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Nigel Robertson

DHQ: Digital Humanities Quarterly: Designing Choreographies for the New Economy of Atte... - 0 views

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    The nature of the academic lecture has changed with the introduction of wi-fi and cellular technologies. Interacting with personal screens during a lecture or other live event has become commonplace and, as a result, the economy of attention that defines these situations has changed. Is it possible to pay attention when sending a text message or surfing the web? For that matter, does distraction always detract from the learning that takes place in these environments? In this article, we ask questions concerning the texture and shape of this emerging economy of attention. We do not take a position on the efficiency of new technologies for delivering educational content or their efficacy of competing for users' time and attention. Instead, we argue that the emerging social media provide new methods for choreographing attention in line with the performative conventions of any given situation. Rather than banning laptops and phones from the lecture hall and the classroom, we aim to ask what precisely they have on offer for these settings understood as performative sites, as well as for a culture that equates individual attentional behavior with intellectual and moral aptitude.
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    "The nature of the academic lecture has changed with the introduction of wi-fi and cellular technologies. Interacting with personal screens during a lecture or other live event has become commonplace and, as a result, the economy of attention that defines these situations has changed. Is it possible to pay attention when sending a text message or surfing the web? For that matter, does distraction always detract from the learning that takes place in these environments? In this article, we ask questions concerning the texture and shape of this emerging economy of attention. We do not take a position on the efficiency of new technologies for delivering educational content or their efficacy of competing for users' time and attention. Instead, we argue that the emerging social media provide new methods for choreographing attention in line with the performative conventions of any given situation. Rather than banning laptops and phones from the lecture hall and the classroom, we aim to ask what precisely they have on offer for these settings understood as performative sites, as well as for a culture that equates individual attentional behavior with intellectual and moral aptitude."
Nigel Robertson

The Clothesline Paradox and the Sharing Economy (pdf with notes) - 0 views

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    See esp slides 20 and 35 onwards about the unmeasured value in open source.
Nigel Robertson

Will · Really thought-provoking talk from danah boyd,... - 1 views

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    Link to Danah Boyd video from Webstock on the attention economy and how social media can perpetuate the fear of missing something.
Nigel Robertson

managing the transition - academia in a post-scarcity knowledge economy - Followers of ... - 1 views

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    Kernohan - when knowledge is plenty, how do we act / work?
Nigel Robertson

the medium is the message - 0 views

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    Short post from Howard Jarche reminding us that we need to get better at managing our knowledge in the knowledge economy.
Nigel Robertson

Paying for university: Tinkering with the ivories | The Economist - 0 views

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    Article by the Economist talking about the commodification of highre ed
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