business of cultural exchange, misprision is often the key to transmission.” Fame comes through misreadings, fantasies, unintended resonances, charisma, and publicity.

Menand’s book bequeaths the sense that the last laugh may truly have been on the self-seriousness of a whole historical period, one that treated its most publicized and successful arts figures far too generously, giving them too much credit for depth and vision, while missing the cynical forces by which they’d been buoyed up and marketed

“Foreign film” in America in the ’50s and ’60s—when independent art cinemas emerged, showing imports such as work by Ingmar Bergman and the French New Wave—proves to have been energized by a successful federal-government antitrust action against the monopolistic Hollywood studios

The idea of a “culture industry”

is used unironically by Menand to name the vastly scaled-up production and consumption of all artistic experience. “The culture industries, as they expanded, absorbed and commercialized independent and offbeat culture-makers, and the university, as it expanded, swallowed up the worlds of creative writing and dissident political opinion.”

With his eye on this process, we miss out on artists and thinkers who dug deep and stayed home, who produced as hermits or eccentrics or introverted students of their art

Where did rock ’n’ roll come from?” Menand wonders. He answers that it was “the by-product of a number of unrelated developments in the American music business” that redirected sales to teenagers, and also the result of new radio-station competition, the partial racial desegregation of the music charts, and the arrival of 200-disc jukeboxes

I can imagine The Free World leaving my hypothetical college senior, denizen of the bleak attention economy of the 21st century, feeling liberated to discover that culture was no better—no more committed to a quest for what is true, noble, lasting, and beautiful—in the world of the Baby Boomers and beaming grandparents.

The book is so masterful, and exhibits such brilliant writing and exhaustive research, that I wonder whether Menand could truly have intended where his history of the postwar era landed me. I learned so much, and ended up caring so much les

In “Djadja,” her breakout song from 2018 that has become an anthem of female empowerment, she calls out a man who lies about sleeping with her by singing “I’m not your catin,” using a centuries-old French term for prostitute. It has been streamed about one billion times.

Ms. Nakamura has encountered criticism of her music before in France, where expectations of assimilation are high. Some on the right complain she has become French but shown more interest in her African roots or her American role models.

She responded to her critics on French television in 2019, saying of her music, “In the end, it speaks to everyone.”“You don’t understand,” she added. “But you sing.

The Olympics furor appears unlikely to subside soon. As a commentator on France Inter radio put it: “France has no oil, but we do have debates. In fact, we almost deserve a gold medal for that.”