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“Fifteen years ago,” says Will Burgess, of Practise Music, a management company, “if you wanted to record a song you needed two days in a studio, at £400 a day, plus a sound engineer at £100 a day. That’s the cost of a laptop, on which you can make unlimited amounts of music today.”

These days you don’t need to be able to play a musical instrument to be a musician and you don’t need a studio. All you need is a computer. “I’ve created songs that have gone to No 1 in my daughter’s bedroom downstairs,” says Crispin Hunt, former lead singer of the Longpigs and now a songwriter who has worked with Lana Del Rey, Rod Stewart and Ellie Goulding.

You can sketch out a musical idea on a laptop, you can add instrumentation, you can record your own vocals. If you want to collaborate with others around the world, no problem: when Luke Sital-Singh, a singer-songwriter who works in London, needs drums, he asks a friend with a studio in Lewes to send the files to his computer. He’s working with a guitarist in Santa Fe, to whom he sends a rough version of the song; his collaborator sends him back a guitar track.

Something unexpected happened to me during lockdown: I gained deeper appreciation for my ears. I don’t mean aesthetically, (though I’ve got no problem in that department, believe me), but rather functionally.

he other day I realized that I’ve taken to popping my AirPods Pro in just after I wake up, sometimes at the same time I put in my contact lenses. From there my ears are usually occupado all day, often until I sleep, sometimes even during.

If you’re under 35 or so, my paean to the mind-altering magic of ubiquitous digital audio might sound more than a bit outdated; Farhad, do you also get goose bumps when considering the TV remote?

Anything for a corporate sibling: ABC, which is owned by Disney, has been blowing trumpets for Disney Plus as part of a kingdom-wide advertising offensive — one that Ricky Strauss, president for content and marketing at Disney Plus, has described as “a synergy campaign of a magnitude that is unprecedented in the history of the Walt Disney Company.”

Walt Disney World in Florida has more buses (many of which are being wrapped in Disney Plus ads) than the city of St. Louis. Disney Cruise Line carries more than 12,000 passengers at any given moment, and sneak-peek screenings of the Disney Plus show “High School Musical: The Musical: The Series” are being offered onboard. Disney Store locations, which still number in the hundreds, will host “pep rallies” for the series. Starting on Nov. 12, more than 7,000 of Disney’s retail employees will be wearing lanyards emblazoned with a QR code; shoppers can scan the code with their smartphones and connect directly to a Disney Plus sign-up page.

The streaming company will enter a crowded marketplace. Each passing year sets a record for the number of scripted shows, which will be around 500 this year, and tech giants are aggressively entering the fray, with Apple having earmarked well over $1 billion to create its own original programming for a planned 2019 rollout.

All that content may create overload. John Landgraf, the chief executive of the critically favored cable channel FX, spoke last week of the “narrative exhaustion” experienced by viewers who were inundated with too much to watch.

Writers, producers and directors have been able to please their audiences, he added, but not so much in the area of shorter content.

With more than 2 million Syrians already living outside their war-torn country and 1 million more expected to flee in the coming months, there is a growing protection gap. Indeed, a report (PDF) released in November by Harvard University shows that even Canada, which prides itself on being hospitable to refugees, has been systematically closing its borders to asylum seekers. Without a doubt, development-related aid is an important incentive to host countries, and providing sanctuary for vulnerable populations is just as vital, but what refugees need most is a legal status, which can be achieved only through a regional framework of protection and national asylum policies. The Bangkok Principles are a good start because they highlight the commitment among these states to develop a regional framework and national solutions to protect refugees, with the support of the international community. The U.S. must do its part and encourage the Middle East to build on these principles. Syrians deserve an organized and effective framework, and the risk of turning our backs is that Syrians, along with the Palestinians, will be wandering without a homeland. Galya Benarieh Ruffer is the founding director of the Center for Forced Migration Studies at the Buffett Center for International and Area Studies at Northwestern University and a public voices faculty fellow with the OpEd Project.  The views expressed in this article are the author's own and do not necessarily reflect Al Jazeera America's editorial policy. 180401 Join the Conversation Post a new commentLogin   c

Although the cause of Syrians fleeing their homeland today differs fundamentally from the flight of Palestinians in 1948, one crucial similarity is the harsh reception they are experiencing in neighboring countries. The tragedy of the Syrian refugee crisis is palpable in news stories and in the images of those risking their lives in rickety boats on Europe’s shores. More than one-third of Syria’s population has been displaced, and its effects are rippling across the Middle East. For months, more than 1,500 Syrians (including 250 children) have been detained in Egypt. Hundreds of adults are protesting grotesque conditions there with a hunger strike. Lebanon absorbed the most refugees but now charges toward economic collapse, while Turkey will house 1 million Syrians by the year’s end.

The surge of Syrians arriving in urban centers has brought sectarian violence, economic pressure and social tensions. As a result, these bordering countries, having already spent billions of dollars, are feeling less hospitable and are starting to close their borders to Syrians.

while an end to the content boom may be hard on writers, directors and actors, it could offer viewers some relief.

Netflix and other streaming services sold the U.S. public on convenience and abundance

this came with a cost. Binge-watching and the content boom helped atomize American culture

The Senate on Thursday rejected a bid to impose sanctions on a Russian natural-gas pipeline, as Democrats set themselves against a Republican-led measure endorsed by Ukrainian leaders but opposed by the Biden administration amid fears of a Russian invasion of Ukraine.

The final tally of 55 to 44 fell short of the 60 votes needed for passage,

The bill prompted dueling lobbying campaigns on Capitol Hill, where top Ukrainian officials leaned on senators to back it and Biden administration officials sought to kill it.

around five years ago, executives realized they were “selling nuclear weapons technology” to a powerful rival, as Disney’s chief executive, Robert A. Iger, put it. Studios needed those same beloved movies and shows for the streaming services they were building from scratch, and fueling Netflix’s rise was only hurting them. The content spigots were, in large part, turned off.

Confronting sizable debt burdens and the fact that most streaming services still don’t make money, studios like Disney and Warner Bros. Discovery have begun to soften their do-not-sell-to-Netflix stances. The companies are still holding back their most popular content — movies from the Disney-owned Star Wars and Marvel universes and blockbuster original series like HBO’s “Game of Thrones” aren’t going anywhere — but dozens of other films like “Dune” and “Prometheus” and series like “Young Sheldon” are being sent to the streaming behemoth in return for much-needed cash. And Netflix is once again benefiting.

Even for an under-the-radar artist like Ms. Keating, who describes her style as “avant cello,” the numbers painted a stark picture of what it is like to be a working musician these days. After her songs had been played more than 1.5 million times on Pandora over six months, she earned $1,652.74. On Spotify, 131,000 plays last year netted just $547.71, or an average of 0.42 cent a play. “In certain types of music, like classical or jazz, we are condemning them to poverty if this is going to be the only way people consume music,” Ms. Keating said

Spotify, Pandora and others like them pay fractions of a cent to record companies and publishers each time a song is played, some portion of which goes to performers and songwriters as royalties. Unlike the royalties from a sale, these payments accrue every time a listener clicks on a song, year after year.

“No artist will be able to survive to be professionals except those who have a significant live business, and that’s very few,”

The shows are separated by 40 years of technological advances — a progression from the over-the-air broadcast era in which Mr. Lear made it big, to the cable age of MTV and CNN and HBO, to, finally, the modern era of streaming services like Netflix. Each new technology allowed a leap forward in choice, flexibility and quality; the “Golden Age of TV” offers so much choice that some critics wonder if it’s become overwhelming.

It’s not just TV, either. Across the entertainment business, from music to movies to video games, technology has flooded us with a profusion of cultural choice.

offers a chance to reflect on what we have lost in embracing tech-abetted abundance. Last year’s presidential election and its aftermath were dominated by discussions of echo chambers and polarization; as I’ve argued before, we’re all splitting into our own self-constructed bubbles of reality.

n his first interview since fleeing to Russia, Ukraine's ousted president said Wednesday that he was "wrong" to have invited Russian troops into Crimea and vowed to try to persuade Russia to return the coveted Black Sea peninsula.

Yanukovych denied the allegations of corruption, saying he built his palatial residence outside of Kiev, the Ukrainian capital, with his own money. He also denied responsibility for the sniper deaths of about 80 protesters in Kiev in February, for which he has been charged by Ukraine's interim government.

While Russia can hardly be expected to roll back its annexation, Yanukovych's statement could widen Putin's options in the talks on settling the Ukrainian crisis by creating an impression that Moscow could be open for discussions on Crimea's status in the future.

President Vladimir V. Putin said Monday that he would scrap Russia’s South Stream gas pipeline, a grandiose project that was once intended to establish the country’s dominance in southeastern Europe but instead fell victim to Russia’s increasingly toxic relationship with the West.

Russia had long presented the $22 billion South Stream project as a sound business move. But Washington and Brussels had dismissed it as a thinly veiled attempt by the Kremlin to cement its position as the dominant supplier in Europe while sidestepping Ukraine, where price disputes with Moscow twice interrupted supplies in recent years.

The Ukraine conflict also helped turn Mr. Putin away from the West. He signed a major and long-delayed deal to provide gas to China and began seeking other, non-European markets for his oil and gas. This, too, made the pipeline seem more expendable.

“Some ideas about how to make the world better require careful, nuanced thinking about how best to balance competing interests,” he began. “Others don’t: Billionaires are bad. We should presumptively get rid of billionaires. All of them.”

A billion dollars is wildly more than anyone needs, even accounting for life’s most excessive lavishes. It’s far more than anyone might reasonably claim to deserve, however much he believes he has contributed to society.

At some level of extreme wealth, money inevitably corrupts. On the left and the right, it buys political power, it silences dissent, it serves primarily to perpetuate ever-greater wealth, often unrelated to any reciprocal social good. For Mr. Scocca, that level is self-evidently somewhere around one billion dollars; beyond that, you’re irredeemable.

1 big thing: America's poor health is jeopardizing its future

An analysis published this week by researchers at Columbia University's National Center for Disaster Preparedness found at least 130,000 of America's 212,000 COVID-19 deaths so far would have been avoidable had the U.S. response been in line with that of other wealthy countries.

That failure is even more glaring when you consider that just last year the U.S. was ranked as the country most prepared for a pandemic, according to the Global Health Security Index.

A Senate deal has set the stage for a January vote on whether to sanction the company behind a natural gas pipeline from Russia to Germany, complicating the Biden administration’s efforts to prevent a Russian invasion of Ukraine.

the new year in Congress will begin in part with a contentious debate about the Nord Stream 2 pipeline project, which the Biden administration opposes but has not used all its powers to stop, for fear of damaging vital relations with Germany.

It is a vote the Biden administration hoped to avoid. But in exchange, Mr. Cruz agreed to step aside and allow the confirmation of 36 of Mr. Biden’s State Department and Treasury Department nominees, including 28 ambassadors

At its best, Spotify is an elegant tool—a conduit between artist and art and listener. But at its worst, it’s a bad actor in a worse industry that historically treats artists miserably

Even though the small number of streaming services have access to almost every bit of music that’s ever been recorded, and even though they strike near-monopolistic deals with near-monopolistic major labels, there isn’t quite enough money for anyone to make a good profit on streaming music. Too many middlemen take their share, and there’s a limit to how much people are willing to pay for music now that the internet exists.

The biggest tech companies have other ways to make money: Apple sold music by the song before starting a streaming service but always generated most of its earnings off hardware; Google has a seemingly infinite array of mysterious revenue sources.

In a January 30 interview newly installed Penguin Random House CEO Nihar Malaviya told New York Times reporter Liz Harris that after the deal to acquire Simon & Schuster fell through, he envisions a new strategy for increasing market share. “Much of its growth will have to come organically—by selling more books. Mr. Malaviya said that, hopefully, A.I. will help, making it easier to publish more titles without hiring ever more employees.”

It’s about the very American and capitalist idea that more is always better: that constantly churning out new products will help companies achieve year over year growth which, of course, is the paramount goal

heir authors increasingly wonder if they should reach inside their own wallets and hire outside help, not because the people working on their books are too lazy to do their jobs, but because freelance publicists and marketers are more likely to have the bandwidth to be thorough.

Much has been written about the effects of the Internet on our minds and culture, including Nicholas Carr’s “The Shallows: What the Internet Is Doing to Our Brains.” Not only are we forging new neural pathways in the brain, but we’re also losing the capacity to absorb and retain complex information.

Computers and the Internet may make us smarter in some ways, as neuroscience finds, but baby boomers who grew up with three channels and rabbit ears are the last generation to have been formed primarily by books requiring lengthy, focused attention, as well as the experiential learning that comes from engaging one’s imagination rather than navigating someone else’s often-bizarre, interactive digital fictions.

A new book by General Sir Richard Shirreff, NATO's deputy supreme allied commander for Europe between 2011 and 2014, evokes a potential scenario that leads to a devastating future war with Russia.

In his account, Russia rapidly expands its war aims by invading the Baltic States, which are NATO members, and world war ensues.

The latter, written at the height of the Cold War, was conceived as a "future history," supposedly looking back at the outbreak and subsequent unfolding of a full-blown NATO vs Warsaw Pact war.

There are no secrets online. That emotional e-mail you sent to your ex, the illness you searched for in a fit of hypochondria, those hours spent watching kitten videos (you can take that as a euphemism if the kitten fits) — can all be gathered to create a defining profile of you.

Your information can then be stored, analyzed, indexed and sold as a commodity to data brokers who in turn might sell it to advertisers, employers, health insurers or credit rating agencies.

you can take steps to do the technological equivalent of throwing on a pair of boxers and a T-shirt. Some of these measures are quite easy and many are free.