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" A small insight into the pressure Esienhower was under in the final days prior to the landing might best be summarised by the contents of a second shorter speech that Eisenhower had written in advance, should the landings have failed. Long after the successful landings on D-Day and the BBC broadcast of Eisenhower's brief speech concerning them, this never-used second speech was found in a shirt pocket by an aide. It read: 'Our landings in the Cherbourg-Havre area have failed to gain a satisfactory foothold and I have withdrawn the troops. My decision to attack at this time and place was based on the best information available. The troops, the air and the Navy did all that bravery and devotion to duty could do. If any blame or fault attaches to the attempt, it is mine alone.'"

"Next Vista for Learning and CUE are sponsoring a video contest asking students to create short videos creatively explaining any concept one might encounter in elementary, middle, or high school. In 60 seconds or less, your video should help a student understand some concept encountered in school: covalent bonds, adding fractions, haiku poetry, the Magna Carta, the difference between por and para in Spanish, or anything else for which you have a clever insight."

"Tech Forum New York: Insight and Innovation for Technology Leaders Friday October 22, 2010 Westchester Marriott 670 White Plains Rd. Tarrytown, NY 10591"

"Simplicity Can Seem Complex Memorable pictures are made using time-tested techniques, methods -- and, yes, even tricks. To help photographers of all stripes up their game, LIFE.com is launching a series of "lessons" on photography, focusing on elemental aspects of picture-taking. One of those aspects, of course, is the critical consideration of lighting. LIFE.com asked professional photographer Tyler Stalman to offer insights on effective lighting, use of shadows, shooting at night, etc. Of this stunning Andreas Feininger picture of a young Dennis Stock (a formidable photographer in his own right) holding camera in front of his face, Stalman says, "The main lesson here is that a smart, accomplished photographer can manipulate light and shadow so the viewer is not immediately aware of what's going on -- while knowing that the image itself is somehow powerful. I admit, I went for years without realizing that it was simply lighting at work in this picture, creating an amazing 'shape' within the image, rather than the subject wearing gloves, or a sort of cowl on his head. So sometimes a really simple technique -- like this tight circle of bright light on a face -- really goes a long way.""

"Find Natural Frames Memorable pictures are made using time-tested techniques, methods -- and, yes, even tricks. To help photographers of all stripes up their game, LIFE.com is launching a series of "lessons" on photography, focusing on elemental aspects of picture-taking. One of those aspects, for instance, is composition, or how a picture is framed, and how that frame is filled. LIFE.com asked professional photographer Tyler Stalman to offer insights on effective composition. "I love this photograph," Stalman says of Ralph Morse's shot taken on a naval ship in 1942 for LIFE. "Keep an eye out for natural frames for your subjects. Here, even if the doorway or hatch had not been there, it would have been a nice photo. But the framing adds an extra level of drama: You get a kind of voyeuristic look through the door, which is heightened because the guy is not looking at the camera, as if he's unaware of it.""

"Look for New Environments, Mix People Up Memorable pictures are made using time-tested techniques, methods -- and, yes, even tricks. To help photographers of all stripes up their game, LIFE.com is launching a series of "lessons" on photography, focusing on elemental aspects of picture-taking. Among those: portraiture, or how to take pictures of people that really feel alive. LIFE.com asked professional photographer Tyler Stalman to offer insights on taking great portraits. Of this classic LIFE photograph by John Loengard of the Beatles in a pool in Miami, Stalman says: "Most people, when taking group shots, want to line everybody up -- even putting them in rows -- but when you have a bunch of people it's great to put them in a new or unexpected environment. Like this Loengard photo: you get all this extra depth in the picture, and there's so much going on at once. Don't be afraid to shuffle people around when you're doing a group shot.""

Use this guide for lesson plans and insight into how to teach students to avoid plagiarism in Web research and to find resources for understanding and detecting plagiarism.