Percival Everett Can't Say What His Novels Mean | The New Yorker - 0 views
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The more I read Everett’s work, the more my thoughts turned to jazz. “It is the player who, by improvising, makes jazz,” Bernstein said. “He uses the popular song as a kind of dummy to hang his notes on. He dresses it up in his own way and it comes out an original.”
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A jazz player may reference sheet music, but the resulting performance—animated by intuition and impulse—exceeds the descriptive capacities of the language it draws from.
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James Baldwin compared it to the talking drum, used to convey messages across distances that the human voice can’t travel: “It is a music which creates, as what we call History cannot sum up the courage to do, the response to that absolutely universal question: Who am I? What am I doing here?”
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