Starting in the late 1970s (with discontent surrounding the increasing oppulence of the Duvalier dictatorship), youth from Port-au-Prince (and to a lesser extent Cape Haitien and other urban areas) began experimenting with new types of life. Francois Duvalier's appropriation of Vodou images as a terror technique, the increase in US assembly and large-scale export agriculture, the popularity of disco, and Jean-Claude Duvalier's appreciation of konpa and chanson francaise disillusioned many youthand love.