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Successful Professional Web Design, Redesign Your Web - 0 views

professionalwebdesigns.blog.com/...l-web-design-redesign-your-web Professional Web Design will mock up a rough draft before even going near website template or software programme. This saves time and money.
shared by Redesign Unit on 23 Jul 10 - Cached
  • Redesign Unit on 23 Jul 10
     
    Professional Web Design will mock up a rough draft before even going near a website template or software programme. This saves time and money.
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Samsung Galaxy s Vibrant Sgh-T959 with Vibrant Specs for Android - 0 views

ferozi313.com/sgh-t959-vibrant-specs-android samsung galaxy specs android
shared by sania batool on 11 May 14 - No Cached
  • sania batool on 11 May 14
     
    Samsung Galaxy s Vibrant is a luminous in all light, has new and clear shade, and is rough and impermeable to scratch. I've never seen a appearance look so great on a handy stage unless it was a smart phone with a Wsxga something you'd pay over $1000 for.
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High Resolution Textures Set 1 - by ArtWave Design | Design Marketing Advertising Free ... - 0 views

www.designmarketingadvertising.com/...high-resolution-textures-set-1 high resolution textures textures design marketing advertising artwave design backgrounds wallpaper
shared by Aline Ohannessian on 08 Aug 09 - Cached
  • Aline Ohannessian on 08 Aug 09
     
    High Resolution Textures Set 1 consists of 6 rough surface textures: Grey Wood, Chalkboard, Tire, Rustic Wood, Dusty Wood & Wood Scrubs. They are free for
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A design process revealed | stopdesign - 1 views

stopdesign.com/...design-process.html NED12 design process webdesign css
shared by Vernon Fowler on 09 Sep 12 - Cached
  • I began by studying the content (text) of the existing page, making a model in my head of the document flow and hierarchy. I aggregated the sections of the page into logical groupings and assigned each a priority. I also spent time thinking about the purpose of the project, along with the ideas and concepts Dave Shea was trying to communicate when he created the Garden space and opened it up for other designers to contribute.
  • Showing off advanced CSS trickery is not the goal of this project. Instead, it attempts to demonstrate the beauty and flexibility achievable when designers grasp all the potential of CSS, using it as a tool to create a well-designed aesthetically-pleasing page which remains accessible, well-structured, and efficiently coded.
  • My Garden lists contained groupings of words and thoughts related to gardening, plants and flowers found in a garden, zen-like qualities, beauty and beautiful things, and characteristics of page design. I also created lists of all the elements, IDs, and classes used in Dave’s HTML, some of which made subtle appearances in the final design.
  • ...11 more annotations...
  • Once I exhausted the idea branching, I started drawing thumbnail sketches
  • Once I had a few rough compositions I liked, I began studying typefaces and letterforms.
  • In addition to my affinity for the letterforms, the pronounced medieval style of the headline type created a perfect contrast with the sans-serif modernity of supporting keywords and titles which I set in Helvetica.
  • My next step in the process was to research imagery which could be used as the foundation for background texture, and act as supporting visual content.
  • I tend to keep imagery confined to a particular region of the layout, or reserve it for a specific purpose. In my opinion, the overuse of photography or illustration can quickly create a crowded, chaotic design which just obscures the intention or message of the piece. Contrast is an element of design which I love to work with when creating anything visual. This comes just as much into play with use of imagery in a composition as it does within the image itself. Effectively integrating imagery into a design requires an awareness of balance and tension. Compact areas of motion and activity, countered with spaces for the eye to rest and relax.
  • When designing outside HTML and CSS, I focus on constructing the language and guidelines of the page, determining proportions, widths and heights, gutters and white space, specifying complementing typefaces, choosing relative type size and leading, and the application of color as a means of both obvious and subtle accent.
  • I started writing the CSS for the design at a high-level, focusing on the layout structure, major backgrounds, and large regions of the page.
  • Groups of elements were positioned in correct locations. Then I applied the necessary detail to each element, from the top of the page, down.
  • The addition of a background pattern to the left and right of the primary image was an added benefit of discovering I couldn’t position the header as I originally intended.
  • The vertical alignment wasn’t refined until after each column was already positioned on the page.
  • This unity of thought at the final stage of the process is a strong reason the designer and person responsible for generating the HTML and/or CSS need should be working together as closely as possible, if the two are not already the same person.
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